doll

Making of Allen’s giant doll puppet

Remember Allen’s giant doll marionette that was walking the streets of Brisbane a few months ago? The Oscar-winning visual effects director John Cox, whose Creature Workshop created the puppet, has given a cool behind the scenes look at how it was made. Also, there are a few videos of her on YouTube now, including the Allen’s advertisement.

Campaign Brief has a little more background, and I was not surprised to see direct reference to Royal de Luxe‘s giantess:

‘Lam and Ross took Inspiration from a Mexican Festival puppet and a 7m French puppet.  The French puppet is believed to have cost $2M to build, yet this project didn’t have that kind of budget. The Cox created walking doll is generations ahead of the overseas inspiration in terms of her very advanced mechanics and instant physical appeal.

The Mexican puppet must be Luca. (I have some more information on Luca, but for another post). I think the  ‘generations ahead’ aspect in the case of Royal de Luxe is rather meaningless, and a bit of chest puffing. The fibreglass/plastic look versus the wood/steampunk look is an aesthetic choice, appropriate in each case;  and the movement of RdL’s giantess does not appear mechanically inferior, especially when you see the Allen’s doll’s feet kind of clap on the ground at each step in one of the videos,  and she seems to tilt backwards too much at times.

Giant doll marionette in Brisbane

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(Photo: Brisbane Times: Andrew Wight)

According to The Brisbane Times, this giant marionette doll, made by John Cox’s Creature Workshop, was being filmed on the streets of Brisbane for an advertisement for Allen’s Lollies. There is a short video by rockfotze at Flickr, as well as photos by zombietron, shonkathan and rockfotze, and a good close-up of her face.

(Influence of Royal de Luxe?)

Gimme a head with hair…

It’s nice to have Claire posting again at Loobylu. (Claire had a beautiful second baby girl recently – congratulations!). Her post today mentions the difficulties of making hair on dolls – I agree it is tricky, and depite the post title, I really don’t like dealing with hair at all! It jogged me to scan some drawings that I have found useful for hair making. They are from an old book we have called TOYS you can make yourself, published by Odhams Press Ltd, London, advisory editor Hilary Page. Other than that it has no copyright information, but I’d guess it’s from the late 40’s or 50’s.

In this first figure, the middle row of stitching is the parting of hair down the centre of the head. You make it as long as is needed to cover the head, and then draw back the hair into bunches or plaits or however you fancy and stitch them on.

Hair

I used this idea for the doll I made a while ago, but instead used an interesting kind of fabric. I always forget its name, but its something like ‘feathered velour’. I stitched it slightly gathered down the centre of the head, and then arranged it to look like strands of hair in bunches, and cut the ends to give it that effect, too. On a doll that size it was a lot easier and quicker than doing the wool
thing.

The next one shows making loops of hair. I guess you could cut the ends once the loops are sewn on.

Hair2

This one for gollywog hair is the one I have used most, not so much the circling attachment to the head which gives you the shock-headed hair, but the making of the hair by stitching it on doubled-over paper. It’s a bit like a flat pom-pom! Instead of circling, you can use it for rows around the side and back of the doll’s head, and for fringes.

Hair3

L’objet fantastique: Cthulhu doll

L’objet fantastique has an amazing Cthulhu doll made from leather. There are some more photos here. The internal skeleton is made from dense rubber, and I think this is the wing mechanism.

The Dollmaker

Here is a slightly spooky thing to listen to when you are making a doll or puppet, as happened to me yesterday: The Dollmaker, a radio play by John Aiken. The doll becomes an alter-ego of its maker. I’m not sure how long the audio remains available, but give it a listen, its well done.

Another radio program I heard that caught my attention recently was about a puppet production, Operation, showing in Melbourne for the Next Wave Festival which was running at the same time as the Commonwealth Games. It was an interview with Sam Routledge, the co-director and puppeteer, and one of the graduates from the VCA post-graduate puppetry course, from which a new company, Blood Policy, has emerged. But I can’t find a trace of the interview on ABC Online.

I also heard an interview with puppetmaker Andrew McDougall a while ago, and was interested to hear that he is currently doing his Masters in Puppetry at the VCA, too.

I was wondering today — do we say puppetmaker in Australia, whereas in the US and other places they say puppet builder?

Update: I just happened across a website for Blood Policy’s Operation. It has a gallery with photos from the production.

Updated links 2015