Roald Dahl’s great story Fantastic Mr. Fox is being adapted for the big screen using stop-motion animation. Some early glimpses of the puppets have been released, and the trailer will be out at the end of the month. (Update: here it is). More details about the production at USA Today. As usual I am anxious about how it will be interpreted!
(photo credits and thanks: zetavares)
This fabulous giant Pinóquio puppet premiered last weekend at the Imaginarious Festival in Santa Maria da Feira in a street theatre production called The fantastic history of a child called Pinóquio by the theatre company Trigo Limpo ACERT. They come from Tondela, a small town in the centre of Portugal.
The choice of Pinocchio, the classic tale of a wooden boy who wants to become human, is particularly pleasing, because it reflects the puppeteers’ conceit of being able to bring inanimate things to life. And he looks beautifully articulated – I really like the way his leg and foot can turn and rest in his signature stance.
Zetavares has a great Flicker photoset of the 7 metre marionette, and has kindly let me post some of his photos here. He also has interesting sets of the making of the puppet, and the rehearsing the manipulation.
The character was sculpted by Carles of Madrid and Nico Nubiola of Taller de escultura De la Madrid & Nubiola, both of whom were involved with the production of the opening ceremony for the Barcelona Olympics. They have a cool video of how they made Pinóquio:
Teatro e Marionetas de Mandrágora were involved with the manipulation of the puppet. I first saw pictures of Pinoquio on their blog Espaço das Marionet@s, which I have been following for a while now.
Trigo Limpo ACERT have previously made some other great street theatre pieces, two of them large versions of traditional wooden push-along children’s toys. Memoriar na rotunda had a man pedalling a bicycle, (making photos here) and Golpe d’Asa, a bird whose wings flap as its wheel base rotates.
This cute Sesame Street style video won both the Critics’ Choice and People’s Choice awards in the ACS Nanotation NanoTube ‘What is Nano?’ competition for a video tutorial about nanotechnology. It was a ‘collaborative effort by a group of researchers from University of California, Berkeley including Patrick Bennett, David Carlton, Molly Felz, Nola Klemfuss, Glory Liu (singer), Ryan Miyakawa, Stacey Wallace, and Angelica Zen’.
(Photo: Brisbane Times: Andrew Wight)
According to The Brisbane Times, this giant marionette doll, made by John Cox’s Creature Workshop, was being filmed on the streets of Brisbane for an advertisement for Allen’s Lollies. There is a short video by rockfotze at Flickr, as well as photos by zombietron, shonkathan and rockfotze, and a good close-up of her face.
(Influence of Royal de Luxe?)
(photo credit: stephenccwu)
This huge wire marionette appeared at the opening of the new Vancouver Convention Centre last weekend; I gather it was associated with Cirque du Soleil. It was a performance by the Underground Circus, and the marionette was made by Peter Boulanger (who was kind enough to let me know in a comment below). It’s made of aluminium (I guess it’s really thick round wire?) , and at about 40 feet, billed as the tallest marionette in Northern America. The puppet moves to music and is operated by 5 puppeteers working pulleys. In this photo you can see it standing fully, supporting two acrobats: the one in the ball and one on the length of material. This is a great photo of it, too.
(influence of Royal de Luxe? Peter says not directly, though he knew of their work)
I noticed a flurry of searches on my blog recently for puppets from Philip Pullman’s trilogy His Dark Materials but only realized that there was a new production by Blind Summit Theatre when I read on Stitches and Glue that Paul Vincett was one of the makers of the new puppets, along with the puppet designer Nick Barnes, and Billy Achilleos.
I’m really excited by the exquisite aesthetic of these puppets. Take a look at the showreel slide show or the album of stills. They suggest the essence of the creatures with the simplest of lines – just beautiful!
Blind Summit Theatre was founded in 1997 by Nick Barnes and Mark Down to make new plays with puppets for adult audiences. His Dark Materials is on at Birmingham Rep: 13th March – 18th April; and then at the West Yorkshire Playhouse : 28th May – 20th June.
There is some great puppet making information on the Blind Summit site, too, though not specifically for this kind of puppet.
Shadow Monsters by Philip Worthington is a wonderful interactive and digital form of shadow puppets, in which the programming generates fantastic and playful extensions to the shadows of participants bodies and hands, and quirky and wild sounds. (There are more YouTube videos).
The Shadow Monsters grew from a brief about technological magic tricks. I was looking at optical illusions and Victorian hand shadows particularly interested me as a starting point. The subtlety with which a character could be created was already very magical and I wondered if there was room to experiment with these techniques. Looking back to my own childhood, I remembered the feeling of casting huge shapes in the light of my father’s slide projector, creating monsters and silly animals. I enjoy working with simple intuitive things; playful feelings that touch us on a very basic level.At the same time I was experimenting with some software for vision recognition so slowly the monsters evolved. At first I made a puppet show with coloured pencils that had hair and eyes… and this slowly grew in complexity until I had a system that could go some of the way to understanding hand posture. The rest is history.
For those of us with a love of pareidolia, a cool short film called The Lost Tribes of New York City by London Squared Productions.
(via Laughing Squid)
(photo via Spike Jonze Fan Blog)
The trailer of the long awaited Spike Jonze adaptation of Maurice Sendak’s Where the Wild Things Are has just be released on Apple (interesting choice!). The movie will be in theatres from 16 October 2009. It’s funny how recognizably Australian the forest and beach are in the opening sequence! I can’t tell yet if I’ll love this, but it is looking promising. For me it will probably depend on how much sentimentality has been allowed to creep in: I’m hoping for very little.
Previously:
Where the Wild Things Are
Where the Wild Things Are: Link Dump
