{"id":151,"date":"2005-10-02T16:41:00","date_gmt":"2005-10-02T16:41:00","guid":{"rendered":"http:\/\/spiritsdancing.com\/sdblog\/?p=151"},"modified":"2015-08-23T20:35:58","modified_gmt":"2015-08-23T09:35:58","slug":"margaret-olley-maxine-mckew","status":"publish","type":"post","link":"https:\/\/spiritsdancing.com\/sdblog\/2005\/10\/02\/margaret-olley-maxine-mckew\/","title":{"rendered":"Margaret Olley &#038; Maxine McKew"},"content":{"rendered":"<p>Maxine McKew (<a href=\"http:\/\/www.abc.net.au\/7.30\/default.htm\">7.30 Report<\/a>) did a lovely <a href=\"http:\/\/www.abc.net.au\/7.30\/content\/2005\/s1470596.htm\">interview<\/a> the other night with artist Margaret Olley. Part of the charm was non-verbal, the smiling eyes, expressions, gestures, the unsaid knowingness, on each side. But this was my favourite part of the verbal :<\/p>\n<p>MAXINE McKEW: You&#8217;ve said you paint for yourself. Is that right?<\/p>\n<p>MARGARET OLLEY: I do. Who would you paint for?<\/p>\n<p>MAXINE McKEW: So you don&#8217;t have a particular market in mind or?<\/p>\n<p>MARGARET<br \/>\nOLLEY: Oh, perish the thought! No, the only reason you have an<br \/>\nexhibition&#8230;is really, that moment when they say &#8220;it&#8217;s up&#8221;.<\/p>\n<p>MAXINE McKEW: The book also documents&#8230;some dark moments and one of them of course is your battle with alcoholism.<\/p>\n<p>MARGARET OLLEY: Oh, yes. Whatever I do, I do it to excess. (Laughs). Whatever I do, I do it to excess.<\/p>\n<p>(via <del>Articulate<\/del>)<\/p>\n<p>I&#8217;m fond of Maxine McKew. She is an astute political interviewer, a feminist, and an excellent presenter, and then occasionally you also get to see her conduct a more relaxed personal interview like this. Another I particularly remember was a conversation with <a href=\"http:\/\/www.mq.edu.au\/about_us\/faculties_and_departments\/faculty_of_arts\/department_of_english\/staff\/professor_yasmine_gooneratne\/\">Yasmine Gooneratne<\/a>, an English literature academic, about the rash of Jane Austen adaptations. It was obvious from twinkling eyes that McKew appreciated Andrew Davies&#8217; 1995 adaptation of Pride and Prejudice.<\/p>\n<p>Incidentally, the Gooneratne family run <a href=\"http:\/\/www.thehindu.com\/thehindu\/mp\/2003\/01\/23\/stories\/2003012301130200.htm\">Pemberley House<\/a>, an International Study Centre in Sri Lanka, which I think is essentially a retreat. I&#8217;ve always thought it would be fun to visit there. Thinking about the attraction now, I&#8217;m wondering if there is something about the look of it &#8211; perhaps a similarity with Natal? &#8211; that triggers some memory from my South African childhood. I only lived there until I was 7, and don&#8217;t think of myself as rememering much about it, but I was listening to J. M. Coetzee reading his South African book Boyhood on <del>First Person<\/del> recently, and was astounded at how evocative it was for me. I instinctively understood words that I had not heard since I was little, and could see again scenes that I had forgotten I knew.<\/p>\n<p>Updated links 2015<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Maxine McKew (7.30 Report) did a lovely interview the other night with artist Margaret Olley. Part of the charm was non-verbal, the smiling eyes, expressions, gestures, the unsaid knowingness, on each side. But this was my favourite part of the verbal : MAXINE McKEW: You&#8217;ve said you paint for yourself. Is that right? MARGARET OLLEY: [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[102,8,37],"tags":[366,363,364,365],"class_list":["post-151","post","type-post","status-publish","format-standard","hentry","category-art","category-books","category-tv","tag-jm-coetzee","tag-margaret-olley","tag-maxine-mckew","tag-pemberley-house"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/paZhI-2r","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts\/151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/comments?post=151"}],"version-history":[{"count":2,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts\/151\/revisions"}],"predecessor-version":[{"id":3546,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts\/151\/revisions\/3546"}],"wp:attachment":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/media?parent=151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/categories?post=151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/tags?post=151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}