video

Puppetry and dancing at altitude

Nati

(photo credit: David Fletcher)

Radio National’s Bush Telegraph has audio of their April 23rd interview with Jillian Pearce (fast forward to the 36 minute mark). Jillian is a performance artist living in Natimuk, the small town at the foot of rock-climbing mecca, Mt Arapiles, in rural Victoria. Jillian and her performing arts company, Y Space, have for some years been doing exciting work with rock-climbers, dancers, animation and puppetry in ‘unusual and high places’, such as the Natimuk wheat silos, exploring images, stories and relationships with the space and land. Check out their past and present projects, and some of their video.

Till it looked O.K.

Actually, my favourite Sendak picture book is In the Night Kitchen. I love the illustration, the cityscape made from kitchen packets and utensils, the dreamlike whimsy of it, and Mickey’s confidence. Above all, I like the part where he models the dough into a plane:

Ok

What better way to describe how you go about the creative process? I was delighted to find this lovely video animation of the book, adapted and directed by Gene Dietch, complete with jaunty music:

Where the Wild Things Are: link dump

Sendak

(Photo credit: wellingtonany)

Mentioning the Spike Jonze film adaptation of Where the Wild Things Are a few days ago reminded me that I had a bunch of WWTA/Sendak links that I collected when I was trying to scrounge information about the film. (As it happens they are keeping things very well under wraps, which is understandable.)

Take a Swim on the Wild Side: article about the filming taking place in Nov 2006 on the Mornington Peninsula, Victoria. There are two pictures of one of the monsters on the beach,and wading out in the water, but don’t get too excited – they are so tiny you can’t really make anything out! It describes the puppets (made by Henson) as follows:

The seven creatures stand up to 275 centimetres tall. Although made of foam, they are heavy and hot for the actors and stunt doubles operating them. Word is they wear them with the head on for no more than 30 minutes at a time, with 10 and 15-minute breaks in front of an air-conditioner… Heavy boots inside the suit and massive clawed hands make it difficult to move.

Loungelistener’s photoset of the performance of Where the Wild Things Are at Detroit Opera House, performed by the Grand Rapids Ballet. Some very cool picture of huge puppets on stage and behind the scenes.

Hand puppets and soft toys, and here
Action figures 1,2,3,4,5,6
Graffiti/stencil in Melbourne
Stencil art
Jack-o-lantern
Leg tattoo
Max tattoo
Mural in LA
Mural at the Philadelphia Flower Show, 2006
Costumes at DragonCon
Float in Mardi Gras, New Orleans, 2006
Pavement chalk art
6 part home videos of WWTA Interactive Metreon theme park – glimpses of one of the big puppets.
The Rosenbach Museum has Sendak Gallery (holding original drawings), shop, and is hosting a Spring Festival this coming week
Mommy a video about Sendak’s new pop-up book.
WWTA animation, I think the 1988 one.

There now, I can delete my Wild Things bookmark folder!

Once upon a Coffee Cup

You might think I’m on a real anti-Howard bender today, especially since I’ve also just decided its time to stop posting to my Vigil blog, but I swear this video was found quite accidentally while I was trying out the new Alpha search engine (very cool). It’s such a good caricature, both in looks and voice, too funny to pass by (the ‘Go Aussie’ cracks me up!):

Once Upon a Coffee Cup is described as a A Greek-Australian fairy tale!, presented by The So-Called Elite, a group of ‘latte-drinking, chardonnay sipping, over-educated, under-achieving artists who have come together for the first time to perform in this year’s Melbourne International Comedy Festival’ under the direction of Matt Scholten and if theatre. It’s written and performed by Andrea Mina, Vaya Pashos & Shan Jayaweera. Show dates are April 17-28 2007, 6:30pm Evatt Room @ Trades Hall.Can anyone tell me who made the puppet?

Shan also has a nice earlier Howard/Bush cowboy spoof.

Update:
Thanks to Shan Jayaweera, the puppeteer behind the John Howard puppet, who contacted me to let me know a few more details! Shan hadn’t picked up a puppet until he did the one year puppetry course at the Victorian College of the Arts last year, but since then he has worked with Philippe Genty (visiting artist at the VCA), and with Spike Jonze (on the Where the Wild Things Are film adaptation).

The puppet in the Howard/Bush Brokeback parody was made by Shan, but he then got a classmate, Jemila McEwan, to re-do the head for Once upon a Coffee Cup. Jemila was a production student at VCA at the time, and did the puppet build
for the show they did with Genty.

Thanks again, Shan.

