sculpture

Month of Softies: May Flowers

The theme for Month of Softies this month was ‘May Flowers’. My first thought was of daffodils, as I remember loving how they came up all over the place in lawns in the chilly spring in York and Cambridge; and I thought I might try to make Talitha, the brave daffodil princess from the book ‘The Mouldy’ by William Mayne, and illustrated by Nicola Bayley:

talitha

Then I decided to consider Australian May flowers. There isn’t much flowering here in May, except some irises which usually flower in July, but this year are muddled by our late winter and drought. But there are a few winter-flowering eucalypt trees, so I started planning a red gumnut flower fairy. I thought the stamens could make a kind of drop skirt, or hat fringe, but in the end decided that I liked the flower just as a flower.

Red flowering gum-2

Its quite big; including the leaves it measures just over 40cm (16in). For the stamens I used lycra, an idea that I had previously found worked well for making small octopus tentacles! I like the soft colours, too. There are few more pictures:

 

‘The Lost Thing’ to become a short film

LtboyHaving made puppets for a theatre production of Shaun Tan’s ‘The Lost Thing’ last year, I was excited to find out that Passion Pictures is making a short CG film of the book. It will be fun to keep an eye on their gallery of pictures of work in progress over the next months. Among the images there at the moment are drawings of some of the utopian lost things. There were only five utopian lost things in the theatre production, so it will be great if we get to see more of them brought to life in the film. There are also images of a sculpture of the boy by Ron Mueck Mueck, that will be used for mapping the boy from all angles into the CG program. How cool is that!

The Making of the EXPO Giant Platypus

You might have seen pictures in the news of the Prime Minister and his wife dwarfed by a giant platypus, on the occasion of the opening of the Australian Pavilion at the World Expo in Aichi, Japan a couple of weeks ago. It was made by a team assembled by the Melbourne production company, think!OTS, and there are some images of the platypus there, if you check their portfolios.

Expox

Yesterday I was delighted to also find photos of the making of the platypus exhibit at Australia at Aichi World Expo 2005 in their Pavilion Photo Gallery. Starting with an artist’s impression, they move on to show how the over-all shape was constructed out of foam, filled with plaster, coated with concrete and covered with leather and soft fur. It’s not clear to me from that description how they end up with hollow sections, but I’m guessing that its the concrete layer that forms the shell. The platypus measures about 11 metres.Here are a few other picture links:

‘Our Mary’ and Prince Frederick with the platypus
‘Our Mary’ sits on its tail
Mr and Mrs Howard with the platypus: 1,2 (both photos by Penny Bradfield)
Update: Platy-cam! (not available anymore)

Happy World Puppetry Day

Though its not widely known, March 21st is World Puppetry Day! Dario Fo, who won the Nobel Prize for Literature in 1997, released a WPD message through Union Internationale de la Marionnette, (UNIMA), which you can read on the Unima Australia website.

It was rumoured that this wonderful six metre tall Mexican skeleton puppet (made by Karen Hethey and Bryan Woltjen), which was part of the Joondalup Festival parade in WA last Saturday, was likely to make surprise appearances today in celebration of World Puppetry Day.

Olavi Lanu’s ‘Reclining figure’ sculpture

This is a dawn picture of one of my favourite sculptures in Canberra, on Ellery Crescent outside the School of Art. Its by a Finnish artist, Olavi Lanu, and was made in 1982.

You can see it enlarged and from a few different angles here.

At first I really did think it was group of real granite boulders that just happened to look like a person sleeping. I like imagining that rocks or mountains are slumbering spirits that sometimes might stretch and come alive to go about their business when no-one is about. Of course there are lots of stories along those lines; the ancient stone creature in Patricia Wrightson’s children’s book The Nargun and the Stars comes to mind.

But Lanu’s reclining figure is made from fibreglass resin, presumably on a wire form. Apparently it was originally covered with moss, but over the years lichens have taken over. There is another figure by Lanu not far away, but sitting among some trees.

Floriade: Giant Lifesavers, Tyre Swans, Rainbow Serpents

bheads

Here are some pictures of a few other things that took my fancy at Floriade – I like the roving entertainment more than the massed European flowers.

There was a rainbow serpent swimming in Nerang Pool, designed and created by Aeon Mortimer. Its a big inflatable, and apparently it can spray a fine mist of water from its spines, creating rainbows in the air around it. Nice idea. Aeon’s puppet play The Great Big Story Book was also there. Designed as a giant pop-up book, it tells a version of the dreamtime story of Tiddalik the Frog, with puppet creatures stepping out of the pages of the book. (My favourite picture book version of Tiddalick is What Made Tiddalik Laugh by Joanna Troughton. It has lovely illustrations, and the kind of lame jokes that pre-schoolers love because they are so lame.)

I was also enjoyed catching up with Jigsaw‘s Flotsam and Jetsam, a one-woman show acted by Chrissie Shaw, and based on collected stories of children who lived on lighthouse islands in Australia. I particularly liked Mrs Ingram’s windswept dress that could be slipped into and out of in a flash.

