Archive for the 'technology' Category

Interactive Kinect Puppets

Shortly after the Kinect was launched in late 2010 Emily Gobeille and Theo Watson from Design I/O used it make a quick interactive puppet protoype by skeleton tracking on an arm. Their updated 2.0 installation above, Puppet Parade, looks great fun, allowing

children to use their arms to puppeteer larger than life creatures projected on the wall in front of them. Children can also step in to the environment and interact with the puppets directly, petting them or making food for them to eat. This dual interactive setup allows children to perform alongside the puppets, blurring the line between the ‘audience’ and the puppeteers and creating an endlessly playful dialogue between the children in the space and the children puppeteering the creatures.

The unedited clip where it is easier to see the movements in more focus is also interesting. Although these are made differently they share some qualities with Philip Worthington’s earlier Shadow Monsters.

Some thoughts on 3D printing and the arts

If you want to blow your mind, take a journey into the revolutionary realm of 3D printing. Rapid prototyping has been around for about 20 years, but 3D printing seems now to be quickly becoming a viable manufacturing process for a wide range of materials and objects. There are lots of examples, of which the following are only a small selection:

Like other disruptive technology, 3D printing looks as if it will follow the path of offering the ability to decentralize and customise, and to make unique things cost effectively.

It’s interesting to consider what impact this is already having and going to have on artists and how they make things, as it becomes mainstream. Imagine, we can digitally sculpt or scan something in 3D (or photograph it, send the photos to somewhere like Photofly to get them stitched into a 3D scan), then send the files to a fabricator or perhaps even our own 3D printer , and there it is. There is the obvious debate between new and old, manufactured and handmade, and whether quality will be enhanced or compromised.  Most likely 3D printing will become an additional useful tool for some processes, components and items, and competency in these technologies will become more expected in the arts industry.  And, entirely handmade is likely to become rarer but more valuable.

Being John Malkovich via real-time facial recognition

Anyone involved in puppetry in any way knows that the first question you get asked is ‘So, have you seen that movie Being John Malkovich?” Here’s a system where you can control the face of someone else – even John Malcovich – using facial recognition in realtime via a webcam.

Puzzling over twitter app tweet preferencing

Why do the Twitterific, Twitter for Mac and Twitter for iPhone apps preference against tweets in the recent past? For example, if I want to catch up with what’s happened overnight – the US day – the feed has a gap in it jumping from, say, 3 hours ago to 16 hours ago. The Twitter for iPhone app lets you load more into the gap, but it’s not ideal.

It’s not as if I want to necessarily read all of those tweets, I’m quite happy to fish what I want out of the passing river of news, and let the rest go. And it’s not that I’m not comfortable with the philosophy that if something important has happened the river will deliver it a number of times over. What I don’t understand is why the apps choose not to just let the river flow past me. What possible reason is there to preference tweets from 16 hours or a few days ago over what happened in the last 10 hours?

LetterMPress: letterpress app for iPad

I imagine a large part of the attraction of letterpress printing is to do with the physical handling of the type, and it being a hands-on process. But the argument made by designer John Bonadies for LetterMPress, a proposed virtual letterpress app iPad, is that it will  ’give designers, artists, students, lovers of type—anyone—the ability to produce their own authentic letterpress designs and artwork’ when wood type and vintage cuts have become sought after and rare.

I’m not sure if letterpress artists and printers will regard this as encouraging the preservation and recognition of the aesthetic qualities of letterpress, or as an undermining of the art. But it looks like an app I would find attractive.

(via Laughing Squid)

And now, a giant robotic sock puppet!

Mr Weekend is a giant (4.5 metre tall) robotic sock puppet made by Michael Simi. He is fashioned over a large mechanical hand from a defunct Michigan car factory and is having some difficulty adjusting to his change of job into the art world…

(via @JudexJones)

Puppet Warp in PhotoShop

A new feature in PhotoShop called Puppet Warp will enable manipulation of an object, or parts of an image, by using an overlayed mesh and control pins.

Visual musing on rrsCloud

Visual musing on rssCloud

I spent a little time this morning playing with the idea of rssCloud being represented by a merging of the rss icon with a Chinese cloud.

Should the real time web be able to forget?

In The Flow Past Web Kevin Marks suggests that it’s important that our understanding of the time horizon around the real time web takes in both the flow of real time web streams and their past, the history in those flows.

Our lives in the real world are made up of real time flows around our senses – verbal, activity, visual, aural flows. When we experience them, we only remember some of them. Probably most of them are forgotten; those we do remember are unconsciously synthesized into memory, in what Roger Schank in Tell me a Story: Narrative and Intellegence calls story skeletons or gists. These can be retrieved later if needed, if they are stored in our memory with enough indices that we can find the appropriate one for the occasion.

In commentary about the real time web there seems to be a natural underlying feeling that the closer the real time web gets to replicating real life communication the better. On that assumption then, and drawing the two ideas above together, I’ve been wondering about how, or if, the real time web should be able to forget.

It’s fairly easy to see that search fulfills the remembering aspect in the analogy. If content on the the web is tagged with enough indices, like our brain subconsciously tags experiences, then information we or others need can be retrieved by search engines. This fits in with the insistence – Scoble‘s evangalising of FriendFeed for its advanced search (now to become Facebook’s) comes to mind – that real time services are much more valuable if their history can be comprehensively searched.

