During all the fuss about the chocolate Jesus in the US over the last week or two I kept thinking: ‘Hang on, that was done here years ago!’. Lo and behold, the Canberra Times eventually dredged up their 1994 article on Trans-substantiation 2, by Richard Manderson. With a story beginning with the sale of 100 raspberry-fondant-filled smaller Jesuses at the Gorman House markets, an Easter-egg-foil loin cloth, chocolate-dipped string for hair, a sound artistic statement, a clever title, and the cultural superiority of leading by 13 years, whats not to like?!
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Mammatus clouds
We have had some amazing clouds over Canberra recently. These mammatus clouds rolled over our place last Saturday evening at sunset.
The rally for David Hicks
Last Tuesday I went to the David Hicks rally at Parliament House. I don’t much like going to protests, but sometimes you just have to? I wasn’t sure whether to take my vigil puppet, because although I knew he would attract attention, I didn’t want to imply that I thought it was a okay to wish that fate on the prime minister, much as I despise his politics. The point to me is that no-one should be treated in the way that David Hicks has been. I thought about this aspect when putting up the vigil blog, too, but I hope the understanding is that it’s a request to imagine this happening to anyone.
In the end I took the puppet and hooded him, so he was anonymous, and when I saw the cage protest I was glad I had. It made me a bit uncomfortable for just that reason, as did the the various calls to send various ministers to Guantanamo Bay. Having Ned Kelly as the jailer was a strange choice that I didn’t understand. It just seemed bizarre! Ampersand Duck has the best photo of him!
But overall it was a good, if small, rally. Natasha Stott-Despoja gave a fiery speech, and Andrew Bartlett and Kate Lundy were also good. Mamdouh Habib was the most impassioned, with reason. Loadedog, whom I met for the first time there, gives a good rundown on what Habib said, and I agree with him that what Habib says carries weight because he alone has been there and experienced it. The rally organizers messed up by not announcing ahead of time that he would be speaking, and it was amazing to see how all the reporters and photographers who has wandered off came running back to record what he had to say.
I wandered off myself after Habib’s talk. I find my tolerance for the inevitable speakers who want to jump on the bandwagon is close to zero these days.
On the way to the rally I had noticed a cool painted car, and, while I was parking close by, it had dawned on me that it was Ampersand Duck‘s car! I’ve been enjoying her blog for quite a while now. So I scrabbled around to find a scrap of paper and left a scrawled hello under her windscreen wiper. As I was leaving, she was getting into her car, so I jumped out and had the pleasure of meeting her. It seemed to make the whole day a lot more worthwhile!
Here are my photos from the day at Flickr.
Giant cross-section flower
My third project for Floriade was making a giant model flower in cross-section, to be the central display in CSIRO’s Division of Plant Industry’s information tent. I really enjoyed making this, too. Some projects go really easily and this was one of those!
The petals were the main challenge, but I decided pretty quickly to use a molded felt technique that I had previously tried with some masks. Essentially you saturate felt in white PVA glue, mold it to the shape you want, and then let it dry. It adopts the shape and becomes fairly hard and plasticised in a way. You can paint it, too, and the way the paint bleeds through the felt can be used in different ways, some quite sensuous. In this case, I made a petal shape in clay and each petal had a double layer with some aluminium flat bar running up the middle to give it extra rigidity. The interesting thing about the technique apart from the obvious texture, is that the felt can be stretched and pulled but remain in one piece. In this respect natural wool felt is much better to work with because it pulls and moves much more than synthetic felt. But synthetic is okay if you don’t have a choice.
I think the flower may end up being displayed in the CSIRO Discovery Centre, where some of my insect models are too; I hope so.
Espresso coffee hats
Making these fun hats was another of my Floriade projects. I enjoyed making them and was really happy with how they turned out. They were made for the performance group The Bunch of Posers, who in this guise are called Acappellacino.
