One of the recent acquisitions at the National Gallery of Australia here in Canberra is a larger-than-life sculpture of a naked pregnant woman by Ron Mueck. Its an extraordinary thing: 2.5 metres tall, and so life-like in its attention to the minutest detail and colouring that you are compelled to get up close to look, and then suddenly feel as if you have got way too personal. Then again the woman seems entirely in her own world, feeling the enormity of pregnancy in every way, and as if nothing else can impinge on those sensations.
The gallery is also showing a video of the making of Pregnant Woman, which was very interesting to me as a maker. The sculpture is made of fibre glass and silicon, and the video shows the elaborate processes of mold making and casting that was involved. I’m not sure if the video being offered for sale at the National Gallery, Trafalgar Square, London, is the same, but it looks from the description as if it might be. One technique that I thought might prove useful is that shellac can be painted on a clay sculpture to prevent it drying out.
Here are some links to some collections of Ron Mueck’s amazing work: again, the sculptures are all superbly realistic except for some twist involving scale:
Dead Dad from the BBC’s The Saatchi Phenomenon . The figure is less than life-size in death.
Artmolds.com. Numerous works.
ABC’s Gateway to Arts and Culture: 49th Venice Biennale: Ron Mueck’s ‘Boy’. This includes a RealVideo walkaround of ‘Boy’ shot by Pollyanna Sutton.
Boy. A couple of pictures.
James Cohen Galleries. Numerous works pictured, and a collection of articles and reviews in pdf files.
