The windmill prop I mentioned previously was made for the National Museum of Australia‘s July school holiday program Little BIG Things. It ran in conjunction with the museum’s new Landmarks exhibition, which explores a broad history of Australia through stories of places and their peoples.. The kids visiting the Discovery Centre drop-in activity area could make small sculptures of a big thing from where they came from, and then write a story about it to place on the blades of the windmill.

Against the huge windows in the foyer of the museum the windmill looks quite small despite being 3 metres tall. At home when I did a trial assembly of the windmill outside my studio window, it looked enormous! There are some more photos of the windmill in my Flickr photoset.

I made this giant garden fork prop for  The Fool Factory recently. There are some making photos in my portfolio at Flickr. Before I handed it over we had fun posing with it like the farmer couple in Grant Wood’s American Gothic painting and various other silly things. It definitely invites comic scenarios.

Earlier this year I made the set and props for Flotsam and Jetsam, a production for children which tells stories about living on Australian lighthouse islands in the past. The script was written by Greg Lissaman, from recollections gathered by Chrissie Shaw, the actor. Catherine Roach is the director.

The set is an island, panels painted in a pointalist style, which can concertina into different shapes and be dismantle for touring. The lighthouse is modelled on the historic lighthouse at Cape Otway in Victoria, and Tasman Island in Tasmania was among other sources of stories and images, such as the flying fox access to the island. There were numerous props – seaweed, wooden chests, a porcelain doll, an albatross, and a sea buoy. There are more photos of these in my  Flotsam and Jetsam photoset.

Touring dates and booking details for Flotsam and Jetsam are listed at Chrissie’s site. On 19 – 21 August it has a short season at the Maritime Museum in Sydney, and then it will tour coastal community venues in NSW. Chrissie also performs The Keeper, an adult play also based on lighthouse stories.

This suggestion of a seagull skeleton is a prop for a new play I’m working on, but I rather like it as an object for itself. It’s given me some ideas for making some stranger ones when I get some time later.

By coincidence, today I happened across Chris Jordan’s photographic collection Midway: Message form the Gyre, a photographic documentation how albatross chicks on Midway Atoll ban in the middle of the Pacific Ocean often die because they end up being fed heaps of plastic junk. It’s shocking – only look if you are feeling strong.

Here are a few photos of how my tissue paper shell came out of the mould.

Here are some of the puppets and props; check my Flickr portfolio set for others.

The meercat and the meercat hat:

Yiying Lu in the meercat hat!

I got rather fond of the hat…

The pirate captain (finger puppet):

The rat (rod puppet):

Kevin, the polar bear (worn on shoulders):

Hans and Donaldine, or the other way around… (glove puppets):

The shark (worn on shoulders):

The amoebas (glove puppets):

The eggbeater time machine! Love this great design idea!

Two rockets:

The multiple eyes of Veruna, the water goddess. In motion.

This is Rita, a goat puppet I made recently for Merici College’s 50th Jubilee drama production, Dinkum Assorted by Linda Aronson, which will play at Belconnen Theatre on the 27th, 28th, 29th August. I became quite fond of her.

There’s a photoset of the making process in my portfolio at Flickr.  Rita is made from plywood and polystyrene, and covered with fur fabric and panne velvet. Her mechs are simple, since it will be beginner puppeteers operating her: paired leg movement, and a neck which allows movement up and down as well as turning to either side. For the eyes I decided to use faceted glass beads because I remembered Neville Tranter saying he used them in all his puppets to bring the eyes to life.

Travel well, Rita!

I did somehow stuff up my Monkey See Monkey Do blog, and had to start up a new installation of WP for it, so I guess I’ve lost what little google juice it had. So if you are searching for things like how to slice a banana inside its skin, make tea towel chooks and jumping handkerchief mice, or whistle through your hands, it’s here, or you can use the nifty new navigation tabs at the top of the page.

These two bags are theatre props I made yesterday. They still need some handles and some special things happening inside them, but I am pleased with how they are coming on. There is some relief, too, as I had intended to buy a couple of bags and modify them, but couldn’t find any that were right. I also had trouble finding the purse frames here in Canberra. I resent the fact that most craft shops here now just have scrapbooking supplies.

I hadn’t made bags like this before, but looked up patterns online, and I am indebted to u-handbag for her purse frame demystified tutorial. Isn’t the web great?