puppets

Light-up emu egg prop

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This is the finished emu egg prop made for BiamiThe story recounts how Biami ‘created the emu Dinnawhan, the female emu, whose spirit he used to create the Wiradjuri people; who now believe they are of the egg of Biami and the female spirit’. This is symbolised by the shadow of a baby in the coolamon within.

The egg is made from Plastimake, small pellets of plastic which soften when heated and can then by modeled. I this kind of plastic at Philip Millar’s puppet doctor session at the puppetry conference in Melbourne last year, and have been itching to have a good reason to use it! Peter, who I contacted at Plastimake, was very helpful, and it turned out to be a great material for this project.

I found it quite tricky to think through the various steps in how to make this, as it had to light up from inside but be self-contained, and you have to be able to access the batteries so they can be changed.

I started by making a polystyrene egg about 20 cm long as a former. Here it is with Special Tool A, a bit of plywood with some blunt sandpaper gaffered onto it, which happens to be ideal for smoothing  polystyrene once you have carved to roughly the right shape. Then I cut the egg in half lengthwise and put a bit of polypropylene in between so that I could later split the egg in half easily, and also cut away a small section at each end so that the ends would end up thick enough to hold screws to keep the two halves together.

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I used small quantities of Plastimake, heated in boiling water. The pellets turn transparent when they are hot enough to fuse, and then you can fish them out with a spoon and mold them to shape. I found that squishing them together a bit with the spoon while they were still in the water was a good idea too. (The little bag of black pellets are colouring pellets of Plastimake which I didn’t end up needing).

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This photo shows the egg completely covered with plastic, in various stages of setting. The opaque areas of white at the large end are set, but in other places where it is still warm you can see right through to the gladwrapped polystyrene inside. Once the egg was covered roughly, I spent quite a bit of time heating it with a hairdryer and then smoothing it out. One of the great things about Plastimake is that it can be reheated and reused, as well as added to, drilled and cut.

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The egg has a flattened part for it to rest on so it doesn’t roll around, and into that I set some polypropylene sheeting with the black contact cut-out of the the baby in a coolamon. In the other half is an led light unit from the dollar shop, with it’s switch button rewired to fit into the right position poking through to the outside of the egg. I also replaced the batteries that came with the light with button batteries instead as it seemed neater, hacking a tealight battery holder so that it held two batteries rather than one. (Thanks Zaiga!)

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Once the egg itself was made and joined up I paper mached the outside with white tissue paper because although paint takes well to Plastimake it can rub off fairly easily with wear. The speckled finish is spray paint and a little green acrylic paint.

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Goanna puppet

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I’ve been making some puppets for Biami, the creation story of the Wiradjuri people, by Duncan Smith and Maitland Schnaars, which will be performed  for the Kids, Creatures and 100 Harlequins – Centenary Children’s Week Celebration on 25 & 26 October in Glebe Park. (It’s part of the Centenary of Canberra project.)  Today I finished the goanna!

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The Rock House

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This is the little ‘rock’ house I made for the play I blogged about last week, Joy McDonald’s The (Very) Sad Fish Lady. It is made from sheet polypropylene cut to suggest rocks , and was covered with gauze, so that it could appear solid when lit from outside, but could also show action inside when lit internally.

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Here are a few making photos.

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The (Very) Sad Fish Lady

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The (very) Sad Fish Lady, now on at the Street Theatre until 5th Oct, is delightful. It’s written and directed by Joy McDonald, and is a fusion of stories from her family about their immigration from the little Greek island of Castellorizo, just off the Turkish coast, to Australia, plus a bit of magic. It’s told with a mixture of puppets – marionettes (Joy toured Australia as a puppeteer with the Marionette Theatre of Australia’s Tintookies), shadow puppets in the style of the Greek Karagiozis tradition, and rod puppets. Its unusual to see marionettes these days, and they have a great charm to them.

