Howard statue update

Posted by hil

Greg Taylor’s sculpture of John Howard that I blogged about in late February is apparently in storage at the moment until an unveiling at the National Folk Festival over the Easter weekend.

I’ve also found an ABC 666 page about the sculpture, which includes two pictures of the statue being removed from Reconcilliation Walk, and a couple of radio interviews with Greg Taylor at the time. The interesting thing about the second interview is that the joking talk about businesses having to ‘pay ransom’ to get the statue moved from their premises came back to haunt this last week. A local liberal MP claimed that ActewAGL, the company to first to host the statue outside their shopfront, had been blackmailed into making a donation. Both the sculptor and the CEO of ActewAGL dismissed the claims as ridiculous.

Chomick & Meder: figurative art and automata

Posted by hil

Chomick & Meder is a wonderful site detailing the figurative art and automata of Peter Meder and Chris Chomick. Most of the figures are one-of-a-kind doll art, standing between 30 – 50 cm tall, and with heads, hands and feet sculpted from Cernit (something akin to Sculpy, maybe?). The figures are beautifully dressed, too. But its the odd and amusing characters that really draw me in. Take Elvisan, or Baby Dewey, or JouJou L’Amour for instance.

A number of the figures have hand made automata mechanisms. These have been designed and machined by the artist, and consist of ‘an internal crankshaft, which enables the Automaton to operate at varied speed, in forward or reverse. The brass hand-crank mechanism operates a counterbalanced armature, creating a rhythmic side-to-side motion with alternating leg kicks’. In the automata gallery are three monkeys, Cecil and Emo, and the mad scientist Dr. Messmore, MD. With the last, the artist has been developing ‘a programmable automaton using servo electronics controlled by a laptop computer’ enabling ‘customized movements, essentially creating one-of-a-kind moving figurative sculptures’. Its described as an ongoing process, in which the ‘ultimate goal is to have the automaton operate independently of the computer, evolving from an educational tool to an art object desired by collectors of automata’.