The elephants in yesterday’s post reminded me of this big elephant trunk I made for The Flying Fruit Fly production, The Promise, in 2008. It was meant to wave out from behind some set element, implying the whole elephant was just behind. The mechanism was based on a tentacle mechanism I had worked out previously, but was more complicated because the control lines were too long for the see-saw lever and instead required spools to wind the lines onto alternately to take up the slack. In turn there was a lot of tension exerted on the spools, and the trunk weight added to that problem. So, not a perfect solution, but an interesting make.

I also thought this was nifty – wrinkly elephant skin made by painting latex on stretched lycra! This idea was suggested to me by Tim Denton, from AboutFace Productions, who did the major build for the show, and it worked brilliantly.