Federation Skippet replica

Federation skippet replica

I’ve just finished making a second replica silver seal box, known as a skippet, for the National Archives of Australia. I made the first one (above) earlier this year. They are used as hands-on items in the National Archives Charters of our Nation exhibition. Making the skippet was an interesting and challenging project because it was finely detailed and required the use of some materials that I wasn’t familiar with, such as sculpey, silicone and resin. It also had to be done from photos only, as the original skippet is too precious to be handled by anyone other than archivists.

I visited the archives collection in Mitchell, and was able to look at and photograph the skippet. It’s a rather beautiful 7 inch diameter silver box that holds a Queen Victorian beeswax seal. An ornately tasseled cord attached to the federation documents is embedded into the core of the seal and runs through holes in the side of the skippet. On the hinged and slightly domed lid of the skippet is the Victorian Coat of Arms:

Federation seal

My photoset at Flickr shows the making process in detail, with comments and explanations, but here are a few photos of the main steps:

The sculpey modelling in and early stage:

Lid design sculpt in progress

… and finished, just before baking:

Lid design sculpt in progress

The silicon mold and the final cast of the lid:

Second lid

Another view of the completed skippet:

Federation skippet replica

More here.

PMS monster

pms monster

Amy reminded me of this today, my PMS monster, from October 1997, ten years ago. In the past in more ways than one! If I remember right, I did the drawings and Amy animated it. I didn’t know how to, or even how to put things online then.

Shock-headed magnetism

magnetmen

This is what I was imagining when I saw Amy’s post about Al Gore Rhythms, and the accompanying image of iron filings! My pareidolia inclinations are compulsive. I hadn’t made the direct connection between what I was wanting to see, and Woolly Willy, but surely it was just below there in the subconscious from my childhood, ready to be stirred by Amy’s joining of the dots! I guess etch-a-sketch and magnadoodle are more modern versions of the iron filing toys, but neither they nor the online Woolly Willy have quite the same wild and random results that make the real visible filings so satisfying.

It made me think about another toy from my childhood, often just a party favour. It was a small chain anchored in two places on a card. The chain had enough play in it to fall loosely between the two, making shapes that you could imagine were funny face profiles. When I was a kid I would play with the chain that anchored pens to the counter at the bank in the same way. Strange to remember when one darkened the doors of the bank regularly, and all the time we spent queuing there with passbooks! As Amy says, it sounds so ancient because it is!

These would be good things for me to include in my other blog Monkey see monkey do, which I have also just moved over to WordPress, and want to start up again (miss that monkey – she is coming!) It’s charter is How to slice a banana inside its skin and other tricks, games, idle pursuits, and things to make and do.

Leunigology

Boat of faith

(Photo credit: Cheryl Lawrie)

I’m kicking myself for missing Born in a Taxi’s The Boat of Faith street theatre act at Floriade. It was created for the 2006 Melbourne Commonwealth Games and is based on Michael Leunig’s whimsical cartoon characters Mr Curly and his direction finding duck, old favourites of mine. Bryony Anderson was the designer maker.

Mr.Curly's direction finding duck

(Photo credit: Cheryl Lawrie)

I have found a few nice photos online, though:

Born in a Taxi: a sweet short video and photos under the entertainment tab

The Boat of Faith at Floriade: 6 photos

Leon~’s photos from Floriade: 9 photos

At the Melbourne Festival

Tyrannosaurus sex

This is a snippet of the sizzling action in Philip Millar’s Puppetvison show Tyrannosaurous Sex sex which is on at the Northcote Fringe Festival until 13 October, as part of the Melbourne Fringe Festival. I’ve seen this – its terrific! Puppetvision is also presenting Tadpole and Pure Puppet Palava, which means you have a good chance of seeing that blokey beer-swilling koala with attitude, Ken Koala:

(Philip Miller’s Ken Koala MCs the puppet cabaret at the 2006 National Puppetry Summit. Photo credit: Laura Purcell. From Terrapin Puppet Theatre’s Summit gallery.)

There are other puppetry offerings at Northcote, but only a day or two left to catch them.

Beware the drop bears are, and she was

Drop bears

HighWire’s (and my) drop bears debuted at Floriade this last Monday, and they will be roaming the gardens until the end of festival this weekend. They emerge during the hours of 11 through 3, and seem to like hanging around in the bushes to the west of the Stage 88 grassy area, but remember to rub vegemite behind your ears before you get too close.

Drop bears

Over the last few years I’ve developed my own way of creating patterns for 3D shapes, since I’ve never learned pattern making, and I don’t find it intuitive like I find carving out a solid shape. I’m sure its not novel, but I find it enormously helpful. I tried to take photos of each stage of the making process this time, to illustrate.

Drop bear mask

Perfect avoidance

I signed up to the local Freecycling mailing list today thinking it might be a good way to pass on some old household stuff. My heart sank when I saw it was a Yahoo groups list. I find Yahoo awkward to use – I seem to be asked to sign in at every click – and I avoid it like the plaque, apart from Flickr. I’ve opted for reading the list through it’s RSS feed, which seems the perfect avoidance solution. I’m the only subscriber in bloglines, kind of surprising since the group is several thousand strong.

Play me something …

records

My daughter, Anna Raupach, has put some of her cool animations online! They belong to a body of work focusing on youth and music culture which she has been developing during her honours year at the ANU School of Art. As a finished piece, these and others will show on 9 big screens, flowing and interlinking conceptually from screen to screen in various ways. I find them fascinating, inventive and at times challenging, and I have loved seeing them evolve over the year. If you are in Canberra, you can catch some of them and some of her other work in an exhibition she is having in the School of Art Photomedia Centre Studio this week. The opening is tonight at 6pm.

Records
Writing
Bodypaint
Fridge
Driving
Tape