Archive for the 'film' Category

Peter and the Wolf stopmotion animation

peter

Suzie Templeton’s animated short of Peter and the Wolf has, among other things, the most gorgeous and engaging Indian Runner duck. My pet ducks are Runners, and I just love them. Be warned, though, Peter’s one doesn’t make it…

The other three parts follow at YouTube. The film won an Academy Award in 2008 for Best Animated Short Film and is based on the 1936 composition of Peter and the Wolf by Sergei Prokofiev. I found a little bit info about the puppets at Pollystaffle.

(Via Espaço das Marionet@s)

Fantastic Mr. Fox movie: first pictures of puppets

fantasticfox

Roald Dahl’s great story Fantastic Mr. Fox is being adapted for the big screen using stop-motion animation.  Some early glimpses of the puppets have been released, and the trailer will be out at the end of the month. (Update: here it is).  More details about the production at USA Today.  As usual I am anxious about how it will be interpreted!

Fox2

Fox

First glimpse of animation adaptation of Shaun Tan’s The Lost Thing

The Lost Thing

InFrame.tv has produced a great 5 minute documentary with Shaun Tan which offers an introductory glimpse at the work-in-progress on his short animated adaptation of  The Lost Thing. It includes little (unfinished) animation clips, and aspects of designing and directing the work. On his website Shaun also writes about his involvement and includes some interesting new sketches and models. I noted the film in 2005, so it is exciting that it is expected to be finished this August!

The film, by Passion Pictures, will be 15 minutes long, and uses CGI with 2D handpainted elements. I’m interested in the comments about achieving rich textures, as they are so much part of the illustrations, and CGI is often so disappointingly smooth and shiny.

I’m happy to see a new book, too: Tales from Outer Suburbia.

I worked on the puppets for Jigsaw Theatre Company’s production of The Lost Thing a few years ago, so you will find numerous related previous posts here:

The Lost Thing
Shaun Tan

Also: The Lost Thing website

The Lost Tribes of NYC

For those of us with a love of pareidolia, a cool short film called The Lost Tribes of New York City by London Squared Productions.

(via Laughing Squid)

Inside all of us is a Wild Thing…

wildthingtrailer

(photo via Spike Jonze Fan Blog)

The trailer of the long awaited Spike Jonze adaptation of Maurice Sendak’s Where the Wild Things Are has just be released on Apple (interesting choice!).  The movie will be in theatres from 16 October 2009. It’s funny how recognizably Australian the forest and beach are in the opening sequence! I can’t tell yet if I’ll love this, but it is looking promising. For me it will probably depend on how much sentimentality has been allowed to creep in: I’m hoping for very little.

Previously:

Where the Wild Things Are
Where the Wild Things Are: Link Dump

Where the Wild Things Are!

Here are some first glimpses of the Wild Things from Spike Jonze’s film adaptation of Where The Wild Things Are. They feature on a limited series of skateboards made by the company that Jonze co-founded, Girl Skateboards Company.  In a previous post there is a link to an article about the making of the creatures, and their filming on the Mornington Peninsular in Victoria.

(via Puppets in Melbourne, PuppetVision and /film)

Looking for a monster

Looking for a monster

(photo: Sidat de Silva)

Looking for a Monster is based on an original puppet play written by a thirteen year old boy, Hanus Hachenburg in the Terezin concentration camp in 1943, shortly before his transportation to the Auschwitz Death Camp. In 1999, puppeteer Gary Friedman discovered the play in a Jerusalem archive. It was performed for the first time in 2001 and has just been filmed in Sydney for inclusion in Gary’s documentary film about the life of Hanus Hachenburg. Gary has a slideshow of photos taken at the shoot in the sidebar of his blog, Puppetry News, and you can also see individual photos in this gallery.

Incidentally, Gary is running another Puppetry for TV course starting in June.

Keeping busy

Knitting squares

While my foot is in a cast I’ve picked up an old knitting project, continuing knitting squares for a blanket. I’ve done about 6 new ones, and I’m up to about 42 squares.

