make

Desirée, my dear dead manta ray

Posted by hil

Manta ray

This is the big dead manta ray prop that I made for the Street Theatre’s production of Jacques Brel is alive and well and living in Paris.  Sadly Desirée – my name for her  – was cut from the final production, but I loved making her.  Manta rays are such awesome creatures!

Because she had a wingspan of over 2 metres, I decided chalk on the floor was a good way to start drawing up a pattern. I also bought myself a little plastic model of a manta to refer to, which turned out to be useful.

Manta ray

From this I traced a pattern onto butcher’s paper and from there onto sheets of polystyrene which were then built up and glued into a block.

Manta ray

I also decided to insert a strip of thin plywood into the underside right across the width of the wingspan, so that the wings would be protected from breaking, especially at the tips. I also did that with the fins that I added.

Then much shaping with a really sharp knife, a narrow power belt  sander, and sandpaper. I decided to keep the surface a bit rough, which often makes it easier for an audience to read.

When I use polystyrene that will just have a painted finish I skin it with muslin first. Here you can just see some of the muslin draped over the spray adhesive can on the right.

Manta ray

I usually add a little bit of latex to the first coat of paint to help make everything stick to the styrene.

Manta ray

Then it’s on to colouring; for the final shading I used spray paint so that the colours merged softly. It was tricky to seat in the eyes (painted and glossed wooden door knobs) and get the shape of the upper eyelid right.

Manta ray

There are a few more in-between photos in my photoset at Flickr.

Experimenting on hot cross buns

Posted by hil

The Laucke flour mills site suggests the best place for proofing and rising dough is in an esky with some boiled water and the lid on, so that’s what I’m trying with my annual batch of hot cross buns. It will be a revelation if it works!

Update: They turned out so well – the best batch I’ve ever made, by far, and I’m sure it was because of the esky trick. The buns expanded quickly in a fluffy kind of way – they have never done that before, and have always previously taken such an age to rise. Might tempt me to try making bread again sometime.

Fantastic new His Dark Materials puppets!

Posted by hil

snow-leopard-3

I noticed a flurry of searches on my blog recently for puppets from Philip Pullman’s trilogy His Dark Materials but only realized that there was a new production by Blind Summit Theatre when I read on Stitches and Glue that Paul Vincett was one of the makers of the new puppets, along with the puppet designer Nick Barnes, and Billy Achilleos.

I’m really excited by the exquisite aesthetic of these puppets. Take a look at the showreel slide show or the album of stills. They suggest the essence of the creatures with the simplest of lines – just beautiful!

Blind Summit Theatre was founded in 1997 by Nick Barnes and Mark Down to make new plays with puppets for adult audiences. His Dark Materials is on at Birmingham Rep: 13th March – 18th April; and then at the West Yorkshire Playhouse : 28th May – 20th June.

There is some great puppet making information on the Blind Summit site, too, though not specifically for this kind of puppet.

The Promise

Posted by hil

Little elephant and boy puppets

Remember the little elephant and boy puppets I was working on last year? Here are some pictures of how they turned out. They were for the Flying Fruitfly Circus production The Promise, which premiered at the Sydney Festival about a month ago. The build for the show was quite big, and largely undertaken by Tim Denton and Annie Forbes in Melbourne, but I was asked to make these little ones and a life-size elephant trunk (more of the trunk soon in another post). The designer was Richard Jeziorny, whom I really like working with.

Little elephant and boy puppets

Little elephant and boy puppets

It’s part of the business that directors sometimes need to alter significantly or completely cut scenes and props, and in this case the elephant was altered or remade in Melbourne so that it could have more head movement than the original design. I was given the opportunity to do it, but couldn’t take it on at the time. It looks from this picture as if it was covered and the head possibly remade completely.

promise_rev

The production received great reviews such as this at the Australian Stage Online. I’d like to see it one day if they tour up this way.

Previously:
A little heffalump
Playing
Studio pics
Nearly done

Yes, Virginia, there is a puppet I’m afraid

Posted by hil

Virginia

I’m fond of Virginia Woolf, and her writing has influenced some of the ways I look at the world. I’m not sure if that explains why I wanted to make a puppet of her or not! I do find, though, that the making process itself allows me to understand and meditate in a unique way on what that person was like, and I end up feeling I know more about them than before. From that point of view the result doesn’t matter much. However, I would have liked to capture her beauty more, and her look is rather alarmingly intense. I’ve read she could be, but she wasn’t all the time, like my puppet.

Virginia

Virginia

I started making Virginia quite a while ago, and was trying out some experimental techniques and materials. I tried an air dry clay for modeling her face and hands. I wouldn’t chose it again because I don’t think it is very durable. I also wanted to see if I could build the arms and legs using tubes for the straight bones, round beads for the joints, and elastic running through them to keep them tensioned, then covering them with padding and fabric. There was too much play in them, and the limbs twisted. At this point Virginia got put aside.  But now I’ve re-built her with good joints, and her feet are weighted nicely. She stands about 50cm (20 inches) tall.

I really like her outfit, and her shape and movement; she is satisfying to hold and play with (my kids had her doing the Time Warp the other night), and she is very much a small presence around the house.

Virginia

Messy

Posted by hil

Studio

This is what my studio looks like at the moment. I’m making a large dead manta ray out of polystyrene. I wish it wasn’t so messy and that I didn’t have to wear a respirator all day, but it works nicely.

Kenny Koala

Posted by hil

Kenny Koala

Kenny Koala

Constable Kenny Koala has been working out over summer and is looking like a new koala! Do you like his spiffy new jacket and cap? Kenny is a much loved community liason officer with the Australian Federal Police, and has been educating children in Canberra on a range of crime prevention and child safety messages for the last 25 years or more.

Giant Helicoverpa caterpillar

Posted by hil

Giant Helicoverpa caterpillar and leaf

I’m catching up some blogging on work projects that I have ignored for a while.  This is a big model of a Helicoverpa caterpillar and leaf that I made for CSIRO Plant Industry in Canberra a few months ago. There’s a photoset of the making process, with notes along the way. The Helicoverpa caterpillar is the main pest in the cotton industry.

Working on a shell

Posted by hil

Shell mold

I’ve promised myself to try to focus more on projects of my own, in between contract work for other people. I find it so easy to fritter time away when I’m not meeting other’s deadlines. So I’ve started back working on a big shell project I first started over 3 years ago. Back then I got as far as sculpting the shell out of clay, and making a ridiculously big and heavy plaster mold of it.  It’s about a metre long. Luckily I did have the sense then to make a cradle on casters for it, so I don’t break my back trying to maneuver is around.

A few days ago I sealed the plaster with layers of shellac, which turned it this beautiful golden mustard colour.

Shell mold

Now I am paper mache-ing it inside with tissue paper. I want it to look flimsy and papery and almost transparent, but I don’t know how few layers I can get away with, and still have it come out of the mold intact. The idea of using very fine fibreglass is tempting, but I am sworn off working with fibreglass.

Shell

There are a few more photos at Flickr, where I’m making a photoset.