To make them I started out by making the cup shape upside down, with a mixture of a garden pot and a garden hanging basket and clay. I started paper mache-ing it, but realised that the edges were going to curl when they dried, so instead I made a pattern from the shape (you put alfoil over it, masking tape it so it stays in the shape, then cut it into sections so
it becomes a 2D flat pattern). I could have made a small model and done the same and scaled it up if I hadn’t started down the paper mache track to begin with. Once I had the pattern, I cut it out of a particular thin dense type of foam sheeting and glued it up into the cup shape.
The top cup rim and the foam is made from a circle of polystyrene, so it gives the foam rigidity at the top. The saucer is slightly thicker foam, and the rim of the saucer is a ring of a kind of tubular insulation foam that the building trade uses (its called PEF backing rod, and its like those lengths of foam kids play with in swimming pools – pool noodles they are called here. But you can buy it in different diameters if you know where to go for building supplies.) The ring gave the saucer a nice rigidity. You can see the cups in the raw making phase in this picture.
Then it has muslin spray-glued on to the foam to give it a protective surface and kind of bring it all together. Then paint, with a bit of latex added to make it stick well.
The coffee pot was made in much the same way, just from foam. I made a pattern straight from my neighbour’s espresso pot and scaled it up (what I should have done with the cup, too!). However it does have a ring of light aluminium flat bar in the top rim and a couple of aluminium bars from the ring up into the lid to make the open lid possible and strong. The steam is dacron, the wadding stuff they put in quilts, with a wire through it.
The coffee cups just sit on your head like sombreros, but the coffee pot needed a chin stap which I filched from a bike helmet.
Here’s a video of the group in action, singing “You’re the Cream in my Coffee’. On my computer the sound only streams smoothly once its played through once.
(Click on the photo)
Warehouse Circus: Carnivale Puppet Parade at Floriade
Over the last few months most of my time has been taken up with a number of projects to do with Floriade, Canberra’s month-long annual spring flower festival, which finished last weekend. My biggest scale project was taking workshops with a group of kids from the Warehouse Circus, collaboratively designing and helping them to make some big puppets for a carnivale puppet parade during Floriade.
Robin Davidson was the artistic director, bringing together the eight characters the kids had proposed (The Dude (from the circus logo), the Evil Gardener, two tulips, The Pie, Mirrorman, Mini Me, and a pirate) into a kazoo band.
We used quite a broad range of building techniques and materials, many of which the kids hadn’t had experience with before. Six of the characters were on stilts, some on extension stilts, and I was really impressed with how well the kids took on the physical and mental challenges of performing the characters, and the level of confidence they developed.
Video clip: Click picture to see the Warehouse Circus Carnivale Puppet Parade.
Computer bug box
This is one side of my ‘computer bugs’ traffic control box, done for Colour-in Canberra. It’s on the corner of Corrina and Callum Streets in Woden. If you’d like to see the other sides and top, there are a few more pictures here. I think people are likely to interpret them as gremlins, but to me they are about becoming involved with the intricacy of the internet, and how rich an experience that can be.
Colour-in Canberra: The Suburban Duck
At the moment I am painting two traffic control boxes in the Urban Services project ‘Colour-in Canberra’. The first one, The Suburban Duck, is on the corner of Yamba Drive and Kitchener St in Garran, just across the road from the Canberra Hospital. It tells a story from my back garden: about how foxes are an ever present danger to ducks in the suburbs, while crows have the place staked out and steal their eggs given half a chance. Its been really enjoyable painting out in the sun on and off the last few weeks.
Artforce designs
I’m thinking again about the Colour-in Canberra traffic control box designs, as entries are due by the 23rd. The idea is based on a similar project, Artforce, an initiative of Brisbane City Council managed by Queensland Urban Ecology. They have a gallery of their images, and you can see which are regarded as most popular.
Among my favourites is this one by Annique Goldenberg:
‘On the way to the waterfront at Manly – a traditional turtle migration area’.
Updated links 2015