Spirits Dancing

Aardman’s latest movie The Pirates! – In An Adventure With Scientists is released on 28 March, and looks like it will be lots of fun. Here are three videos that give a look at the stop motion puppets and the making process.

David Sztypuljak’s  video has some great footage of the sets, workshops and puppets. He also has an accompanying arcticle:

Andrew Bloxham talks about the complex process of creating the Pirate Captain’s luxurious beard:

And Caroline Hague, puppet and maintenance coordinator, talks about looking after the puppets.

Tags: aardman, animation, making of, movie, puppetry, puppets, stop motion, The Pirates! - in and adventure with Scientists

The elephants in yesterday’s post reminded me of this big elephant trunk I made for The Flying Fruit Fly production, The Promise, in 2008. It was meant to wave out from behind some set element, implying the whole elephant was just behind. The mechanism was based on a tentacle mechanism I had worked out previously, but was more complicated because the control lines were too long for the see-saw lever and instead required spools to wind the lines onto alternately to take up the slack. In turn there was a lot of tension exerted on the spools, and the trunk weight added to that problem. So, not a perfect solution, but an interesting make.

I also thought this was nifty – wrinkly elephant skin made by painting latex on stretched lycra! This idea was suggested to me by Tim Denton, from AboutFace Productions, who did the major build for the show, and it worked brilliantly.

Tags: elephant, flying fruitfly circus, mechanism, the promise, trunk

Although I don’t generally like doing repairs (there are exceptions) it’s part of the business, and sometimes interesting to find out how something is made.

One of my clients asked me to mend a hat that he uses for some of his gigs. The brim is quite thick, and its shape was disintegrating. Much to our surprise there were lots of little chunks of wood inside! On the intact side the bits were glued together into a set shape, but elsewhere they were broken up and higgledy-piggledy. Today I poked around a bit more and ended up taking them all out. I’ll probably replace them with shaped foam.

The hat is from the Calcutta Sola Hat Agency, which was enough of a lead to work out on Google that this is a sholapith helmet, and the bits inside are actually pith! It’s the inside spongy core of a water plant which can be pressed and shaped into works of art. I hadn’t ever looked into why pith helmets had that name. It looks as if the hat makers pressed the pith into a newspaper-lined hat mold, and then sealed it off with a few more layers of paper, before covering it with cloth.

Tags: pith helmet, solapith

The custom softie I was making last week was “Officer Dan”, the face of a new board game called Highway Patrol. He will be part of the game promotion when its inventors travel to the International Toy Trade Show in New York next week.

I’ll post a few more making photo’s in my photoset at Flickr in the next day or two.

Tags: custom, make, officer dan, plush, softie

The windmill prop I mentioned previously was made for the National Museum of Australia‘s July school holiday program Little BIG Things. It ran in conjunction with the museum’s new Landmarks exhibition, which explores a broad history of Australia through stories of places and their peoples.. The kids visiting the Discovery Centre drop-in activity area could make small sculptures of a big thing from where they came from, and then write a story about it to place on the blades of the windmill.

Against the huge windows in the foyer of the museum the windmill looks quite small despite being 3 metres tall. At home when I did a trial assembly of the windmill outside my studio window, it looked enormous! There are some more photos of the windmill in my Flickr photoset.

Tags: make, national museum of australia, prop, windmill

I’m working on a windmill prop at the moment. I made the base structure a month or so ago, but am now back to making the blades. The windmill itself is very simple, but it’s size – it will stand 3 metres high – makes it logistically tricky to work on in my studio. It’s coming together nicely, though, and I’m enjoying it.

Tags: prop, windmill

I made this giant garden fork prop for  The Fool Factory recently. There are some making photos in my portfolio at Flickr. Before I handed it over we had fun posing with it like the farmer couple in Grant Wood’s American Gothic painting and various other silly things. It definitely invites comic scenarios.

Tags: american gothic, giant garden fork, make, prop, the fool factory

Earlier this year I made the set and props for Flotsam and Jetsam, a production for children which tells stories about living on Australian lighthouse islands in the past. The script was written by Greg Lissaman, from recollections gathered by Chrissie Shaw, the actor. Catherine Roach is the director.

The set is an island, panels painted in a pointalist style, which can concertina into different shapes and be dismantle for touring. The lighthouse is modelled on the historic lighthouse at Cape Otway in Victoria, and Tasman Island in Tasmania was among other sources of stories and images, such as the flying fox access to the island. There were numerous props – seaweed, wooden chests, a porcelain doll, an albatross, and a sea buoy. There are more photos of these in my  Flotsam and Jetsam photoset.

Touring dates and booking details for Flotsam and Jetsam are listed at Chrissie’s site. On 19 – 21 August it has a short season at the Maritime Museum in Sydney, and then it will tour coastal community venues in NSW. Chrissie also performs The Keeper, an adult play also based on lighthouse stories.

Tags: flotsam and jetsam, lighthouse, props, set, theatre

This suggestion of a seagull skeleton is a prop for a new play I’m working on, but I rather like it as an object for itself. It’s given me some ideas for making some stranger ones when I get some time later.

By coincidence, today I happened across Chris Jordan’s photographic collection Midway: Message form the Gyre, a photographic documentation how albatross chicks on Midway Atoll ban in the middle of the Pacific Ocean often die because they end up being fed heaps of plastic junk. It’s shocking – only look if you are feeling strong.

Tags: albatross, bird, make, prop, skeleton

I have some catching up to do on posting about my work projects.

First up is the cross-section wheat seed that I made for CSIRO Plant Industry, for their annual display at Floriade in September. In other years I’ve made a caterpillar and cross-section flower for them.  The wheat seed is carved out of polystyrene, and surfaced with a mixture of materials: fabric, paper mache, paint and latex. There is a photoset of the process.

I was pleased when I realized I could use a strange stretchy and very synthetic fabric for instant and variable cell textures.  I had used this fabric for skin texture on a goanna puppet in a TV pilot years ago.  At the time the pilot program was taken to a childrens’ program market in Cannes, and there was hopeful anticipation of it being sold to China. Someone with dollars in their eyes advised buying up extra fabric against the day when we went into full goanna and other animal puppet production, but there I was ten years later cutting into it for the first time!

The unlikeliest thing about the wheat seed was how cute it was. Everyone who picked it up cradled it like a baby, and admired its cute little tuft of bristles!