Kath at red current has been blogging about the Craft & Quilt Fair held last weekend, and mentioned really liking a quilt made by Alison Horridge. Here are pictures of three more of Alison’s quilts.
art
Night/Baby
Sand Circles
Analogia (Andres Amador) has a lovely gallery of large scale sand circle patterns, made on the beaches of San Fransisco. The patterns are made by raking the sand , exposing the wetter, and therefore darker, sand underneath. Phidelity has other images of the same circles, and includes some designs to be considered for future circles. Glen Tregurtha in New Zealand is also a sand artist, and his gallery is here. I can understand liking the impermanence, seeing it washed away, rather like the Tibetan monks that spend days making intricate sand mandalas, and then brush it all up in minutes.
Updated 2015: some links broken.
Artist Trading Cards
I’ve been making a few artist trading cards: an edition of just three. One of them is in exchange for Mimi‘s night baby.
Close-ups below.
I find the concept of artist trading cards quite seductive. It must be the idea of miniature art, like stamps and other mailart. But I am also wary of getting into it, on time grounds alone.
For a long time I wanted to make an installation – sometimes I still do! – with the little images I did for The Republic of Pemberley years ago. (Some of them were money and stamps invented for that imaginary world, featuring Colin Firth’s Darcy from Pride and Prejudice, but those particular ones are not online at the moment). The idea was to print and frame the pictures at the scale they were made – 200 x 150 pixels – and then exhibit them in a purpose-built miniature gallery. The way you would view them would be through peep holes, or being able to pop you head up into the individual gallery rooms from underneath. The idea connects into ideas I have long played around with, to do with how cyberspace impacts on our understandings of public and private space.