Flying ducks

Posted by hil

I’m working on several projects at once at the moment. One is making a set of those flying ducks that people had as wall ornaments when I was growing up. I’ve been lent a couple to model from, and looking at them up close I can understand their attraction, despite their kitsch reputation. Since the ones I am making are theatre props they only have to look like the real thing. Inside, they have an mdf structure, and I have bulked them out with polystyrene. I like carving styrene, except for the mess.

Flying ducks

The next part of the process is covering the shapes with a commercial paper mache pulp. It starts as a dry mix, and when you add it to water it turns into a thick paste, which can be smoothed on and sticks to most surfaces. Here I’m half way through adding the paper mache to the big duck:

Flying ducks

The pulp takes a couple of days to dry, but I’m always impatient with things like this, and I have been hurrying it along by putting the ducks in the sun,

Flying ducks

and the oven:

Ducks in the oven

I’ll have to add more detail to the shapes, like the eyes, tails and feather patterns, and then its a matter of getting the surface smooth and painting it to look like china.

We have four beautiful white pet Indian Runner ducks, and it was funny to see them charging across the back garden in a line just as I was photograhing these in the kitchen.

The Tale of How

Posted by hil

How

The Tale of How is a beautiful and intreguing animation, a labour of love by three friends calling themselves the Blackheart Gang, who hail from Cape Town, South Africa. It’s the second part of a larger story they envisage, A Dodo Trilogy. Their ‘making of’ video introduces the makers and explains how they went about it.

(via She Dreams in Digital)

Update: Siouxfire has a cool Concise Overview of “The Household”, a series of interviews, production
images, and information on the two follow-ups completing the Dodo
trilogy as well as the following trilogy (the Bear Histories) at Siouxwire. Thanks, Siouxfire!

Puppetry and dancing at altitude

Posted by hil

Nati

(photo credit: David Fletcher)

Radio National’s Bush Telegraph has audio of their April 23rd interview with Jillian Pearce (fast forward to the 36 minute mark). Jillian is a performance artist living in Natimuk, the small town at the foot of rock-climbing mecca, Mt Arapiles, in rural Victoria. Jillian and her performing arts company, Y Space, have for some years been doing exciting work with rock-climbers, dancers, animation and puppetry in ‘unusual and high places’, such as the Natimuk wheat silos, exploring images, stories and relationships with the space and land. Check out their past and present projects, and some of their video.

Prediction

Posted by hil

I predict that, fore-going anything out of left field like 9/11, Howard will lose the next election because of his refusal to take global warming seriously. And it will be because the business end of town has already calculated the risks and wants action for their own stability. Businesses, states, unions, industries, universities and ordinary people are already starting to take action on their own, bypassing government; but they want and need to see the same kind of commitment from government.

Pratt!

Posted by hil

Ah, yes! The wonderful irony of Canberra Liberal MLA, Steve Pratt, calling in the media to record him heroically scrubbing off graffiti, only to find that it was a legally commissioned work, and now he will be charged with vandalism of public art. It’s pure gold! I will refer you to Ampersand Duck’s full account, since she does it so well. The artwork was done by byrd, and I was fond of it; it was relatively close to where I live.

Byrd

The irony is no doubt especially sweet for the Labor Chief Minister, Jon Stanhope, following the brew-ha-ha when he was forced to fire one of his aides for doing some anti-Howard stencil work behind the Ainslie shops a couple of years ago:

Breakfast reading 4.22

Posted by hil
  • Dickens World will open in May. I wonder how it will pan out? And what the state-of-the-art animatronic show is? Wasn’t there someone developing a virtual world, a la Second Life, based on Dickens, or did I dream it up? I can’t find it on Google.
  • Amy gives us an interpretive reading of a 1907 text on novelty, fads and herd mentality. I’m sure I’m one of the ‘social derelicts’! Isn’t it noticeable how patriachal the writing is? Maybe I will record a reciprocal reading from Christina Hardyment’s book Dream Babies: Childcare from Locke to Spock, which traces the fashions in childcare over the last few centuries, based on her theory that ‘what we are told to do with our children is very much a reflection of the times we live in, and the prevailing social and psychological theories’. This book influenced me greatly: I can remember being quite shaken that something as fundamental as how one brings up children could be so deeply subject to fads (and again, often in the past generated by ‘knowledgable’ men), but it’s really worth knowing. I should read some of Hardyment’s newer books, as they look interesting, too.
  • Princess Mary of Denmark, (our Mary ;P), has given birth to a daughter. She and Frederick have all the sense, joy and grace that is lacking in the English royals; wouldn’t it be nice if we could swap? His wedding speech was worthy of a Darcy.

Till it looked O.K.

Posted by hil

Actually, my favourite Sendak picture book is In the Night Kitchen. I love the illustration, the cityscape made from kitchen packets and utensils, the dreamlike whimsy of it, and Mickey’s confidence. Above all, I like the part where he models the dough into a plane:

Ok

What better way to describe how you go about the creative process? I was delighted to find this lovely video animation of the book, adapted and directed by Gene Dietch, complete with jaunty music:

Where the Wild Things Are: link dump

Posted by hil

Sendak

(Photo credit: wellingtonany)

Mentioning the Spike Jonze film adaptation of Where the Wild Things Are a few days ago reminded me that I had a bunch of WWTA/Sendak links that I collected when I was trying to scrounge information about the film. (As it happens they are keeping things very well under wraps, which is understandable.)

Take a Swim on the Wild Side: article about the filming taking place in Nov 2006 on the Mornington Peninsula, Victoria. There are two pictures of one of the monsters on the beach,and wading out in the water, but don’t get too excited – they are so tiny you can’t really make anything out! It describes the puppets (made by Henson) as follows:

The seven creatures stand up to 275 centimetres tall. Although made of foam, they are heavy and hot for the actors and stunt doubles operating them. Word is they wear them with the head on for no more than 30 minutes at a time, with 10 and 15-minute breaks in front of an air-conditioner… Heavy boots inside the suit and massive clawed hands make it difficult to move.

Loungelistener’s photoset of the performance of Where the Wild Things Are at Detroit Opera House, performed by the Grand Rapids Ballet. Some very cool picture of huge puppets on stage and behind the scenes.

Hand puppets and soft toys, and here
Action figures 1,2,3,4,5,6
Graffiti/stencil in Melbourne
Stencil art
Jack-o-lantern
Leg tattoo
Max tattoo
Mural in LA
Mural at the Philadelphia Flower Show, 2006
Costumes at DragonCon
Float in Mardi Gras, New Orleans, 2006
Pavement chalk art
6 part home videos of WWTA Interactive Metreon theme park – glimpses of one of the big puppets.
The Rosenbach Museum has Sendak Gallery (holding original drawings), shop, and is hosting a Spring Festival this coming week
Mommy a video about Sendak’s new pop-up book.
WWTA animation, I think the 1988 one.

There now, I can delete my Wild Things bookmark folder!

Breakfast reading 4.21

Posted by hil

KAREN WILLIS: The NRL has said, “We don’t accept violence against women, and we think this is wrong,” and they are a large male dominated organisation who’s stepped up to the mark and said quite clearly, “We will be doing something about this, we will be changing our culture. We will be educating our players. We will be setting protocols in place, and we will do everything we can to stop violence against women within our game.”

  • Bush’s Shadow Army: a scary look at the privatization of the military by the US in Iraq. Private contractors are also becoming active domestically.

“Private contractors like Blackwater work outside the scope of the military’s chain of command and can literally do whatever they please without any liability or accountability from the US government,” Katy Helvenston, whose son Scott was one of the Blackwater contractors killed, told the committee. “Therefore, Blackwater can continue accepting hundreds of millions of dollars in taxpayer money from the government without having to answer a single question about its security operators.”

  • Australia’s Own Mount Olympus: the discovery of ‘the most amazing rock engraving site in the whole of south-eastern Australia’ in the Wollemi wilderness region of NSW.