puppets

My White Rabbit for February’s Month of Softies

What a scramble – I forgot February was so short! But here is my White Rabbit for Loobylu’s Month of Softies, which this month was on the theme of Alice in Wonderland. He stands about 40 cm (15 in) tall, and is covered in a very soft kind of fluffy material, (I’m not sure what – its not fleece or
terry towelling). He was going to have a blue jacket and be holding a
pocket watch, but I ran out of time to make those today.

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The rabbit is actually a very simple glove puppet, as he fits on your hand and you can turn his head with a rod inside his body. He is very cuddly, and its fun to cradle him your arms (without it being obvious that one arm is inside) and make him come alive.

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Update: Here are some pictures of him now he is finished:

White Rabbit puppet

A puppet production of ‘The Mousehole Cat’

By chance I discovered that the British puppetry company Puppetcraft have done a puppet show of The Mousehole Cat, one of the books by Nicola Bayley that I mentioned in my previous post. These are their carved wooden puppets of the legendary Tom Bawcock and his cat,

Mousehole

who ‘saved the villagers of Mousehole from starvation by putting to sea in a fearsome gale on the day before Christmas eve and catching seven sorts of fish, enough for everyone to make and enjoy a life-saving, local delicacy – starry gazey pie’. The pictures and reviews on their site, make it look like a great production, and they have a recipe for starry gazey pie, too. Apparently Tom Bawcock’s Eve is still celebrated in Mousehole on December 23rd each year.

Don’t miss Jigsaw’s ‘The Lost Thing’ at the Sydney Festival…

If you are in Sydney, don’t miss Jigsaw Theatre Company’s production of ‘The Lost Thing’ this week. Its part of the Sydney Festival, and is playing at the Parramatta Riverside Theatre, from Jan 18 – 22. Its great news that the play will also be being presented by the Canberra Theatre Centre in March.

In December at the the annual Canberra Critics Circle Awards, Jigsaw’s artistic director, Greg Lissaman, won the The Canberra Times Artist of the Year award, and the company also picked up a theatre award for ‘the excellence, impact and theatrical creativity of Arborio‘. ‘Arborio’ is going up to the Sydney Opera House later in 2005. All cool news!

Seventh ‘One Van’ International Festival of Puppetry

The seventh ‘One Van’ International Festival of Puppetry will be taking place on January 21-24, 2005 in Blackheath in the Blue Mountains west of Sydney.Ailie Cohen from Scotland will be bringing 2 shows, ‘Rumplestiltskin at the Fairytale Laundry’, and ‘Jazz Mouse’, to add to the fabulous Australian shows coming from Sydney, Melbourne, Brisbane and north coast NSW.
It will be a chance to see Richard Hart’s Dream Puppets ‘Dreamer’ trilogy, ‘Muckheap’ by Polyglot Puppets, Aphid’s ‘A Quarrelling Pair, ‘Moon Shadow’ by Sydney Puppet Theatre and two productions by Krinkl Theatre, among others.

There will be great workshops for adults in manipulation, writing, mask and shadow puppetry and puppetry making workshops for kids. Philip Millar, Joanne Foley, Sue Giles and Gary Friedman are among those offering workshops.

‘Nature Band’ is a community puppet project being run as part of the festival too, as Sean Manners at Puppetry Australia explains:

‘Designed by Jenny Kee, a number of large street parade puppets, celebrating the flora and fauna of the area, are being constructed by local members of the community who then will use them in outdoor events in and around Blackheath during the Festival.

Construction workshops are being run every weekend in November, December & January apart from Christmas and New Year from 10.00am to 4.00pm in Blackheath next door to the Fire Station on the Great Western Highway. All are welcome over the age of 16 to come and join in. Come for the day or for an hour.’

A full list of performers and activities for ‘One Van’ can be seen at a glance here.