The play has a unique quality to it, in the sense that the story and the characters are not stereotypical in any sense – this is a real breathe of fresh air!  I think this is partly what Frank McKone is referring to when he describes it as folk art theatre. It’s also outright funny in places, and has great music by David Pereira. Imogen Keen was the set designer and Joy made the puppets. My involvement was making the little rock house the VS Fish Lady lives in.

There’s also an accompanying exhibition of the puppets, storyboard and process at Craft ACT until 19 Oct. I took the following photos there:

Mr Moustaki.

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The (very) Sad Fish Lady.

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Some of the characters (in shadow puppet form) who visit the fish lady to have their fortunes told.

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The shadow puppets from behind the screen.

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Drawings of the (very) Sad Fish Lady’s epiphany. There is now a picture book of The (very) Sad Fish Lady.

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The Rhyme of the Ancient Merino

It’s great to see the complete realisation of Dave Jones’s The Rhyme of the Ancient Merino.

At sail on a sea of wheat, the Ancient Merino and his aging theatre troupe struggle to eke out an existence in a hostile environment. When a the threat of modern technology looms they must adapt or fade into obscurity.

The animation is an allegory for the story of ‘the 50 year history of the Arapiles Community Theatre, and the recent influx of new arrivals and the changes that has brought about’ in the small regional town of Natimuk, Victoria. Traditionally a service hub for the surrounding farming country, Natimuk is also the closest town to Mount Arapiles, a mecca for rock climbers, so it is an interesting mix of farming people, climbers and an arts community. In October it will again be the centre for the Nati Frinj.

I love the puppets in this; they’re life size and  made from bits of old farm machinery. And I like the little details like the snails.

Erth’s The Dream of the Thylacine

This is a great behind-the-scenes video for Erth‘s The Dream of the Thylacine which will run at Carriageworks in Sydney 25 Sept to 5 October. In particular it shows super talented puppet maker Bryony Anderson talking in some detail about how she thought about the project, and her process in building the thylacine puppet, down to how and why she came to make the fur from potato sacks!

Also take a look at this amazing spider made by Bryony and friends, using only stuff from the dump.

On borrowed time…

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With Prime Minister Julia Gillard’s leadership looking pretty rocky at the moment, I thought I better jump in and post these photos of finger puppets of her and Opposition Leader Tony Abbot before she isn’t Prime Minister any more! They were made for the Women’s Health Magazine late last year and appeared in the January 2013 issue, illustrating a fluff article about Aussie excellence, in this case how good Australian politicians are at insulting each other in parliament.

The magazine first contracted me to make finger puppets of then PM Kevin Rudd and OL Tony Abbot and their deputies in June 2010, but almost the next day Rudd was rolled by Julia Gillard. Don’t want to be gazumped again!

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There are few more photos of the puppets in my photoset at Flickr. Of course I had some fun doing silly things like this with them before they were shipped. Do I hear a resounding ‘ewww!’?

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A Midsummer Night’s Dream with Handspring

My heart did a little flip when I first saw the jellyfish puppet and the large hand and head in this  trailer for the Bristol Old Vic/Handspring Puppet Company’s production of A Midsummer Night’s Dream. I love Handspring’s puppets! In the following BBC video you can see some more of the puppets in greater detail if you can put up with the corny interviewer, while some reactions to the play are being storified here. The production is currently on until 4 May, and will also be at the Spoleto Festival USA starting 23 May.

Mushrooms and monsters

Last April I made these four muppet characters for a student film project. I never saw the resulting video, so I can’t say how it went! The Mushroom King technically isn’t really a muppet; instead he was made to dangle on a string, and his mouth is moved remotely using a bike cable.

I’m trying out the WordPress gallery here. It annoys me that you cant’t see the tentacle monster’s one eye in the thumbnail, but once you click on the thumbnails the gallery viewer itself is quite cool. Time will tell if I persist with using the galleries!