Heart Made Of Sound

Were

I came across a lovely stop motion animation yesterday, the Softlightes Heart Made of Sound. It’s directed and made by an Australian animator, Kris Moyes, who has done some other cool videos, including (Wolfmother’s White Unicorn (defaced), and the The Presets’ Are You the One?.

Presets

This caused me to revisit Peter Gabriel’s Sledgehammer, which I just loved at the time. It was made in 1986, but it still stands up pretty well; not too surprising considering Aardman’s successes since then.

Sledgehammer

It’s one of those classics you assume everyone knows, but I’ve been realizing the older you get the less likely that is to be true! The other day I posted Jan Lewis’s Execution Row (postcards of the hanging), a current and clever borrowing of Dylan’s Desolation Row, at my local discussion forum, and the only response was someone young saying they hadn’t heard the song before but I liked it…

Puppet Up! – Uncensored in Australia

Puppetup

Puppet Up! – Uncensored is coming to Australia late in the summer, first to the Big Laugh Comedy Festival in Sydney in March, and then the Melbourne Comedy Festival in April. I’ve just been watching the video clip and it looks like it could be a lot of fun. The Age recently had a short interview about the show with Susan Provan, the director of the Melbourne Comedy Festival.

Walking with Dinosaurs: The Live Experience: Workshop footage

Walking with Dinosaurs: The Live Experience (see previous post) has released two videos of their awesome dinosaur puppetry:

Footage from the workshop
Torosaur v. Utahraptor

And here are a couple of stills from their newsletter.

Wwd_03

Steg
in the workshop. if you want an idea of HOW BIG this shows going to be, check out the size of the person working on the BABY brachi in the background (seen through Steg’s legs) … remember, he’s the BABY!

Wwd_14

Ankylosaurus in the workshop. To the right you can see one of the utahraptors in the making. There are two now in their final makeover stage and will be ready to wreak havoc with our first utahraptor who was one of the stars or the walking with dinosaurs launch, facing off with Torosaurus. (You can see someone behind the dino’s head, as an indication of scale)

I can see how you would come to call them affectionate things like baby Brachi and Steg if you were working on the build. I dare say they would have come in for a lot of swearing too! With only about five weeks till the first show in Sydney the makers must be under a lot of pressure.

Duck walks into a Bar

Duck

I also received a note about Duck walks into a Bar, a ‘bar-hopping, Muppet-style character who likes to troll bars in search of babes, booze and free drinks’, created by Kevin Susman & James Murray. It’s not particularly my taste, but the puppetry, character and video production are slick, so take a look.

Espresso coffee hats

Espresso coffee hats

Making these fun hats was another of my Floriade projects. I enjoyed making them and was really happy with how they turned out. They were made for the performance group The Bunch of Posers, who in this guise are called Acappellacino.

To make them I started out by making the cup shape upside down, with a mixture of a garden pot and a garden hanging basket and clay. I started paper mache-ing it, but realised that the edges were going to curl when they dried, so instead I made a pattern from the shape (you put alfoil over it, masking tape it so it stays in the shape, then cut it into sections so
it becomes a 2D flat pattern). I could have made a small model and done the same and scaled it up if I hadn’t started down the paper mache track to begin with. Once I had the pattern, I cut it out of a particular thin dense type of foam sheeting and glued it up into the cup shape.

The top cup rim and the foam is made from a circle of polystyrene, so it gives the foam rigidity at the top. The saucer is slightly thicker foam, and the rim of the saucer is a ring of a kind of tubular insulation foam that the building trade uses (its called PEF backing rod, and its like those lengths of foam kids play with in swimming pools – pool noodles they are called here. But you can buy it in different diameters if you know where to go for building supplies.) The ring gave the saucer a nice rigidity. You can see the cups in the raw making phase in this picture.

Then it has muslin spray-glued on to the foam to give it a protective surface and kind of bring it all together. Then paint, with a bit of latex added to make it stick well.

The coffee pot was made in much the same way, just from foam. I made a pattern straight from my neighbour’s espresso pot and scaled it up (what I should have done with the cup, too!). However it does have a ring of light aluminium flat bar in the top rim and a couple of aluminium bars from the ring up into the lid to make the open lid possible and strong. The steam is dacron, the wadding stuff they put in quilts, with a wire through it.

The coffee cups just sit on your head like sombreros, but the coffee pot needed a chin stap which I filched from a bike helmet.

Here’s a video of the group in action, singing “You’re the Cream in my Coffee’. On my computer the sound only streams smoothly once its played through once.


(Click on the photo)