make

Rough cut bunraku puppets

Posted by hil

I’m making some bunraku-style puppets at the moment. They are about 60cm tall. I’ve just got to the stage where they are more-or-less complete in construction and movement, but still rough in finish. This is a stage I love – there is something very aesthetically pleasing about it – and I think it would be really interesting to use them unfinished in a play. I always almost regret having to finish them.

Bunraku-style puppets-3

They are moving really nicely:

Bunraku-style puppets-1

A few other pics of them below: the woman, the man, bending. Now I have to paint their faces, forearms and hands and the woman’s leg and foot; and dress them.

Month of Softies: May Flowers

Posted by hil

The theme for Month of Softies this month was ‘May Flowers’. My first thought was of daffodils, as I remember loving how they came up all over the place in lawns in the chilly spring in York and Cambridge; and I thought I might try to make Talitha, the brave daffodil princess from the book ‘The Mouldy’ by William Mayne, and illustrated by Nicola Bayley:

talitha

Then I decided to consider Australian May flowers. There isn’t much flowering here in May, except some irises which usually flower in July, but this year are muddled by our late winter and drought. But there are a few winter-flowering eucalypt trees, so I started planning a red gumnut flower fairy. I thought the stamens could make a kind of drop skirt, or hat fringe, but in the end decided that I liked the flower just as a flower.

Red flowering gum-2

Its quite big; including the leaves it measures just over 40cm (16in). For the stamens I used lycra, an idea that I had previously found worked well for making small octopus tentacles! I like the soft colours, too. There are few more pictures:

 

Making of Nature Band Parade Puppets

Posted by hil

Over at Puppetry Australia, Sean Manners has put together a pictorial account of the building of the parade puppets for Nature Band, a community puppet project that ran as part of the One Van Puppetry Festival earlier in the year, held in Blackheath in the Blue Mountains out of Sydney. The puppets, five yellow-tailed black cockatoos, four trees and three
waratahs, were made by participants in community workshops that were held over several months.

‘The puppets were initially designed by Jenny Kee; realized by Paula Martin, a local designer and sculptor; the workshops were facilitated by Sean Manners, puppeteer and community artist; and the performance and project as a whole was directed and choreographed by Sue Wallace of Sydney Puppet Theatre.’

The Victory Theatre Cafe and Antique Centre in Blackheath has a cool community mural along one side, that surely must also have been designed by Kenny Kee:

There is also a bus shelter on the edge of Blackheath that I liked because it has been painted to celebrate the puppetry festival (click on the thumbnails for larger images):

'One Van' Bus stop mural
'One Van' Bus stop mural

I heard the distinctive yellow-tailed black cockatoo calls when I was in Blackheath. They are wonderful birds, quite big – about 60cm – and I always feel its a good omen when they are about, though their calls are somewhat plaintive. In Canberra it used to be quite rare to see these cockatoos, but since the devastating bushfires in January 2003 they have moved into the suburbs. A few weeks ago, we had the first ones in our garden. They spent several hours ripping the bark and branches of a dying gum tree to bits in search of borer insects.

Kamon&#233

Posted by hil

Kamone1Oh yeah, the World EXPO also has a pavilion mascot, a platypus called Kamoné. She was designed by Melbourne-based illustrator, artist, toy designer and storyteller Nathan Jurevicius, best known for his Scarygirl series of toys, comics and products.

The drawings are pretty cool and there are various versions of her: dancing, just herself, in a long dress, playing soccer, with ipod and backpack, with tote and pencil, as an artist? (interestingly this isn’t used – maybe its not clear enough), and as a scientist.

There is also a bodysuit puppet of her. There are numerous pictures in the Australian Pavilion image gallery, such as this one of her supervising the unloading of the platypus exhibit (minus her gloves). And here Kamoné is at Tokyo Station, meeting her friends the official Aichi Expo mascots, Kiccoro and Morizo, a forest child and a forest grandfather.

One other thing. There is nice flash graphic at EXPO2005, though its a pity you have to scroll down to get both images.

The Making of the EXPO Giant Platypus

Posted by hil

You might have seen pictures in the news of the Prime Minister and his wife dwarfed by a giant platypus, on the occasion of the opening of the Australian Pavilion at the World Expo in Aichi, Japan a couple of weeks ago. It was made by a team assembled by the Melbourne production company, think!OTS, and there are some images of the platypus there, if you check their portfolios.

