bodysuits

Penguin masks and earth hour

penguin masks

These penguin masks, being worn outside the UN Framework of Climate Change Conference in Bali last November, interested me because I liked the way the coarse gauze was so effective, while not hiding the faces. The photo is taken from our newspaper at the time, via Associated Press.

I’ve always thought a cool way of making a penguin character would be to have a head mask, but then wear a tuxedo as the rest of the costume, letting people make the penguin suit connection themselves. However no-one has ever taken me up on the suggestion!

We turned our lights off for Earth Hour tonight. It was a beautiful clear starry night.

Snuff Puppets

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Here’s another election campaign protest involving large puppetry: Snuff Puppets took the form of one of their large Skull characters holding a jumbo jet to confront Howard and accuse him of creating terrorism.

The Skull originated as a character in the highly acclaimed Snuff Puppets production ‘Scarey’, ‘the story of a travelling troupe of giant puppets, their technical crew of skeletons and a group of exploited and neurotic humans who are a novelty act in the show’… which ‘ examines the fragility of human existence when the customary relationship between puppet and puppeteer is reversed.’

Snuff Puppets was established in the early 1990’s, having developed out of Splinters Inc, a company that produced large-scale outdoor visual works in Canberra in the late 80’s. Their reputation is for challenging, often grotesque, highly unusual and inventive works on a large scale. They also run Peoples Puppets Projects where they workshop with specific groups or communities to enable the making of ‘glorious puppet spectacles that express the joys, concerns and spirit of unique communities’.

Their web site is up-to-date and has lots of inspiring images of their puppets and productions for those of us unfortunately too far away to see their shows. Snuff Puppets and Polyglot Puppets both recently received some funding from the Melbourne City Council. Snuff Puppets will use theirs ‘to create an outdoor work for Reconciliation Week at Birrarung Marr in May 2005. It will be a collaborative work with playwright John Harding and choreographer Bernadette Walong, based on Victorian indigenous bunyip stories.’

Floriade: Giant Lifesavers, Tyre Swans, Rainbow Serpents

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Here are some pictures of a few other things that took my fancy at Floriade – I like the roving entertainment more than the massed European flowers.

There was a rainbow serpent swimming in Nerang Pool, designed and created by Aeon Mortimer. Its a big inflatable, and apparently it can spray a fine mist of water from its spines, creating rainbows in the air around it. Nice idea. Aeon’s puppet play The Great Big Story Book was also there. Designed as a giant pop-up book, it tells a version of the dreamtime story of Tiddalik the Frog, with puppet creatures stepping out of the pages of the book. (My favourite picture book version of Tiddalick is What Made Tiddalik Laugh by Joanna Troughton. It has lovely illustrations, and the kind of lame jokes that pre-schoolers love because they are so lame.)

I was also enjoyed catching up with Jigsaw‘s Flotsam and Jetsam, a one-woman show acted by Chrissie Shaw, and based on collected stories of children who lived on lighthouse islands in Australia. I particularly liked Mrs Ingram’s windswept dress that could be slipped into and out of in a flash.

Icarus Performance Troupe from Sydney were lots of fun, jogging about the gardens as giant muscle-bound lifesavers. They blew their whistles, bossed the crowds into swimming between the flags, and struck stong-man poses (complete with appropriate grunts and roars!) at the drop of a hat.

The flock of 100 black swans made from old rubber car tyres interested me not so much for what they were, but as a reflection on the fact that when they were common garden decorations in the 50’s and 60’s (or earlier) they were always painted white. I suppose they were part of that era’s acceptance of the idea of England as the home. As reported in the Canberra Times, the swans were made by Greg Hedger of Limestone Creek Enterprises:

‘Mr Hedger said each swan took about an hour to fashion – once he had the design sorted – plus a bit of time for painting. The tyres were heated by engine exhaust or in a glasshouse so the rubber was easier to cut and twist inside out.

The tyres were sourced from a company in Melbourne, which was believed to have held a stockpile for use as swings. While the steel belting in a modern radial tyre is good for motorists, it does not wear safely in children’s swingsets. Neither is it suitable for swan sculpting, because it’s too difficult to slice.

Sizes ranged from 12- and 13-inch car tyres to truck tyres. Mr Hedger’s offerings have been planted with a new variety of pansy, named Waterfall.

