books

Spare Parts Puppet Theatre: The Velveteen Rabbit

Posted by hil

Spare Parts Puppet Theatre in Perth, WA, is presenting ‘The Velveteen Rabbit’ in June and July.

‘An enchanting story where anything is possible if you invest it with enough belief and love. Based on the classic children’s story by Marjory Williams, (and adapted by Greg Lissaman) the velveteen rabbit is the much cherished toy of a young boy. To his family it was merely a plush toy, in amongst many, but the boy (and the rabbit) knew he was real. Was it just imagination or can the bond of love make something real?’

Dates and times are available here.

I caught an interview about the production with Philip Mitchell, the Artistic Director of Spare Parts, on the ABC program Life Matters last week. You can still listen to it by following the audio link for June 7th here. (links no longer available)

Little Golden Books: Tibor Gergely

Posted by hil

The following illustration is by Tibor Gergely from the Little Golden Book ‘Houses’ by Elsa Jane Werner. I’m posting it as a comparison to the one by Richard Scarry in another Little Golden Book, ‘Cars and Trucks’, over at Wee Wonderfuls. There is an interesting discussion there about how in updates of the book that particular illustration has been changed to accommodate a more feminist attitude to gender roles. This one obviously belongs firmly in the earlier era, and I wonder if it was changed in a similar way later on?

I don’t have an exact date for this book – its one of a set of four books that together make up a ‘Little Golden Book Library’ that I bought in about 1983, and the dates given collectively are 1948 through 1969.

I was interested to see in an online bio of Tibor Gergely that as a young man he worked for two years in a Vienna marionette theatre as a puppet designer and stage decorator :-).

Who Said: A Literature Game Podcast

Posted by hil

WhosaidMy friend Amy has launched Who Said?, a cool audio literature trivia game. It’s delivered as a podcast if you want to receive it that way; or you can listen on the web site. Two or three times a week, she will make an audio recording from a novel. It will be a short passage, always something a character says. Your task will be to guess the character, book and author.

Amy has been involved with online discussion since the mid nineties (she founded the premiere Jane Austen discussion site, The Republic of Pemberley in 1996, for example) so its no surprise there is an attractive discussion forum at Who Said? where you can brainstorm your hunches, make suggestions about the game and talk about the books that the audio passages are taken from.

Japanese Design Motifs

Posted by hil

ButterflyMeggiecat is a constant source of interesting art-craft-image-related notes. Her link to Japanese Free Clip Art the other day provided this lovely swallowtail butterfly image, for instance.

The designs reminded me of a book called ‘Snow, Wave, Pine:Traditional patterns in Japanese Design’ by Motoji Niwa and Sadao Hibi, which I sometimes page through in the bookshop. Its a beautiful collection of photographs of classic decorative patterns on a wide variety of objects (for example robes, laquerware, swords and ceramics), and many drawings of family crests and stylized motifs.

Penguin Classic Book Title Mugs

Posted by hil

Penguin Books in the UK is having its 70th anniversary this year. The Victoria and Albert Museum in London, that wonderful museum of arts and design, is marking the anniversary with a display of about 500 of Penguin’s iconic book covers. It runs from 8th June to 13th November.

Mugs_3

I have been drooling over this range of mugs that feature 31 of the classic Penguin book designs. I supposethey give me pleasure because they are familiar to me from my mother’s bookshelves when I was growing up. There are tea-towels, too. Is it deeply ironic or intentionally funny to have a Virginia Woolf ‘A Room of One’s Own tea-towel? And Arthur Ransome mugs are yet another temptation – just how cool would it be to have a ‘Swallows and Amazons’ mug?

Puppetry Daemons in ‘His Dark Materials’

Posted by hil

By all accounts the two-part 6 hour stage adaptation of Philip Pullman’s trilogy His Dark Materials is absolutely stunning. I think it has had two seasons at the National Theatre in London: one in 2003, and a second that finished earlier this month.

The daemons, physical manifestations of the human soul in the shape of animals that reflect a person’s character, are puppets. They were designed by Michael Curry, who is perhaps best known for the puppets in The Lion King. Stagework has an extensive website on the adaptation, and its possible to see a few of the initial designs there, and glimpses of the puppetry in some of the video clips:

Operating the golden monkey
Lyra meets Mrs Coulter
Cittagazee performance
Captured by bears
Lyra and Iorek (scene in rehearsal)

In both these and the puppets in ‘The Lion King’, I think the magic lies in how the overall shape and actions of the creatures are suggested. Often the puppeteers are built into the shape in unexpected ways, and they use their whole bodies to make the animal move. In ‘The Lion King’, for instance, the puppeteers playing the hyenas held the hyena heads low down and at arms length, while their own heads provided the high shoulder line that is so distinctive in a hyena’s overall shape. Likewise, the polar bears in ‘His Dark Materials’, are defined by a puppeteer holding a head mask in one hand and a great clawed paw in the other, with just the suggestion of great shoulders in what looks like a flexible curved line between the two, and a powerful lumbering gait.

Bridge to the stars, which looks as if its the natural online home for ‘His Dark Materials’ fans, has a section on the stage adaptation, including a guide to the Stagework site, images and reviews.

‘The Snail House’ by Allan Ahlberg

Posted by hil

The Stop Laughing This Is Serious Gallery in Blackheath ran a great exhibition of puppetry-related works during One Van, which I hope to get around to blogging about sooner or later. But they also had a small but interesting range of books, and I have been kicking myself for not buying one called ‘The Snail House’, by Allan Ahlberg, as its not generally available in bookshops here.

I’ve always loved Ahlberg’s picture books (‘Peepo!’, ‘The Jolly Postman’, ‘Each Peach Pear Plum’, (all illustrated by Janet Ahlberg, his wife) and ‘Mrs Plug the Plumber’ were favourites in our house), so ‘The Snail House’ caught my attention anyway, but its an absolutely beautiful picture book. Its about a grandmother telling her grandchildren a story about how they shrink until they are small enough to go travelling in the house on a snail’s back, and the adventures
they have.

Snailhouse1

Its charming in so many ways. The adventures are everyday, and yet exciting; for example, an apple falls next to them and it seems like an earthquake or bomb. It has all the joys of contemplating life in different scales and microcosms. The illustrations, by Gillian Tyler, are finely drawn and textured, with lovely soft muted colours, and I’m sure they have lots of secrets in them to spot, as Ahlberg books do. Most intriguing is the manner of the telling: its written so you can see the grandmother reacting and adjusting her story as the kids react imaginatively to what she is saying, just as it happens
in real life.

I like the humour, lightness, and modesty that comes across in interviews with Ahlberg, such as in this one with his readers, or when talking about his poetry (I hadn’t realized he had published verse). Penguin UK’s listing of him as one of their authors goes some way to describing the vitality and connection that must have existed both professionally and personally between him and his wife Janet, who illustrated many of the books. That ‘process of playing table tennis’ with ideas, jokes and visuals is a heady creative experience! Janet died in 1994, but it looks as if their daughter Jessica shares the family talent, as last year she illustrated her father’s book, ‘Half a Pig’.

Its interesting Janet and Allan Ahlberg are the subject of one of a series of books about famous people by Heinemann Library, along with others like Nelson Mandela, Mozart, Ford, and Disney.

Jonathon Oxlade

Posted by hil

For me Jonathon Oxlade was the stand-out performance of the One Van puppetry festival in late January. His short performance during the Saturday night cabaret was exciting, bizarre, gross, and hilarious. Jonathon works as a freelance theatre designer, illustrator and puppeteer.

According to his bio, among many other things, he created The Red Tree installation — ‘an interactive experience full of little surprises for the eyes, ears,heart and mind’ — that accompanied the QPAC’s Out of the Box production of ShaunTan’s beautiful picture book ‘The Red Tree’ in 2004.

Redtree

This year he is designing ‘Creche and Burn’ (on stage in April) and ‘The Dance of Jeramiah’ (in Oct-Nov) for LaBoite Theatre, and a production of the Dicken’s classic ‘A Christmas Carol’ for the Queensland Theatre Company late in the year. He is currently working on a picture book, too.

Olavi Lanu’s ‘Reclining figure’ sculpture

Posted by hil

This is a dawn picture of one of my favourite sculptures in Canberra, on Ellery Crescent outside the School of Art. Its by a Finnish artist, Olavi Lanu, and was made in 1982.

You can see it enlarged and from a few different angles here.

At first I really did think it was group of real granite boulders that just happened to look like a person sleeping. I like imagining that rocks or mountains are slumbering spirits that sometimes might stretch and come alive to go about their business when no-one is about. Of course there are lots of stories along those lines; the ancient stone creature in Patricia Wrightson’s children’s book The Nargun and the Stars comes to mind.

But Lanu’s reclining figure is made from fibreglass resin, presumably on a wire form. Apparently it was originally covered with moss, but over the years lichens have taken over. There is another figure by Lanu not far away, but sitting among some trees.