I’ve watched a motley collection of DVDs:

Casino Royale – a complete waste of time, apart from the animation at the beginning which was great – loved the way it played with pattern and card imagery.
Happy Feet – good animation, but crap illogical storyline
Cars – hackneyed if worthy themes, but cool and inventive concepts and animation
Robots – hackneyed if worthy themes, but cool and inventive concepts and animation. Loved all the mechanical ideas.
HP: Goblet of Fire - enjoyable, but so much missing
Starskey and Hutch – thoroughly enjoyable crap – loved it, much to my surprise
Jindabyne – an uncomfortable but really good film; sustained creepiness; feminist, though that opinion might seem odd. My haunting image is of the hooked trout, about to become the mens’ trophy, powerless and taking its final slow gasps and flaps.

And motley reading? I’ve just finished re-reading all 6 of the Harry Potter books. And Bryce Courtney’s The Potato Factory which I enjoyed though it’s not great in any sense. And an old Donna Leon. Now I’m on to The Poisonwood Bible. But I expect to go back to Harry when I get my turn with the new one next week.

Where the Wild Things Are: link dump

Sendak

(Photo credit: wellingtonany)

Mentioning the Spike Jonze film adaptation of Where the Wild Things Are a few days ago reminded me that I had a bunch of WWTA/Sendak links that I collected when I was trying to scrounge information about the film. (As it happens they are keeping things very well under wraps, which is understandable.)

Take a Swim on the Wild Side: article about the filming taking place in Nov 2006 on the Mornington Peninsula, Victoria. There are two pictures of one of the monsters on the beach,and wading out in the water, but don’t get too excited – they are so tiny you can’t really make anything out! It describes the puppets (made by Henson) as follows:

The seven creatures stand up to 275 centimetres tall. Although made of foam, they are heavy and hot for the actors and stunt doubles operating them. Word is they wear them with the head on for no more than 30 minutes at a time, with 10 and 15-minute breaks in front of an air-conditioner… Heavy boots inside the suit and massive clawed hands make it difficult to move.

Loungelistener’s photoset of the performance of Where the Wild Things Are at Detroit Opera House, performed by the Grand Rapids Ballet. Some very cool picture of huge puppets on stage and behind the scenes.

Hand puppets and soft toys, and here
Action figures 1,2,3,4,5,6
Graffiti/stencil in Melbourne
Stencil art
Jack-o-lantern
Leg tattoo
Max tattoo
Mural in LA
Mural at the Philadelphia Flower Show, 2006
Costumes at DragonCon
Float in Mardi Gras, New Orleans, 2006
Pavement chalk art
6 part home videos of WWTA Interactive Metreon theme park – glimpses of one of the big puppets.
The Rosenbach Museum has Sendak Gallery (holding original drawings), shop, and is hosting a Spring Festival this coming week
Mommy a video about Sendak’s new pop-up book.
WWTA animation, I think the 1988 one.

There now, I can delete my Wild Things bookmark folder!

Calder’s Circus

Calderx

(photo: Whitney Museum of American Art)

It’s funny how these things happen. Just the other day I was thinking about Alexander Calder’s Circus, the film of which I saw a few years ago at the first national puppetry summit, and wondering if it might be on the net, and then yesterday Boing Boing linked to clips of it on YouTube, posted by sweetjuniper. There are four parts (Part 1, Part 2, Part 3,Part 4), together making up the whole film made by Carlos Vilardebo in 1961.

The circus was made during the late 1920’s, a precursor to Calder’s mobiles. He made the puppets from bits and bobs: ‘wire, wood, metal, cloth, yarn, paper, cardboard, leather, string, rubber tubing, corks, buttons, rhinestones, pipe cleaners, and bottle caps’.

‘Beginning in 1927, Calder performed the Circus in Paris, New York, and elsewhere. He would issue invitations to his guests, who would sit on makeshift bleachers munching peanuts, just like the real circus. With the crash of cymbals and music from an old gramophone, the circus would begin. It wasn’t the tricks or gimmicks of the circus that appealed to Calder, but the dynamic movement of bodies in space.’
Adam Weinburg

I love the way the characters are caught so well by just a few outlines;

Calder

the mechanics;

Calder3

and Calder’s upfront presence throughout:

Calder2

I also really like how the tricks such as the trapeze artists actually work, but also have a randomness of success. There is also a great sense of humour driving it all.

The circus is now kept at the Whitney Museum of American Art in New York, but is too fragile to tour. However, it is on display there at the moment, until early September. Vilardebo’s film is available on DVD. There is apparently a second filmed version, Cirque de Calder, made in 1953 by Jean Painlevé.

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