Expox

Yesterday I was delighted to also find photos of the making of the platypus exhibit at Australia at Aichi World Expo 2005 in their Pavilion Photo Gallery. Starting with an artist’s impression, they move on to show how the over-all shape was constructed out of foam, filled with plaster, coated with concrete and covered with leather and soft fur. It’s not clear to me from that description how they end up with hollow sections, but I’m guessing that its the concrete layer that forms the shell. The platypus measures about 11 metres.Here are a few other picture links:

‘Our Mary’ and Prince Frederick with the platypus
‘Our Mary’ sits on its tail
Mr and Mrs Howard with the platypus: 1,2 (both photos by Penny Bradfield)
Update: Platy-cam! (not available anymore)

Recycled Monsters: Meet Patrick and Esmé

Posted by hil

I had a lot of fun with April’s Month of Softies theme, recycled monsters; thanks, Claire. Firstly, please meet Patrick, who is channelling Patrick White:

Patrick

And now Esmé (‘don’t mess with me… I play bowls’):

Esme

They were made from an old bag and belt apiece, and Esmé has half an old cricket ball for a nose. There are more detailed pictures below. And thanks to Belinda for helping me see some extra dimensions to their characters!

Month of Softies: Recycled Monsters

Posted by hil

These cool recycled monsters were made by my friend, Belinda, for April’s Month of Softies. I’ll let her introduce them to you:

gronka

Gronk: “I couldn’t think how to make him until I saw Hilary’s bag-monsters. Then I
found these things in various junk drawers around the house. His nose is
made from a rubber finger-stall pinned to a cork; his teeth are
toe-separators. His facial hair is chicken feathers sewn into a band – I
found this ‘braid’ in a local haberdashery and bought some so I’d have
feathers to add to my cat patchworks. I think he looks rather like Alan
Ginsberg, although as yet he hasn’t written any beat poetry. I posed him
with a cigar (my last home-grown tomato of the season) because I like his
raffish air.”

gronketc

Doris: “This is my first recycled monster. She started life as a tea-cosy. My
daughter’s drawer of “special things” was invaluable in providing the hat
(which used to contain lavender), the bangle for her mouth, the plait and
the flowers. I used polished stones and two star anise for her eyes. Doris
is demure, fragrant and very ladylike. She represents my long-lost
daintiness.”

Puppetry Daemons in ‘His Dark Materials’

Posted by hil

By all accounts the two-part 6 hour stage adaptation of Philip Pullman’s trilogy His Dark Materials is absolutely stunning. I think it has had two seasons at the National Theatre in London: one in 2003, and a second that finished earlier this month.

The daemons, physical manifestations of the human soul in the shape of animals that reflect a person’s character, are puppets. They were designed by Michael Curry, who is perhaps best known for the puppets in The Lion King. Stagework has an extensive website on the adaptation, and its possible to see a few of the initial designs there, and glimpses of the puppetry in some of the video clips:

Operating the golden monkey
Lyra meets Mrs Coulter
Cittagazee performance
Captured by bears
Lyra and Iorek (scene in rehearsal)

In both these and the puppets in ‘The Lion King’, I think the magic lies in how the overall shape and actions of the creatures are suggested. Often the puppeteers are built into the shape in unexpected ways, and they use their whole bodies to make the animal move. In ‘The Lion King’, for instance, the puppeteers playing the hyenas held the hyena heads low down and at arms length, while their own heads provided the high shoulder line that is so distinctive in a hyena’s overall shape. Likewise, the polar bears in ‘His Dark Materials’, are defined by a puppeteer holding a head mask in one hand and a great clawed paw in the other, with just the suggestion of great shoulders in what looks like a flexible curved line between the two, and a powerful lumbering gait.

Bridge to the stars, which looks as if its the natural online home for ‘His Dark Materials’ fans, has a section on the stage adaptation, including a guide to the Stagework site, images and reviews.

Instant grab spray adhesive for polystyrene

Posted by hil

I’ve found a spray adhesive that sticks polystyrene with an instant grab – this is worth shouting about! Its in the 3M range, and is called Multi-Purpose Spray Adhesive. I’m amused by this graphic on the US site:

Botticelli because there is a humourous appreciation there of the beauty and godsend of finding the right glue for the job, but also because it reminds me of my Darcy Venus from Pemberley days.

Just about all glues eat polystyrene. White PVA glue and epoxy resins like Araldite are the exceptions, but they take time to dry, and the work has to be clamped meanwhile. One or two of the liquid-nails-type adhesives can be used, depending on the job, but they melt polystyrene to a certain extent, and are lumpy.

The can of Multi-Purpose Spray Adhesive that I bought here in Canberra doesn’t have the ‘Super 77’ tag on it, and is half-green-half-black rather than red. I’m assuming that its just different packaging, and the content is the same, but it might be worth checking. It’s a 467g can, boasts 6 times more coverage than any other competitor, and is expensive: AU$29.95. But its worth it.