puppetry

Anne Frank: Within and Without

frank4

In January the Center for Puppetry Arts in Atlanta put on a puppet production called Anne Frank: Within and Without that looks as if it would have been amazing. An article in the New York Times, describes how the writer and director, Bobby Box

“tackles his subject by having two actresses manipulate the doll-like puppets, which look like pose-able mannequins. The actresses, pin-curled and identically costumed in prim knee-length gray wool skirts, white blouses, gray cardigans and Mary Janes, are both introduced to the audience as Anne. Sometimes they seem to be personifications of Anne’s memory or different aspects of her personality. Sometimes they seem like ghostly grown-up versions of an Anne Frank who has been allowed, in death, to age and return to tell her story.

The two performers move the puppets in and around a giant cutaway dollhouse, an exact replica of the annex rooms where Anne and her family hid. Watching grown women play with dolls this way turns out to be surprisingly macabre.

There are examples of the tender-turned-terrible throughout the show, including a cradle that later becomes the cattle car carrying the residents of the annex to their deaths.”

There is also a great slide show of some of the scenes, and puppets in action, linked in the sidebar of the NYT article.

In other accounts the production is described as ‘a celebration of life love and faith’ and ‘a meditation on hope and all that is good in human kind’.

Here are some other links:

JTOnline: Puppets tell Tragic Girl’s Story

SouthernVoice Online: Adult puppet show with two gay principals
aligns Holocaust experience with religious and political extremism that
still exists today.

Bobby Box’s photos in Amsterdam for set design

Productions in the works: notes on the production as it progresses

Access Atlanta: Ann Frank’s hope inspires puppet show (3 pics)

Updated links 2015

Searls Puppetry

Searls Puppetry looks as if they do cool productions. They specialize in object theatre, and have just been recognized by the Jim Henson Foundation with a grant in support of their newest production: OM: objects in motion coming in the northern summer. Collete Searls is a stage director who specializes in puppetry for adult audiences.

Updated links 2015

Plasticine model

Fruitbat

 

Sally was interested in the plasticine model I made of the fruitbat, so I have added this photo to the set. You can click to see it enlarged in different sizes. The yellow pins mark the performer’s eyes, and the black spot on the leg, their feet.

Meanwhile, Amy has given me Best Flying Rodent in an Insupportable Role – lol! Thanks, Amy.

Jasper Morello on SBS this Friday!

The Gothia Gazette is reporting that The Mysterious Geographic Adventures of Jasper Morello, nominated for Best Animated Sort in the Academy Awards, will be screening on SBS on this Friday 10th March at 8.00pm. The DVD of Jasper Morello, including a ‘making of’ featurette and other award winning films by director Anthony Lucas will be in shops on March 15th. Don’t miss it!

AVENUE Q One Night Stand Competition

It seems like you can still cast a vote in the AVENUE Q One Night Stand competition, but be quick! Three puppets have been chosen to go to see AVENUE Q on Broadway and meet the cast backstage after the show, but one winner and their puppet will have the once in a lifetime opportunity to step onstage at the Golden Theatre on Broadway with the cast of AVENUE Q!

Watch the videos of the three competing puppets, and vote for which one you would like to see win. Will it be Kitty Swallows, Miss Greta Green, or Maurice Tipo (pictured with Andrew MacDonald-Smith, who designed Maurice along with Konja Chen (of Chensational Puppets) in Toronto in honor of Avenue Q.)

Updated links 2015

Fruit Batman

Wingsspread

Making this huge Fruit Batman character for The Fool Factory has been the thing keeping me so busy last month. The wingspan is 6-7 metres, and it is a stilt-walking character. The wings are articulated, and it has animatronic eyes and ears, but it was my brief to build the creature around those supplied elements. He is now in Adelaide, doing some performances in the streets during the Fringe Festival.

I’ve made a set of photos that show some of the making process. And there are some more stills and a couple of quicktimes on the Fool Factory’s new site. I was particularly happy with the head:

Finishedhead


Shaun Tan’s website and Aquasapiens

aqua51

Shaun Tan now has his own website. It looks relatively new. It’s great to see a number of illustrations under each picture book listing, and read his thoughtful and friendly commentary. I was also delighted to see some images from the puppetry-based theatre production of The Red Tree, which was produced as part of the Queensland Performing Arts Centre’s ‘Out of the Box’ festival for children in 2004. I had heard about this wonderful fish puppet on the grapevine. There are also some in-theatre pictures of some of our puppets for Jigsaw Theatre’s production of The Lost Thing.

One project that was unknown to me before, is Aquasapiens. Tan was commissioned by Spare Parts Puppet Theatre in Fremantle, WA, to design large-scale puppets for a street theatre event as part of the 2005 Perth International Arts Festival. The director was Philip Mitchell, the puppet maker Jiri Zmitko and sound designer/composer Lee Buddle. These creatures are fabulous! Here are drawings of the Yellow Naut and ‘Shrimpy’. I also love this.

Aquasapiens is going to be part of the Adelaide Fringe in February and March, and is available to perform at schools from February 27 to March 10.

Apparently Spare Parts will also be adapting another of Tan’s books, The Arrival, which is about migration and is due to be published in April.

updated links 2015

The Magic of Marionettes by Anne Masson

I remembered yesterday that the tip about storing marionettes by twirling them so the strings twist up together (in the comments under my last post) came from a lovely book called The Magic of Marionettes by Anne Masson. It was given to one of my kids, but I got a great deal out of it too, not so much because it was about puppets, but because it is written with a real understanding of the delight and empowerment that creating and making something can give you.

The book covers how to make the puppets, how to put on a performance, write a simple play, and it discusses props, scenery, sound effects and scripts that might be used, while keeping lots of room for individual creativity, and emphasizing that the process is as important as the result.

Simple rods puppets from recycled materials

RodThese are two simple rod puppets which were made by my son when he was about 8, at a workshop that I was involved with.

The materials were recycled bits and pieces. The basic pattern was a plastic bottle for a body; a stuffed sock for the head; cardboard tubes running through the bottle neck for the neck, and for holding the puppet from below; strips of foam for the arms; wire rods for manipulating arms and hands; and odds and ends of fabric and other things (glitter, eyes, bobbles, straws, paper, offcuts of leather, ribbons and cord, and so on) for features and decoration.

The main preparation for the workshop, apart from collecting all the materials, was making the rods, though they were simple enough. They were a strong wire (it must not bend too readily), cut to size, straightened, anchored in a length of dowel at one end, and bent or hooked (so that could be poked into the foam at the wrist) at the other end. To fix the wire in the dowel, drill a hole down the centre of the dowel that the wire will fit in tightly, and then make a tiny bend in the wire a centimetre or so from the end before pushing it it. For this purpose the bend is enough of a barb to keep the wire in.

Craft glue was used to attach fabrics and foam, but we had a nifty way (I still think it’s nifty!) for the kids to attach the arms to the body: cut a X about 3 cm across into the plastic and just push the foam through. Again, the tension and points of plastic are enough to secure the foam. The elbows and wrists are made just with string tied tightly around the foam, but they are surprisingly effective.

I think the most important aspect when doing this kind of workshop (after providing basic ideas, materials, and help) is to leave the rest to the imagination of the makers, so that other ideas in construction, features, characters and the stories that inevitably emerge with them, are welcome and valued.

Simple rod puppets