The Making of the EXPO Giant Platypus

Posted by hil

You might have seen pictures in the news of the Prime Minister and his wife dwarfed by a giant platypus, on the occasion of the opening of the Australian Pavilion at the World Expo in Aichi, Japan a couple of weeks ago. It was made by a team assembled by the Melbourne production company, think!OTS, and there are some images of the platypus there, if you check their portfolios.

Expox

Yesterday I was delighted to also find photos of the making of the platypus exhibit at Australia at Aichi World Expo 2005 in their Pavilion Photo Gallery. Starting with an artist’s impression, they move on to show how the over-all shape was constructed out of foam, filled with plaster, coated with concrete and covered with leather and soft fur. It’s not clear to me from that description how they end up with hollow sections, but I’m guessing that its the concrete layer that forms the shell. The platypus measures about 11 metres.Here are a few other picture links:

‘Our Mary’ and Prince Frederick with the platypus
‘Our Mary’ sits on its tail
Mr and Mrs Howard with the platypus: 1,2 (both photos by Penny Bradfield)
Update: Platy-cam! (not available anymore)

Little Golden Books: Tibor Gergely

Posted by hil

The following illustration is by Tibor Gergely from the Little Golden Book ‘Houses’ by Elsa Jane Werner. I’m posting it as a comparison to the one by Richard Scarry in another Little Golden Book, ‘Cars and Trucks’, over at Wee Wonderfuls. There is an interesting discussion there about how in updates of the book that particular illustration has been changed to accommodate a more feminist attitude to gender roles. This one obviously belongs firmly in the earlier era, and I wonder if it was changed in a similar way later on?

I don’t have an exact date for this book – its one of a set of four books that together make up a ‘Little Golden Book Library’ that I bought in about 1983, and the dates given collectively are 1948 through 1969.

I was interested to see in an online bio of Tibor Gergely that as a young man he worked for two years in a Vienna marionette theatre as a puppet designer and stage decorator :-).

Recycled Monsters: Meet Patrick and Esmé

Posted by hil

I had a lot of fun with April’s Month of Softies theme, recycled monsters; thanks, Claire. Firstly, please meet Patrick, who is channelling Patrick White:

Patrick

And now Esmé (‘don’t mess with me… I play bowls’):

Esme

They were made from an old bag and belt apiece, and Esmé has half an old cricket ball for a nose. There are more detailed pictures below. And thanks to Belinda for helping me see some extra dimensions to their characters!

Month of Softies: Recycled Monsters

Posted by hil

These cool recycled monsters were made by my friend, Belinda, for April’s Month of Softies. I’ll let her introduce them to you:

gronka

Gronk: “I couldn’t think how to make him until I saw Hilary’s bag-monsters. Then I
found these things in various junk drawers around the house. His nose is
made from a rubber finger-stall pinned to a cork; his teeth are
toe-separators. His facial hair is chicken feathers sewn into a band – I
found this ‘braid’ in a local haberdashery and bought some so I’d have
feathers to add to my cat patchworks. I think he looks rather like Alan
Ginsberg, although as yet he hasn’t written any beat poetry. I posed him
with a cigar (my last home-grown tomato of the season) because I like his
raffish air.”

gronketc

Doris: “This is my first recycled monster. She started life as a tea-cosy. My
daughter’s drawer of “special things” was invaluable in providing the hat
(which used to contain lavender), the bangle for her mouth, the plait and
the flowers. I used polished stones and two star anise for her eyes. Doris
is demure, fragrant and very ladylike. She represents my long-lost
daintiness.”

Who Said: A Literature Game Podcast

Posted by hil

WhosaidMy friend Amy has launched Who Said?, a cool audio literature trivia game. It’s delivered as a podcast if you want to receive it that way; or you can listen on the web site. Two or three times a week, she will make an audio recording from a novel. It will be a short passage, always something a character says. Your task will be to guess the character, book and author.

Amy has been involved with online discussion since the mid nineties (she founded the premiere Jane Austen discussion site, The Republic of Pemberley in 1996, for example) so its no surprise there is an attractive discussion forum at Who Said? where you can brainstorm your hunches, make suggestions about the game and talk about the books that the audio passages are taken from.

Japanese Design Motifs

Posted by hil

ButterflyMeggiecat is a constant source of interesting art-craft-image-related notes. Her link to Japanese Free Clip Art the other day provided this lovely swallowtail butterfly image, for instance.

The designs reminded me of a book called ‘Snow, Wave, Pine:Traditional patterns in Japanese Design’ by Motoji Niwa and Sadao Hibi, which I sometimes page through in the bookshop. Its a beautiful collection of photographs of classic decorative patterns on a wide variety of objects (for example robes, laquerware, swords and ceramics), and many drawings of family crests and stylized motifs.

Penguin Classic Book Title Mugs

Posted by hil

Penguin Books in the UK is having its 70th anniversary this year. The Victoria and Albert Museum in London, that wonderful museum of arts and design, is marking the anniversary with a display of about 500 of Penguin’s iconic book covers. It runs from 8th June to 13th November.

Mugs_3

I have been drooling over this range of mugs that feature 31 of the classic Penguin book designs. I supposethey give me pleasure because they are familiar to me from my mother’s bookshelves when I was growing up. There are tea-towels, too. Is it deeply ironic or intentionally funny to have a Virginia Woolf ‘A Room of One’s Own tea-towel? And Arthur Ransome mugs are yet another temptation – just how cool would it be to have a ‘Swallows and Amazons’ mug?

The Medieval Bestiary

Posted by hil

Parrot2This green parrot is one of the many lovely animal illustrations catalogued on The Medieval Bestiary: Animals in the Middle Ages. Its a nicely organized site, with alphabetical ordering and cross-referencing, and information about the beasts from manuscripts. For each beast there is usually a gallery of different images from different sources.

Did you know, for example, that a dragon’s strength is found in its tail, not in its teeth? And that ‘it is the enemy of the elephant, and hides near paths where elephants walk so that it can catch them with its tail and kill them by suffocation’? Or that ‘it is because of the threat of the dragon that elephants give birth in the water’?

Puppetry Daemons in ‘His Dark Materials’

Posted by hil

By all accounts the two-part 6 hour stage adaptation of Philip Pullman’s trilogy His Dark Materials is absolutely stunning. I think it has had two seasons at the National Theatre in London: one in 2003, and a second that finished earlier this month.

The daemons, physical manifestations of the human soul in the shape of animals that reflect a person’s character, are puppets. They were designed by Michael Curry, who is perhaps best known for the puppets in The Lion King. Stagework has an extensive website on the adaptation, and its possible to see a few of the initial designs there, and glimpses of the puppetry in some of the video clips:

Operating the golden monkey
Lyra meets Mrs Coulter
Cittagazee performance
Captured by bears
Lyra and Iorek (scene in rehearsal)

In both these and the puppets in ‘The Lion King’, I think the magic lies in how the overall shape and actions of the creatures are suggested. Often the puppeteers are built into the shape in unexpected ways, and they use their whole bodies to make the animal move. In ‘The Lion King’, for instance, the puppeteers playing the hyenas held the hyena heads low down and at arms length, while their own heads provided the high shoulder line that is so distinctive in a hyena’s overall shape. Likewise, the polar bears in ‘His Dark Materials’, are defined by a puppeteer holding a head mask in one hand and a great clawed paw in the other, with just the suggestion of great shoulders in what looks like a flexible curved line between the two, and a powerful lumbering gait.

Bridge to the stars, which looks as if its the natural online home for ‘His Dark Materials’ fans, has a section on the stage adaptation, including a guide to the Stagework site, images and reviews.