But what about forgetting? In real life forgetting is a way of filtering out what is not important, or that which we don’t care to remember. We act on the assumption that much of what we say and do will not be remembered either by us or others. Forgetting seems to me to be both a filter to enable us to remember what is important, and a kind of safety valve. Our heads would likely burst if we were able to search and remember everything.

What we broadcast online is also subject to our normal subconscious forgetting: we forget a lot of what we put online over time, and we can assume our readers forget what we have done too, if it’s not particularly important. We can also be active in forgetting, in the sense that the web is fluid and we can revise, update and delete, as long as we have control over our own data.

On the static web, outdated versions of pages slip away easily.  Doc Searls recently made the point in Because advertising encourages Altzheimer’s that traditional search could, but doesn’t, favour archiving of the sort that enables delving into past versions of what has been online, because it is geared towards advertising not research. On the live web, Scott Rosenberg points out that blogs are potent because they are good at both modes of flow and past, in updates and archives. These are both in our control.-

In real time flow services we can delete or hide individual updates (but only to a certain extent), whole accounts, or choose to make our accounts private. However, we don’t yet have the open unwalled services that would give us the same control over remembering and forgetting conversations that we can have with static web pages and blogs.

But moving back to the more metaphysical questions about remembering, forgetting and the real time flow, in The Real Time Search Dilemma: Consciousness Versus Memory Erick Schonfeld says:

If real time data streams are akin to the living consciousness of the Web, how do you search them? How do you search consciousness? It is not the same as searching memory, which is what Google does when it looks at its indexed archive of the Web and how those pieces of information build up authority over time. The real time search dilemma centers precisely around how to rank results, and how to resolve the tension between recency and relevancy….

Can you search consciousness, or can you only watch it pass by?… But it is clear that in order to make sense of the stream, it needs to be ranked by order of importance as well as by time.

He attributes his thoughts to a conversation with Edo Segal:

“Real time taps into consciousness,” says Segal, “search taps into memory. That is why it so potent. You experience the world in real time.”

Segal gives a deeper explanation in the comments, describing real time search as a leap in our evolution:

Imagine that every public discussion, post, video, event, are all being analyzed at once by an intelligent system, an evolving AI, take a god’s eye view, think of the opportunities. Its not about getting an alert for a stock you follow or a blog post, its about connecting to humanities collective consciousness as these technologies manifest as a real world vibrant avatar of us all.

I’ve been musing about a kind of noosphere like this for some months now, one without religious connotations. If we are implementing platforms and feeding services on the web that approach mimicking functions of the brain,  are we building a world-fed brain-like sphere of knowledge?

Schank relates intelligence to telling and listening to our everyday stories*,  “the process of creating the story also creates the memory structure that will contain the gist of the story for the rest of our lives. Talking is remembering”.  We are defined by the stories we tell. What we don’t tell is forgotten, what is only told seldom is usually forgotten over time, and what we tell over and over is remembered more, but is subject to embroidery and selected emphasis for different effects and audiences, so that truth is at best ephemeral.

If the impetus on the web is for real time flows to be like spontaneous real life conversations – telling stories – and their past is an important dimension too, and can be stored with indices and able to be searched like memory, then the analogy suggests the system itself probably needs to be able to forget, too, and only remember the things that get told with frequency over time. I guess an alternative view is that if the system can remember and retrieve more than people can, it is an advantage, just like Google can be seen as an extension to memory, a kind of Harry Potter pensieve. I’m not sure; I think I’d prefer a system where real time conversations are forgotten unless actively remembered.

*Incidentally, I think this is the secret to why Twitter and microblogging works, but that is for another post.

Fun fun fun til Twitter took the t-bird away

Twitter has now developed and then taken away three functions that made it exciting for me to use.

1. Track was taken away a year ago. Only some of us tasted it, but it was da bomb. Twitter knows.

2. SMS notification was taken away from Australians (and some other non-US countries) about 9 months ago. It was a buzz to receive tweets from a couple of good friends via phone. It was the whole rationale behind Twitter in the first place.

3. The @reply brouhaha that erupted yesterday is still unfolding, but it looks as if the underlying desire is to limit following through to conversations one’s friends are having with people you are not following. As many people have said, serendipitous discovery is one of the richer aspects of Twitter.

When I went overseas last year I took lots of photos for my own record and pleasure. People always say they are interested in seeing photos from trips, but more often than not they don’t really engage with them. But I did try to make a short photoset to show to people who said they were interested. The paradox I discovered was that the more I culled, the less interesting the photos became: you are drawn to choose the more iconic rather than the idiosyncratic. For instance, if you have to choose one photo to represent your time in Paris, you are more likely to pick the Eiffel Tower, rather than the funny alleyway litter bin that you could imagine becoming a puppet character. However, it is the layering of the unexpected and unusual like the latter, which sets up rich memories and stories of a place for the person who experienced them. In the same way, Twitter and it’s users might find themselves operating within a similar paradox.

In the meantime we wait for Friendfeed or others to do what Twitter has so far reneged on.

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