Icarus Performance Troupe from Sydney were lots of fun, jogging about the gardens as giant muscle-bound lifesavers. They blew their whistles, bossed the crowds into swimming between the flags, and struck stong-man poses (complete with appropriate grunts and roars!) at the drop of a hat.

The flock of 100 black swans made from old rubber car tyres interested me not so much for what they were, but as a reflection on the fact that when they were common garden decorations in the 50’s and 60’s (or earlier) they were always painted white. I suppose they were part of that era’s acceptance of the idea of England as the home. As reported in the Canberra Times, the swans were made by Greg Hedger of Limestone Creek Enterprises:

‘Mr Hedger said each swan took about an hour to fashion – once he had the design sorted – plus a bit of time for painting. The tyres were heated by engine exhaust or in a glasshouse so the rubber was easier to cut and twist inside out.

The tyres were sourced from a company in Melbourne, which was believed to have held a stockpile for use as swings. While the steel belting in a modern radial tyre is good for motorists, it does not wear safely in children’s swingsets. Neither is it suitable for swan sculpting, because it’s too difficult to slice.

Sizes ranged from 12- and 13-inch car tyres to truck tyres. Mr Hedger’s offerings have been planted with a new variety of pansy, named Waterfall.

After the festival, Mr Hedger intends to take the swans under his wing. While the Floriade examples are under offer – Mr Hedger’s wife has her name on two – he’ll take up the slack afterwards. He’s already had orders from ladies in Burra and Orange and a school in Armidale. He had no idea what the swans would sell for, but would probably charge less than $100 apiece.’

There is an article about the traditional Australian art of sculpting swans from old tyres here.

Finally the Scarecrow Competition :-). I have a soft spot for the scarecrows because they come so much from the everyday community, and because such a wide interpretation of the concept of a scarecrow is acceptable. Here are some photographs of just a few of them that took my fancy:

Domestic Goddess (Woman of Steel, With Forked Tongue, Ready to Spring) by Barlin Event Hire
In Bega Everyones Dreaming of Rain, by Merimbulla Rudoplh Steiner School. The Bega Valley down on the south coast is dairy country, and must be feeling the drought as much as any of us.
French Frog by Telopea Park School. Appropriately, Telopea is a bi-lingual English/French public school.
Bunyip, by Hindmarsh Student Group (?)
Mermaid, by Braidwood Preschool Association. Their use of tin lids for scales is very effective, just as good as the CDs that many others used, for instance in the following one.
Fish, by Waniassa (?) Learning Support Unit
Refugees and Asylum Seekers don’t want a Red Carpet Welcome, by Amnesty International. I’d like to think they were prompted by my Howard last year.
Person in the Bath, by Radford College
Dragon, by the O’Connor Co-operative School. A long rhapsody in plastic!

‘Ron Mueck: Boy’ by Gautier Deblonde

Amazon UK has a couple of copies of the book ‘Ron Mueck: Boy’ by the photographer Gautier Deblonde. This is a photographic diary of the nine months it took to construct, ship and assemble the sculpture in Venice. It was the ‘Art in Photo Essays’ award recipient in the World Press Photo of the Year, 2001, but seems to be out of print at present. I was interested to see the sculpture in segments, and crated.

Snowflakes and Paper Cutting

Make-a-Flake is a cool flash application that enables you to make snowflake patterns like the ones we cut out of paper when we were kids. They have a gallery of the beautiful patterns that visitors to the site have made, and you can add your own.

Playing with the snowflake maker reminded me of the work of BĂ©atrice Coron. I particularly like her vast but finely-detailed city scapes, such as Innercity; ExCentriCity; and Chicago. Also, SagaCity, the cutting edge is a photographic account of Cororn’s installation at the Chicago Center for Book & Paper Arts in 2003.

Its interesting to see the other directions in which Coron’s book art goes. For instance, she has recently make a 9 foot high stainless steel cut out sculpture called ‘Working in the Same Direction’ to represent the first merger of the Fire Department and Emergency Medical Services in New York City, in which the design of two panels is like an open book preserving ‘the independence of the two separate entities sharing a common goal’. I also like the idea of the two weathervanes — a fireman and an emergency medical worker that ‘move with the wind, watching in all directions’.

Here are a few other papercutting links that I have been interested in:
Diana Bryan’s Shadowtown
Gerlof Smit,in particular his Delicate cuttings.
ChinaVista
Sun Erlin: A Cut Above
A Chinese Zodiac

Another Howard statue update

As I mentioned previously, Greg Taylor’s satirical John Howard statue was to have a showing at the National Folk Festival. The Green Left Weekly Online has a report and picture of the statue standing festooned amid a Field of Hearts that were made in support of refugees.

According to Art Almanac, Maitland Regional Gallery is showing Taylor’s statue from May 7 to June 7 in its first officially sanctioned exhibition.