sculpture

The Piano Creatures video

Posted March 26, 2018 by hil

I’m excited to present the video of The Piano Creatures that accompanies the creatures when they are on static display! At the moment they are in my show Glimpses of a Seabird Flying Blind at the Pinnacles Gallery, Townsville, until 29 April. The creatures exist somewhere between sculptures and puppets, so the video captures some of the moments when they move and come alive.

I had brilliant colleagues making the video, and it was a real pleasure working with them! I offer them all many thanks for their skill, patience and enthusiasm, and such a great outcome!

Puppeteer: barb barnett
Video filming and production: Chris Hahn
Music composed by Alex Raupach
Performed, recorded and produced by Joe O’Connor (piano)

Glimpses of a Seabird Flying Blind

Posted March 22, 2018 by hil

I’m really happy and excited that my first gallery exhibition, Glimpses of a Seabird Flying Blind is opening tomorrow, 23 March at the Pinnacles Gallery in Townsville, continuing through to 29 April! It represents almost a year of work, and a new direction for me. The work falls into several groups – The Piano Creatures, The Big Fish (Evangeline), the Shells and Cocoons, and the Secret Cabal of Elders, as well as a few other creatures in an imagined world:

On an imagined shoreline we see disruptions in the natural world. In the shallows are the ghosts of former shells, fragile and colonized or fossilized by synthetic substances. The Piano Creatures, evolved from the driftwood mechanisms of discarded instruments, pick their way across the sands carrying the promise of music and hope. In the deepest ocean a sightless blob fish sucks for sustenance and in the limitless sky the hollow-boned birds continue their daily feat of survival in newly changing times.

The patterns of disruption follow the age-old evolutionary law: diversify, select, adapt. The process is dynamic, relentless, wonderful and dispassionate; and acutely responsive to the footprint of humanity.

Using her experience in making puppets and sculptural forms, and interests in new materials and technologies, Hilary Talbot has created some of the inhabitants of this imagined future as a meditation on the tensions and challenges faced by society now.

I’d love you to drop in and see it if you happen to be up Townsville way in the next five weeks!

A huge thank you to my family, friends and colleagues for all their support, encouragement and enthusiasm and skills in helping me get this up, in particular to Anna Raupach, Tim Raupach, Alex Raupach, Wendy Quinn, Lelde Vitols, Lisa Styles, Imogen Keen, Robyn Campbell, Elizabeth Paterson, Bev Hogg, barb barnett, Chris Hahn, Steve Crossley, Caroline Stacey, Joe O’Connor, and the Pinnacles Gallery team.

Piano Creature No.3. Piano mechanisms, balsa wood, paper mache; 55cm x 56cm x 60cm; 2010

Piano Creature No.6. Piano mechanisms, buckram, paper, cardboard; 50cm x 50cm x 47cm; 2010

The Big Fish (Evangeline) Head detail. Photograph by Anna Madeleine 2018

The Burden of Stuff No.1. Plaster, foam sheet, acrylic paint, fabric, styrene, recycled wire frame. 68cm x 40cm x 30cm. 2010

Cocoon No.2, Milk bottle plastic; 120cm x 43cm x 32cm; 2016. Photograph by Lisa Styles

Whelk Shell (Fragility). Tissue paper, plaster 90cm x 50cm x 30cm. 2008

Cowry (Paper Thin). Tissue paper, foil, masking tape; 75cm x 45cm x 30cm. 2017

Turtle Shell Sheild (False Promises), PLA plastic filament, wish stones; 60cm x 58cm x 12cm. 2017

Turtle Shell (Moon and Constellations), PLA plastic filament, tissue paper, foil, masking tape; 57cm x 58cm x 12cm. 2017

Wonders of the Deep. PLA plastic filament, recycled sushi fish bottles, fishing line 100cm x 50cm x 45cm. 2017

The Secret Cabal of Elders. Hand puppets. Balsa wood, tissue paper mache, fur fabric, reclaimed decorations. 2017

The Lionheart Project

Posted March 19, 2012 by hil

This is cool – for The Lionheart Project, Shauna Richardson has made three giant hand-crocheted lions that will be displayed in a custom-built, mobile, glass case like a taxidermy case, and will travel around the East Midlands as part of the London Cultural Olympiad. I like the studio photos showing the process, and the way the patterns in the crochet are used to emphasis the muscle shapes.

An origami shell

Posted February 15, 2012 by hil

This is an origami shell sculpture I made a while ago for a special present. It’s folded from a large brown manila envelope, and measures 20cm both lengthwise and across the widest end. The ends are held in place with wires threaded with tiny beads.

Awesome whale sculpture

Posted January 23, 2012 by hil

(photo credit: David Gilford/complexify @ Flickr – thanks for the CC license)

This beautiful sculpture of the notorious albino sperm whale, Mocha Dick is by the artist Tristin Lowe, made in collaboration with the Fabric Workshop and Museum in Philadelphia. It’s huge! – 52 feet long and 10 feet tall – and made of industrial wool pieced over an inflatable vinyl understructure. The gallery at the Virginia Musuem of Fine Arts shows some other great images including a close-up the barnacles.

Some thoughts on 3D printing and the arts

Posted August 17, 2011 by hil

If you want to blow your mind, take a journey into the revolutionary realm of 3D printing. Rapid prototyping has been around for about 20 years, but 3D printing seems now to be quickly becoming a viable manufacturing process for a wide range of materials and objects. There are lots of examples, of which the following are only a small selection:

Reproduce yourself with a 3D printer – the reporter’s head is scanned and printed as a small model. The printers he shows can print in paper, resin and plastic.
bioprinting ears, skin, cartilege, tissue, bone, organs, teeth, ultrasound images
chocolate, sugar and other food
glass, ceramic, foam, concrete, plaster, wood
metals, silver, titanium
tools, shoes, musical instruments. models (what about guns – scary thought!)
souvenirs of yourself
clones – the use of this for replica bridal dolls cracks me up!
art, puppets
Solar sinter project – printing sand into glass in the desert by Markus Kayser

Like other disruptive technology, 3D printing looks as if it will follow the path of offering the ability to decentralize and customise, and to make unique things cost effectively.

It’s interesting to consider what impact this is already having and going to have on artists and how they make things, as it becomes mainstream. Imagine, we can digitally sculpt or scan something in 3D (or photograph it, send the photos to somewhere like Photofly to get them stitched into a 3D scan), then send the files to a fabricator or perhaps even our own 3D printer , and there it is. There is the obvious debate between new and old, manufactured and handmade, and whether quality will be enhanced or compromised. Most likely 3D printing will become an additional useful tool for some processes, components and items, and competency in these technologies will become more expected in the arts industry. And, entirely handmade is likely to become rarer but more valuable.