My interest was piqued by photo #32 in the Big Picture’s post about Carnival. It’s an impressive dragon puppet float that took to the streets in the Nice Carnival recently. I don’t know who made it, but there are resonances with Royal de Luxe’s giant puppets, for instance the carving of the head, elements of the construction and operation and the way it breathes smoke.
This great spider is one of the newest creatures by the French company, La Machine (that I posted about a few days ago). Known as la Princesse, her performance in the streets of Liverpool, England, last September was a highlight of the 2008 European Capital of Culture celebrations there. She was commissioned by Artichoke, the company who brought Royal de Luxe‘s Sultan’s Elephant to London a few years ago.
A giant spider conjures up dramatic visions of Shelob, huge rearing fangs, giant trapdoors, buildings being webbed in, or the populace being picked off one by one and spun into food parcels, tasty morsels for later. But in one of the BBC videos, her creator, Francois Delaroziere, described the emotion he wanted to provoke as ‘sweet and in love’.
There are squillions of photos of la Princesse online now; here a few links as starters:
This giant marionette performance was presented at the Beijing Olympics last year by the pharmaceutical company Johnson & Johnson. It derives directly from Royal de Luxe’s giant puppets, but the story is about a Chinese girl and a butterfly awakening one of the terracotta warriors. If you dig down in Johnson & Johnson’s site, you can see the trailer, the story board and some cool photos of how the puppets were made. The tie to the theme of J&J caring seems somewhat tenuous to me, but never mind!
I’ve been fascinated by the huge puppets instigated by Royal de Luxe for several years now, so while we were in France we went to Nantes to ride their huge sister elephant at Les Machines de I’ile, and to see all the other wonderful semi-fantasy creatures in their emerging menagerie. It was wonderful – if you get a chance, go!
Revitalizing the old shipyards on I’ile de Nantes, Les Machines de I’ile really is a glorious and grand folly in the best sense of the word, flights of fancy made real. We rounded the corner of the building and there was the elephant, absolutely enormous – it’s 12 metres high! – gently swinging its trunk and wafting its ears, and blinking, as it waited to take it’s next walk around the docklands. From upstairs above the workshops, at the same level as the elephant’s head, we could see the construction and carving close up, and get some idea of the massive mechanics that make it able to move.
Our ride boarded via airplane steps further along the route, and we climbed up to the balcony built into the elephants’ side. The doors into its tummy are decorated with curly turrets and carved animal heads. Inside there is a spiral staircase up to the platform on top, where passengers can look out in all directions, try to work out the mechs in the neck and ears, adopt Titanic-like poses at the front, and waggle the elephant’s tail at the back via a lever that pulls a cable connecting all the segments of the tail! Every now and then the elephant trumpets, and if you are lucky you can operate that from inside it’s belly. I rather suspect they like to keep how it is done a secret, but it’s hands-on and not hi-tech! More often the trunk whooshes steam and water.
The promenade is satisfyingly long – 45 minutes, and it didn’t matter at all to me that perambulating along at 1/4 km per hour you don’t actually cover much distance.
After our ride, we walked out along the steel pole and wood paneling branches that are a prototype for the enormous heron tree that is planned. Hanging along each branch are boxes of plants, the idea being that in time they will provide the greenery of the tree. Extensive research has gone into finding the right kinds of plants, since they have to survive on little water, and in quite an exposed position.
The various models of the whole tree are amazing masses of wire and wood!
I’ve previously posted about the various ride-on creatures that are being built for the emerging Marine Worlds Gallery, and there are lots of photos of them now at Flickr. Since then the Giant Crab, the Bus of the Abyss, and the Storm Boat have been added, and there are some photos of those in my Flickr set.
Outside the workshops is a small carousel roundabout, also with wonderfully unusual creatures to ride – my favourite was a rearing stag beetle. I have lots of photos of these, too, but I think they can wait till another day.
It’s interesting when you can see a show like Royal de Luxe having an influence on the culture. I think something like that might have been at work in this dog puppet that was at Barcelona’s Món del llibre, an annual fair to promote book reading/purchasing, oriented towards children. According to jazamarripae (thanks!) there were a couple of dogs and some camels, and this strange thing, all mounted on wheels and operated by levers and pulleys.
I mentioned a giant Korean boy puppet before, but have found a few more pictures of him in Korean now: photos from anomi1: 1, 2, 3,4. I’d still be interested to find out more about him and who made him. From the same occasion there is also this face which has the same puppet mechanism marks at the side of it’s mouth.
This cool girl puppet (photo by driguiluza) in Chile, where Royal de Luxe toured earlier this year, is another example.
Planned as a new artistic, cultural and tourist venture, and part of an urban renewal of the docklands, it consists of numerous large mechanical creatures to build dreams around, imagined by François Delarozière and Pierre Orefice. They are installed in the great naves of the old shipyards on the island of Nantes, France.
First, there is a great elephant, similar to the Sultan’s, but a bit bigger at 12 metres high, which can take 30 passengers on its back for a 30 minute journey. It will journey every day.
Then there will be a huge tree, with branches that you can walk within. In time there will be herons in the tree, and people will be able to take rides in baskets below their wings.
video 1: intro, bits of elephant and branches, maquette of the tree
video 2: adapting the original buildings, building the elephant, in particular its feet!
video 3: making the models of the creatures – very cute little squid, manta
video 4: piecing the iron and wooden shell of the elephant together with crane.
photos 1 – 18: the opening, with elephants first parade
photos 19 – 26: models
photos 27 – 49: making the elephant
photos 50 – 55: the buildings
Today I came across this photo of a giant boy marionette, taken in Sydney’s CBD in late January. It’s very much like Royal de Luxe’s little giantess (who has been visiting Santiago, Chile, in the company of a rhinoceros) but I doubt he is theirs. Does anyone know the film company, or what production they were working on?
Update: A couple of people have uploaded videos of the puppet. Apparently it is to be in a Korean clothing commercial of some sort:
I assume this was a practice session, since the articulation has a way to go, but it’s interesting to see how tricky it is after the seemingly faultless performances by Royal de Luxe. The hips look a bit too wobbly as if they might need to go back to the drawing board, but the untidy looseness in the legs and arms lend a bit of boyishness at times. I wonder what it is made out of? I’d guess plastic not wood. I was really surprised that Royal de Luxe uses wood.
I’ve been keeping a list of Royal de Luxe links since I first became aware of them last June. This weekend I believe The Sultan’s Elephant is in Calais, and then in La Havre at the end of October (26 – 29th).
The producers who brought The Sultan’s Elephant to London in June this year are bringing out a book of photos, reminiscences and articles about the event which will be published in November.
Meanwhile, some lovely Royal de Luxe photos at Flickr:
