A 1956 family in model aeroplane kit form, Guy Bottroff’s cool sculpture The Model Family, at the Helpmann Academy Graduate Exhibition in Adelaide this last March. A few more photos here.
design
FantiSea: Giant sea creatures in Esperance
(Cool festival image by Haylie Michelle)
Over in Western Australia, designer and maker Bryan Woltjen and animateur Karen Hethey have been engaged for the last few months on the huge task of designing and building 8 giant puppet sea creatures for FantiSea, which will be held on 22 March as part of the Esperance Festival of the Wind. The festival was at first an art-themed celebration of the positive energy wind brings to the town, and has now evolved into a celebration of ‘community, art, culture and shared fun’.
The building of the giant marine puppets is one of those great projects in which the participation of number of community groups, schools and individuals is integral. The festival’s Workshop Gallery has photos that were taken during the first phase of the build at the end of last year, when the ‘unskinned‘ puppets were built, and some of them were used in the inaugural Christmas pageant in Esperance. You can see how the frameworks are made from a mixture of bamboo and cane, with wire and gaffa joins. I love this picture of the unskinned eel! I would really like to be involved with making puppets of this sort sometime…
More recently during the second phase, the puppets have been skinned with muslin, dipped in diluted PVA, and dyed. Also, Karen Hethy is now teaching performers how to animate the giant puppets and doing stage rehearsals in conjunction with local scriptwriter, Derek Clarke.
Lurk, the shark:
Lighting up Ziggy, the leafy sea dragon:
The gorgeous Dame Agatha, octopus:
The crab (love this one!):
The workshop shed full of finished puppets:
You can click the photos to see them enlarged, and there are more photos here. I think they are wonderful! Thanks, Bryan, for sending me the photos and telling about it all, and I hope to be adding more photos of the actual event.
Update: Photos from the event have now been added.
The Moth Tree opens tomorrow night
Over the last while I have been involved in designing and making the set, costumes and puppets for Canberra Youth Theatre‘s production, The Moth Tree: An Awesome Adventure.
The Moth Tree is a quest story set in a distant place, in a quiet part
of the world, where the ancient and beautiful Algoma City lies. Since
the very beginning of time the city has been protected by moths that
grow on an enchanted tree. Until now the city has been a haven of
harmony and a place of gentle joy. However, a band of villains have
hatched a wicked plot to bring the city to its knees. All that stands
against the coming darkness are a ragged pair of unlikely young
heroes…
The play has been developed in a collaborative process involving the group of 8 to 12 year olds, the director, Tim Hanson, and the writer, Shiereen Magsalin, workshopping and developing characters and plot lines. The intention has been to offer the kids the experience of creating and presenting theatre, with a crew of professionals. We open tomorrow night! If you are in Canberra and have kids, why not take them along to some live theatre?
Giant cross-section flower
My third project for Floriade was making a giant model flower in cross-section, to be the central display in CSIRO’s Division of Plant Industry’s information tent. I really enjoyed making this, too. Some projects go really easily and this was one of those!
The petals were the main challenge, but I decided pretty quickly to use a molded felt technique that I had previously tried with some masks. Essentially you saturate felt in white PVA glue, mold it to the shape you want, and then let it dry. It adopts the shape and becomes fairly hard and plasticised in a way. You can paint it, too, and the way the paint bleeds through the felt can be used in different ways, some quite sensuous. In this case, I made a petal shape in clay and each petal had a double layer with some aluminium flat bar running up the middle to give it extra rigidity. The interesting thing about the technique apart from the obvious texture, is that the felt can be stretched and pulled but remain in one piece. In this respect natural wool felt is much better to work with because it pulls and moves much more than synthetic felt. But synthetic is okay if you don’t have a choice.
I think the flower may end up being displayed in the CSIRO Discovery Centre, where some of my insect models are too; I hope so.
Espresso coffee hats
Making these fun hats was another of my Floriade projects. I enjoyed making them and was really happy with how they turned out. They were made for the performance group The Bunch of Posers, who in this guise are called Acappellacino.
To make them I started out by making the cup shape upside down, with a mixture of a garden pot and a garden hanging basket and clay. I started paper mache-ing it, but realised that the edges were going to curl when they dried, so instead I made a pattern from the shape (you put alfoil over it, masking tape it so it stays in the shape, then cut it into sections so
it becomes a 2D flat pattern). I could have made a small model and done the same and scaled it up if I hadn’t started down the paper mache track to begin with. Once I had the pattern, I cut it out of a particular thin dense type of foam sheeting and glued it up into the cup shape.
The top cup rim and the foam is made from a circle of polystyrene, so it gives the foam rigidity at the top. The saucer is slightly thicker foam, and the rim of the saucer is a ring of a kind of tubular insulation foam that the building trade uses (its called PEF backing rod, and its like those lengths of foam kids play with in swimming pools – pool noodles they are called here. But you can buy it in different diameters if you know where to go for building supplies.) The ring gave the saucer a nice rigidity. You can see the cups in the raw making phase in this picture.
Then it has muslin spray-glued on to the foam to give it a protective surface and kind of bring it all together. Then paint, with a bit of latex added to make it stick well.
The coffee pot was made in much the same way, just from foam. I made a pattern straight from my neighbour’s espresso pot and scaled it up (what I should have done with the cup, too!). However it does have a ring of light aluminium flat bar in the top rim and a couple of aluminium bars from the ring up into the lid to make the open lid possible and strong. The steam is dacron, the wadding stuff they put in quilts, with a wire through it.
The coffee cups just sit on your head like sombreros, but the coffee pot needed a chin stap which I filched from a bike helmet.
Here’s a video of the group in action, singing “You’re the Cream in my Coffee’. On my computer the sound only streams smoothly once its played through once.
(Click on the photo)
Warehouse Circus: Carnivale Puppet Parade at Floriade
Over the last few months most of my time has been taken up with a number of projects to do with Floriade, Canberra’s month-long annual spring flower festival, which finished last weekend. My biggest scale project was taking workshops with a group of kids from the Warehouse Circus, collaboratively designing and helping them to make some big puppets for a carnivale puppet parade during Floriade.
Robin Davidson was the artistic director, bringing together the eight characters the kids had proposed (The Dude (from the circus logo), the Evil Gardener, two tulips, The Pie, Mirrorman, Mini Me, and a pirate) into a kazoo band.
We used quite a broad range of building techniques and materials, many of which the kids hadn’t had experience with before. Six of the characters were on stilts, some on extension stilts, and I was really impressed with how well the kids took on the physical and mental challenges of performing the characters, and the level of confidence they developed.
Video clip: Click picture to see the Warehouse Circus Carnivale Puppet Parade.
The Red Tree
When I was at the Puppetry Summit, Richard Jeziorny was kind enough to show me a video of the puppet-based theatre production of The Red Tree, by Shaun Tan, which was part of the Queensland Performing Arts Centre’s ‘Out of the
Box’ festival for children in June 2004. It was one of the highlights of the weekend for me. Richard’s design was absolutely beautiful, and it was a real treat to experience one of Peter Wilson’s works again; these guys make such wonderful theatrical images. The puppets were made by Marion Hoad and Christopher Lane. Shaun has a description and photos on his website, to give you some idea of the magic. Thanks, Richard!
(My attendance at the puppetry summit was supported by the ACT Government)
Mainframe computer suit
Plea for a fingertip bandaid
You would think that we cut our finger tips enough for someone to have brought out a bandaid that fits over the top of one’s finger without little raggy ears at the corners, and without having to wrap a second bandaid around the finger to prevent the first one coming off. It’s easy. Here is the necessary design:
The bit at the top comes down over your finger, and the bits at the sides wrap over it and around. The cut-away sides in the middle mean no raggy ears.
Simple. You read about it first here.