An umbrella event of the festival will be a 2-day Puppetry Conference on Jan 19 & 20th in Blackheath in which there will be discussion and focus groups on various topics. All puppeteers are welcome, but the emphasis is on puppetry in NSW. For information contact the directors:

David Collins – drcollins@ozemail.com.au
Sue Wallace – Ph/fax: (02) 9550 6457, or email spuppet@ozemail.com.au

For further information or to be on the festival mailing list contact:

Blackheath Area Neighbourhood Centre,
Gardiners Crescent
Blackheath
NSW 2785
Australia

Phone: (02) 4787 7770
Fax: (02) 4787 7777
Email: puppets@banc.ngo.org.au

Brumby Jack

I forgot about Brumby Jack, the official mascot of the Super 12’s Brumbies, the ACT Rubgy Union team. In a daggy interview in the Canberra Times he listed ‘The Man from Snowy River’ as his favourite movie, and ‘Horse with No Name’ as his favourite song. Its possible to buy a rather frightening Brumby Jack toy.

Brumbies are wild horses in Australia, and most mums and kids know the song Brumby Jack from watching the ABC’s Playschool — ‘Here comes Brumby Jack, bringing the horses down the track…’

The other local football mascot is the Canberra Raiders Victor the Viking. His muscles always look lumpy and migratory…

Updated links 2015

Trauma Teddy

Continuing in my quest to collect all the large puppet mascot characters around, may I present Trauma Teddy, ‘the bear that cares’, and the fund raising mascot for the Australian Red Cross. November is fund raising month for the Red Cross, and November 23nd was National Trauma Teddy Day.

While Trauma Teddy himself visits sick children in hospital and travels to schools to entertain and inform children about the activities of the Red Cross, the Trauma Teddy program is one where people in the community knit individual bears which are then given to comfort children and adults experiencing trauma. Although the bears are made to a special pattern, and you have to be a registered knitter with the Red cross to get it, each bear is different.

In hospitals now they have a machine with which you can self-administer morphine when things are getting tough. The nurse comes along and coos ‘Now how would you rate the pain you feeling on a scale of 1 to 10? 7? Well then I’ll just link you up to the … (imagine dramatic psycho stabbing music and cackles) … PAIN MACHINE!’ My only concern with Trauma Teddy is his name. Does someone come up to you and coo ‘There there, let me give you a …(uh-oh) … TRAUMA TEDDY’.

The Big Heads

bheadsHere are some wonderful walkabout puppets: The Big Heads, made by Bim Mason. There are a few thumbnail pictures of The Big Heads if you scroll down in the ‘Companies’ section of Fool’s Paradise, and check the publicity images links. But on JaneandRichard I was excited to find two great close-ups among photos taken of the street performers at the Brighton Festival Big Weekend, part of the Brighton Festival in 2002: Big Head and Another Big Head. No wonder kids find them scarey!

Here is Fool’s Paradise’s description of the heads:

Three giant sized latex heads (one metre high) with protruding/retractable tongues and emerging arms made by renowned mask maker and street theatre author Bim Mason. The heads can lower down to conceal the actor’s legs within, enabling intimate contact with smaller people.

The actors are linked by walkie-talkie to a minder enabling synchronised response to opportunities for interaction. It also enables sudden synchronised dancing without apparent cues. The heads are truly carnivalesque in the sense that they induce two conflicting simultaneous reactions – attraction and recoil allowing the actors to strike the right balance according to the situation. Can perform in any weather.

The University of Exeter School of Perfromance Art has some images of cool carnival masks made by second year students working with Bim Mason in 2002. He is also the author of ‘Street theatre and other outdoor performance’ (Routledge Publisher, New York, 1992). In a paper on Wearable Performance, examining how ‘wearable computers offer the street performer powerful tools with which to create innovative experiences for the audience’, the writers (Flavia Sparacino, Alex Pentland and Glorianna Davenport) refer to five catagories of street performance that Mason identifies in his book:

“Bim Mason has carried out an extensive study of street performers. He has defined five categories that group performers according to their motivation and artistic intent. There are: Entertainers, Animators, Provocateurs, Communicators and Performing Artists. (snip…)