After the festival, Mr Hedger intends to take the swans under his wing. While the Floriade examples are under offer – Mr Hedger’s wife has her name on two – he’ll take up the slack afterwards. He’s already had orders from ladies in Burra and Orange and a school in Armidale. He had no idea what the swans would sell for, but would probably charge less than $100 apiece.’

There is an article about the traditional Australian art of sculpting swans from old tyres here.

Finally the Scarecrow Competition :-). I have a soft spot for the scarecrows because they come so much from the everyday community, and because such a wide interpretation of the concept of a scarecrow is acceptable. Here are some photographs of just a few of them that took my fancy:

Domestic Goddess (Woman of Steel, With Forked Tongue, Ready to Spring) by Barlin Event Hire
In Bega Everyones Dreaming of Rain, by Merimbulla Rudoplh Steiner School. The Bega Valley down on the south coast is dairy country, and must be feeling the drought as much as any of us.
French Frog by Telopea Park School. Appropriately, Telopea is a bi-lingual English/French public school.
Bunyip, by Hindmarsh Student Group (?)
Mermaid, by Braidwood Preschool Association. Their use of tin lids for scales is very effective, just as good as the CDs that many others used, for instance in the following one.
Fish, by Waniassa (?) Learning Support Unit
Refugees and Asylum Seekers don’t want a Red Carpet Welcome, by Amnesty International. I’d like to think they were prompted by my Howard last year.
Person in the Bath, by Radford College
Dragon, by the O’Connor Co-operative School. A long rhapsody in plastic!

Old Parliament House’s ‘Big Heads’ Puppets at Floriade

Floriade has been on for the last month in Canberra, and tomorrow is the last day. I went in last weekend hoping to see the Old Parliament House Big Heads. These are much-larger-than-life-sized body-suit puppets of parliamentarians from days gone by. Their usual home is Old Parliament House, which is now a parliamentary museum, where they stroll around bringing the past to life.

Last year I got photos of the original three Big Heads in the Scarecrow Drive at Floriade, having an encounter with The Fool Factory‘s alien, Solar Flare:

An altercation between Solar Flare and Andrew Fisher and Alfred Deakin.
Solar Flare and Andrew Fisher shake hands.
Sir Edmund Barton takes liberties with my John Howard Scarecrow

This year there are two new Big Heads, Doc Evatt and Bob Menzies. While they have been made by the same company, eRTH, these ones have a less stylised look about them, and are more realistically modelled on the historical figures they represent. I think they are really cool. I love the demeanor of Doc Evatt, and his brown suit is just right.

eRTH is a Sydney company that does innovative large-scale theatrical performances which include ‘giant puppets, huge inflatables, acrobatics, aerial and flying creatures, stilt-walking costumes and pyrotechnics’. I would have loved to see their Gargoyles clambering over the outside of buildings, or The Neds ranging through city streets. At Floriade this year, they were also present as the Waterheads, four people with their heads in tanks of coloured water, strolling through the beds of flowers.

The Lying Rodent

I’m in the same mind set as a net friend who recently said that he just wanted the electioneering to be over and to be able to cast his vote with grim determination. So I’m trying to let most of it pass me by. But the appearence of protestors in body suits added a couple of brief moments of levity this last week.

At the Perth campaign launch Howard was hugged by a large sheep, protesting the live sheep export trade. A few days later a large rat pestered Howard while he was electioneering on the streets in his home electorate of Bennelong, while other protestors called ‘Lying Rodent for PM’ from across the street.

The ‘lying rodent’ tag stems from a sworn statement a few weeks ago by a Queensland Liberal Party branch official, Russell Galt, that Liberal Senator Brandis said of Mr Howard in relation to the Children Overboard senate enquiry: “He is a lying rodent” and “we’ve got to go off and cover his arse again on this”. Senator Brandis denied the allegation on oath, but went on to explain with a barristor’s distinction:

‘He would only ever call Howard the rodent; never a rodent, because the former is a nickname, whereas the latter would be a pejorative term.’

According to the same article,

‘… the PM has been descriptively tagged as the rodent almost as long as he’s been ironically tagged as Honest John. The nickname dates from the long internecine war between Howard and Andrew Peacock some 15 years ago.’

It began as a reference to the way Howard ceaselessly gnawed at Peacock’s leadership, and was adopted by John Hewson supporters for much the same reason.

Some people in the Australian Rodents Fanciers Society are offended by the slur:

“We would have to say that it’s quite funny that it’s not technically correct,”

“Unfortunately, most rodents, we have around 30 at our place, actually have a little more integrity than prime ministers and politicians.”