Samaria Gorge

We had a fabulous day walking the Samaria Gorge, a downhill decent of 16km from 1250 metres to the sea. I’d had my eye on this walk from early on in planning where we might go on our trip. Unbeknown to me the gorge usually only opens at the beginning of May, but we were lucky – this year it was a few days earlier, and in going on the very first day of the season it was really quiet.

You need to sign up to a bus tour to get there and back, but our guide was pleasantly laid-back, striking a nice balance between being approachable but non-intrusive. In large part his role was for our general safety, as the walk is rugged and long, and he backed up the party in case anyone got into trouble. I did see a helipad marked on the map at the now-deserted village of Samaria half way down, but in general the donkeys that are stationed at various points down the track are the ambulances if you need one.

The part of the gorge that gets most press,The Gates, is where it narrows to just a few metres between cliffs towering to 300 metres. It’s great, but strangely anti-climactic after the towering mountain sides and churning geological rock patterns in the kilometres before. If you came to The Gates from the seaward side you would impressed, but would have no idea of how much more stunning the gorge is beyond them.

A few more images from Xania

There are cats everywhere! There’s usually at least one watching hopefully but politely by your table when you are eating. We walked past this lovely swathe of nasturtiums the other day. Plus cat!

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Also lots of citrus. In the countryside on the way to Samaria Gorge we saw many orange orchards, and fresh orange is the best and cheapest drink.

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The sea along the waterfront at the head of the harbour. There are lots of sea urchins in the water.

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Knossos

We took our lives in our hands and hired a car to drive to Knossos. The Cretans don’t pay much attention to road rules and happily sped by us over double lines on the highway. We clung to the edge, and often half in the safety lane, which also seemed customary, for slow vehicles.

Knossos is small and on the outskirts of Iraklio, but attracts the most of the island’s tourists. We were pounced on by the cafe touts and tour guides outside, but once through, the site was strangely tranquil in spirit. It’s even more ancient than the Acropolis, dating from around 7000BC, and layered with various civilizations, in particular the Mycenaeans from around 1500BC. It also felt like it had been a big functional place, with multi-stories and levels, differently purposed rooms, courtyards and buildings.

The ruins were discovered in the early 1900’s by a team lead by an Englishman called Evans, and most of what is said about it is based only on his assumptions. Much is reconstructed as he thought it had been and it’s generally thought it can’t be ‘un-reconstructed’ even if that was agreed to be a good idea – which it probably would be! I had wanted to see the beautiful pottery that is associated with the place as well original frescos, but the museum where they are was in the Iraklio and closed. The frescos and urns in Knossos are replicas.

Interestingly, hieroglyphics discovered here – Cretan and ‘Linear A’ are still indecipherable!

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Much of the stone is gypsum, and had interesting patterns of wear and crystals.

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These were some of the smaller urns. They were maybe a bit over a metre, and wired together pieces. I assume they are replicas (now my default!).

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I liked the frescos. Parts of them stood out a little bit in relief.

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These storage urns were huge! Well over my height.

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Pretty countryside on the hill opposite, with some gardening going on.

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The bull fresco.

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The Theatre. Theatre is important!

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And Michael got us and the car back safely, despite my best efforts to snaffle us irretrievably in the narrow old town lanes while trying to navigate through one-way streets!

Crete

I’m a bit in love with Crete!

Wishing my friend @amyloo was here.

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Raki and nibbles. When you eat out you are given raki and a taste of something sweet to finish your meal after you ask for the bill.

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Sunset on the little harbour.

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Graffiti in Athens

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Here’s a sample of the graffiti and other street art we saw in the Plaka area in Athens. Generally there was a great deal of tagging rather than art pieces.

I liked this one, presumably Heracles defeating the Hydra.

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The Acropolis

We managed to visit the Acropolis for a few hours despite Michael’s headache.

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It’s impossibly ancient and awesome in the original meaning of the word. There are so many historical layers. Everything is worn away; the marble on steps and ground surfaces slippery smooth from who knows how many footsteps. The place is stewn with rocks, huge building blocks, some lying around apparently where they fell, some stacked – hopefully in some order – for completing the task of assembling them again like some gigantic jigsaw puzzle. Grass, wild flowers like poppies and other plants grow sparsely among them all, and white dusty stony paths for the teaming multitudes of tourists wind among them.

When you see tv shows where the presenter breathlessly stands looking up in awe from within the Parthenon, like Joanna Lumley in her lovely series on Greece, it is not the usual experience; this is out of bounds, one keeps to the perimeter tracks, while much building renovation work – cranes and scaffolding takes place inside and out.

It also feels biblical. The look and feel – the blue skies, white stony ground, dusty olive trees, the heat, all evoke recollections of images from biblical stories. I found myself thinking about the act of stoning.

I’m not sure what to think about the restorations. They are invasive and perpetual, attempting to recreate the past – but for what exactly? Previous cultures made additions. I wonder if it would be better to leave it as is, to time. Is that ignorant and sacrilegious? The friezes are almost indistinguishable, broken and eroded blobs. I found out the statues of the six maidens, the Caryatids, on one side of the Erechtheion are replicas, and felt a little fooled; the originals are in the Acropolis Museum down the hill. If things are rebuilt and replaced with replicas, what does our experience become? Likewise if we only see the real things in museums?

Crane and scaffolding on the west side of the Parthenon; more inside it:

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Innumerable stacked blocks:

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The Erechtheion with the replica Caryatids:

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An worn pillar along the entrance:

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Ancient writing on theTemple of  Rome and Augustus:

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Looking down to the Theatre of Dionysus:

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The smaller Odium of Herodes Atticus:

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The eastern side:

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Michael in the shade of olive trees.

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Looking out towards Lykavittos Hill (I think?). It would be cool to look at the Acropolis from there.

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Temple of Olympian Zeus in the distance – must be enormous!:

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Further down from the the Acropolis looking to the Roman Agora:

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In Athens

We arrived in Athens on the overnight ferry from Samos early this morning and are here for the day, catching the night ferry to Crete later this evening. The Acropolis is just up the road! But we’ve retreated to a Starbucks for a while because Michael has a bad headache, and it’s a good place to take refuge.

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Cafe Romand

The Cathedral in Lausanne on a rainy night.

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We had a late dinner at Cafe Romand – a very unassuming doorway from the outside, but cosy bustling and friendly inside. I had a yummy and unusual very local dish called Papet Vaud, which was a kind of leek and potato mash with a cabbage and salted pork sausage. Meringues and cream are the real thing for dessert. (I had a taste and they were much richer and tastier than what we know).

I just took this as we were leaving, when things had quietened down, just as a reminder of a great place and evening.

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Musée de l’Élysée

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The lovely graceful Musée de l’Élysée in Lausanne, which houses photography exhibitions. In the other direction are gardens and the lake.

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The exhibitions there at the moment were Internal Conflict, featuring photos from the conflicts in Biafra, Vietnam, Londonderry, and the Six Days War, by French photojournalist Gilles Caron; and a retrospective of music, film, and photography by Phill Niblock. I found them depressing.

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