Entertainers are defined as those performers with the simple aim of pleasing the audience, either by making them laugh or by impressing them with skills such as juggling, acrobatics or magic. In contrast, Animators play games with the audience. They use audience interaction not just for part of the show but as the main act itself. Provocateurs are more concerned with loosening-up society as a whole. They ask questions of society by going to the limits of conventionally acceptable behavior. Communicators see themselves as educators who feel they have something to teach to the rest of society or a message to pass on. Finally, Performing Artists are mainly interested in showing an artistic work, and their own personal view of art, focusing more on form rather than content.”

Unfortunately the book seems to be hard to come by now. Maybe the library has it.

Snuff Puppets

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Here’s another election campaign protest involving large puppetry: Snuff Puppets took the form of one of their large Skull characters holding a jumbo jet to confront Howard and accuse him of creating terrorism.

The Skull originated as a character in the highly acclaimed Snuff Puppets production ‘Scarey’, ‘the story of a travelling troupe of giant puppets, their technical crew of skeletons and a group of exploited and neurotic humans who are a novelty act in the show’… which ‘ examines the fragility of human existence when the customary relationship between puppet and puppeteer is reversed.’

Snuff Puppets was established in the early 1990’s, having developed out of Splinters Inc, a company that produced large-scale outdoor visual works in Canberra in the late 80’s. Their reputation is for challenging, often grotesque, highly unusual and inventive works on a large scale. They also run Peoples Puppets Projects where they workshop with specific groups or communities to enable the making of ‘glorious puppet spectacles that express the joys, concerns and spirit of unique communities’.

Their web site is up-to-date and has lots of inspiring images of their puppets and productions for those of us unfortunately too far away to see their shows. Snuff Puppets and Polyglot Puppets both recently received some funding from the Melbourne City Council. Snuff Puppets will use theirs ‘to create an outdoor work for Reconciliation Week at Birrarung Marr in May 2005. It will be a collaborative work with playwright John Harding and choreographer Bernadette Walong, based on Victorian indigenous bunyip stories.’

Freeda the Free Range Canberra chook and other big mascots

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Friends travelling through Sydney on election day said they had seen a number of ‘lying rodents’ outside polling booths. While I’ve seen a number on the TV news, its hard to find pictures of them online. Ambit Gambit has one – I’m guessing from the text that its Chas from The Chaser – but if you know of any others, I’d be interested.

In The Chaser’s latest series, The Chaser Decides, did you notice the blurry satirical rendition of the Abu Ghraib atrocities going on in the election tally-room backdrop behind them? In the local ACT election coverage a week ago, it was funny to see Freeda, the Free Range Canberra chook mascot making the most of that backdrop space, too. She positioned herself very visibly in the crowd milling behind the commentators, and then appeared to have a lot of fun jumping and waving to the cameras, and enthusiastically blowing kisses to us as the credits rolled at the end of the night. Free Range Canberra is a campaign and a registered political party that aims to ban the production of battery eggs in the ACT, and encourage consumers to buy free range eggs. Freeda was also pictured in the Canberra Times casting her vote, and she features in a nice Abbey Road cover spoof, the chicken ‘crossing the road to get elected’, on World Egg Day 8 Oct 2004.

Meanwhile, PETA, the People for the Ethical Treatment of Animals, who were behind Lucy, the large sheep puppet that hugged Howard and Latham during the federal election campaign, trying to bring attention to their cause of stopping the live sheep export trade, have managed to persuade the American fashion chain Abercrombie and Fitch to ban the use of Australian-produced wool in its clothing.

Speaking of large mascots, I met Constable Kip Koala, Kenny Koala’s new friend the other day ;-). As a kid – and maybe even now! – I would have run a mile from any of these big creatures, but the kids at the family day seemed to love him.

I’ve also noticed that the National Heart Foundation Australia now has a big red heart mascot.