{"id":92,"date":"2005-04-18T16:52:38","date_gmt":"2005-04-18T16:52:38","guid":{"rendered":"http:\/\/spiritsdancing.com\/sdblog\/?p=92"},"modified":"2015-07-26T16:27:41","modified_gmt":"2015-07-26T05:27:41","slug":"puppetry-daemons-in-his-dark-materials","status":"publish","type":"post","link":"https:\/\/spiritsdancing.com\/sdblog\/2005\/04\/18\/puppetry-daemons-in-his-dark-materials\/","title":{"rendered":"Puppetry Daemons in &#8216;His Dark Materials&#8217;"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.spiritsdancing.com\/blog\/hdm.jpg\" style=\"margin: 0px 5px 5px 0px; float: left\" border=\"0\" \/>By all accounts the two-part 6 hour stage adaptation of Philip Pullman&#8217;s trilogy <a href=\"http:\/\/www.amazon.com\/exec\/obidos\/external-search?search-type=ss&amp;tag=spiritsdancin-20&amp;keyword=His%20Dark%20Materials&amp;index=books\">His Dark Materials<\/a> is absolutely stunning. I think it has had two seasons at the <a href=\"http:\/\/www.nationaltheatre.org.uk\">National Theatre<\/a> in London: one in 2003, and a second that finished earlier this month.<\/p>\n<p>The <a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6007&amp;Section%252F@id=134.html\">daemons<\/a>, physical manifestations of the human soul in the shape of animals that reflect a person&#8217;s character, are puppets. They were designed by <a href=\"http:\/\/www.michaelcurrydesign.com\">Michael Curry<\/a>, who is perhaps best known for the puppets in The Lion King. <a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6004&amp;Section%252F@id=35.html\">Stagework<\/a> has an extensive website on the adaptation, and its possible to see a few of the <a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6012&amp;Document%252F@id=531.html\">initial designs<\/a> there, and glimpses of the puppetry in some of the video clips:<\/p>\n<p><a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6012&amp;Document%252F@id=533.html\">Operating the golden monkey<\/a><br \/>\n<a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6012&amp;Document%252F@id=5101.html\">Lyra meets Mrs Coulter<\/a><br \/>\n<a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6012&amp;Document%252F@id=2843.html\">Cittagazee performance<\/a><br \/>\n<a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6012&amp;Document%252F@id=269.html\">Captured by bears<\/a><br \/>\n<a href=\"http:\/\/www.stagework.org.uk\/webdav\/harmonise@Page%252F@id=6012&amp;Document%252F@id=161.html\">Lyra and Iorek (scene in rehearsal)<\/a><\/p>\n<p>In both these and the puppets in &#8216;The Lion King&#8217;, I think the magic lies in how the overall shape and actions of the creatures are suggested. Often the puppeteers are built into the shape in unexpected ways, and they use their whole bodies to make the animal move. In &#8216;The Lion King&#8217;, for instance, the puppeteers playing the hyenas held the hyena heads low down and at arms length, while their own heads provided the high shoulder line that is so distinctive in a hyena&#8217;s overall shape. Likewise, the polar bears in &#8216;His Dark Materials&#8217;, are defined by a puppeteer holding a head mask in one hand and a great clawed paw in the other, with just the suggestion of great shoulders in what looks like a flexible curved line between the two, and a powerful lumbering gait.<\/p>\n<p><a href=\"http:\/\/www.bridgetothestars.net\/\">Bridge to the stars<\/a>, which looks as if its the natural online home for &#8216;His Dark Materials&#8217; fans, has a section on the <a href=\"http:\/\/www.bridgetothestars.net\/index.php?p=stage\">stage adaptation<\/a>, including <a href=\"http:\/\/www.bridgetothestars.net\/index.php?p=stagework\">a guide to the Stagework site<\/a>, <a href=\"http:\/\/www.bridgetothestars.net\/index.php?p=ImagesStage\">images<\/a> and reviews.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By all accounts the two-part 6 hour stage adaptation of Philip Pullman&#8217;s trilogy His Dark Materials is absolutely stunning. I think it has had two seasons at the National Theatre in London: one in 2003, and a second that finished earlier this month. The daemons, physical manifestations of the human soul in the shape of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[8,30,203,20,4,14,33],"tags":[1359,1391,228,230,1371,231,229,179,1375],"class_list":["post-92","post","type-post","status-publish","format-standard","hentry","category-books","category-creatures","category-design","category-make","category-puppetry","category-puppets","category-theatre","tag-books","tag-design","tag-his-dark-materials","tag-lion-king","tag-make","tag-michael-curry","tag-philip-pullman","tag-puppetry-puppets","tag-theatre"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/paZhI-1u","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts\/92","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/comments?post=92"}],"version-history":[{"count":10,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts\/92\/revisions"}],"predecessor-version":[{"id":3195,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/posts\/92\/revisions\/3195"}],"wp:attachment":[{"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/media?parent=92"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/categories?post=92"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/spiritsdancing.com\/sdblog\/wp-json\/wp\/v2\/tags?post=92"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}