Iphone art: The Hedgehogerus & other flights of fancy

Posted by hil

iPhone drawing: Hedgehogeros surprisediPhone drawing: The Hedgehogeros nest

iPhone drawing: The Two-toed Chubbachubb iPhone drawing: The double-pouched Schweep

At the moment I’m entranced with drawing on my iPhone, mostly playing with the Brushes and Paintbook apps. My full set of iPhone drawings is here.

With Brushes I’m presently evolving some strange creatures in a strange environment. Above you can see the Hedgehogerus surprised,  the Hedgehogerus nest and fairy, the two-toed Chubbachubb, and the double-pouched Schweep.

With Paintbook I’ve been making some very simple two-tone faces of (mostly) imaginary people. Here are a few favourites:

iPhone drawing: Maud Bell IPhone drawing: Shane

iPhone drawing: Lillian iPhone drawing: Mrs. Foggerty

It seems as if there is an exciting new field opening up as people experiment with what can be achieved on such a small screen using just your finger. David Hockney has already had an exhibition of his iPhone drawings, and The New Yorker recently drew attention to the phenomenon by featuring an iPhone drawing by Portuguese artist Jorge Columbo as it’s cover illustration. But you get a better feel for the range, quality and some sense of developing community among artists using iPhone apps, at Flickr, for instance in the Brushes gallery.

First glimpse of animation adaptation of Shaun Tan’s The Lost Thing

Posted by hil

The Lost Thing

InFrame.tv has produced a great 5 minute documentary with Shaun Tan which offers an introductory glimpse at the work-in-progress on his short animated adaptation of  The Lost Thing. It includes little (unfinished) animation clips, and aspects of designing and directing the work. On his website Shaun also writes about his involvement and includes some interesting new sketches and models. I noted the film in 2005, so it is exciting that it is expected to be finished this August!

The film, by Passion Pictures, will be 15 minutes long, and uses CGI with 2D handpainted elements. I’m interested in the comments about achieving rich textures, as they are so much part of the illustrations, and CGI is often so disappointingly smooth and shiny.

I’m happy to see a new book, too: Tales from Outer Suburbia.

I worked on the puppets for Jigsaw Theatre Company’s production of The Lost Thing a few years ago, so you will find numerous related previous posts here:

The Lost Thing
Shaun Tan

Also: The Lost Thing website

Saving traditional crafts and records of them

Posted by hil

On FriendFeed today Amy today pointed to a British House of Commons debate about trying to save traditional crafts. I rather fear it is a lost cause. The upsurge in crafting and making in the last few years driven by the web is great in many respects, but I suspect probably can do little to help the traditional crafting skills of the sort referred to in the debate, as economies of scale are lined up against them.

But the article did remind me of some lovely images of traditional craftsmen by printmaker Stanley Anderson. Here are three:

Coppicing:

Coppicing

Chairmaking:

chairmaking

Basket weaving:
basket

These are from Country Bazaar, a 1970’s book about country crafts.  (I’m not sure about copyright here – please let me know if it is an issue). You can find a few more if you google, for instance The Violin Maker, but wouldn’t it be cool if it were possible to see the whole series?

Awesome: papercraft Ceiling Cat

Posted by hil

ceilingcat

Yes, I know now that this has been all over the web, but I only saw it today: Tubbypaws’s papercraft Ceiling Cat.

Giant Pinóquio puppet by Trigo Limpo ACERT

Posted by hil

pinoquio1

(photo credits and thanks: zetavares)

This fabulous giant Pinóquio puppet premiered last weekend at the Imaginarious Festival in Santa Maria da Feira in a street theatre production called The fantastic history of a child called Pinóquio by the theatre company Trigo Limpo ACERT. They come from Tondela, a small town in the centre of Portugal.

The choice of Pinocchio, the classic tale of a wooden boy who wants to become human, is particularly pleasing, because it reflects the puppeteers’ conceit of being able to bring inanimate things to life. And he looks beautifully articulated – I really like the way his leg and foot can turn and rest in his signature stance.

Zetavares has a great Flicker photoset of the 7 metre marionette, and has kindly let me post some of his photos here. He also has interesting sets of the making of the puppet, and the rehearsing the manipulation.

pinoquio3

pinoquio4

The character was sculpted by Carles of Madrid and Nico Nubiola  of Taller de escultura De la Madrid & Nubiola, both of whom were involved with the production of the opening ceremony for the Barcelona Olympics. They have a cool video of  how they made Pinóquio:

Teatro e Marionetas de Mandrágora were involved with the manipulation of the puppet. I first saw pictures of Pinoquio on their blog Espaço das Marionet@s, which I have been following for a while now.

Trigo Limpo ACERT have previously made some other great street theatre pieces, two of them large versions of traditional wooden push-along children’s toys. Memoriar na rotunda had a man pedalling a bicycle, (making photos here) and Golpe d’Asa, a bird whose wings flap as its wheel base rotates.

The Nano Song: puppets explain nanotechnology!

Posted by hil

This cute Sesame Street style video won both the Critics’ Choice and People’s Choice awards in the ACS Nanotation NanoTube ‘What is Nano?’ competition for a video tutorial about nanotechnology. It was a ‘collaborative effort by a group of researchers from University of California, Berkeley including Patrick Bennett, David Carlton, Molly Felz, Nola Klemfuss, Glory Liu (singer), Ryan Miyakawa, Stacey Wallace, and Angelica Zen’.

Lull

Posted by hil

Andrew Bird – Lull (daytrotter version): cool music, interesting shadow puppetry and animation.

(via Loobylu Tumbles)

Margaret Wertheim at TED

Posted by hil

I always meant to do a post on the Institute of Figuring when I first came across it a few years ago, but now you can just watch Margaret Wertheim herself  explaining the beautiful maths of coral, crochet and hyperbolic geometry in this great talk at TED.

Fun fun fun til Twitter took the t-bird away

Posted by hil

Twitter has now developed and then taken away three functions that made it exciting for me to use.

1. Track was taken away a year ago. Only some of us tasted it, but it was da bomb. Twitter knows.

2. SMS notification was taken away from Australians (and some other non-US countries) about 9 months ago. It was a buzz to receive tweets from a couple of good friends via phone. It was the whole rationale behind Twitter in the first place.

3. The @reply brouhaha that erupted yesterday is still unfolding, but it looks as if the underlying desire is to limit following through to conversations one’s friends are having with people you are not following. As many people have said, serendipitous discovery is one of the richer aspects of Twitter.

When I went overseas last year I took lots of photos for my own record and pleasure. People always say they are interested in seeing photos from trips, but more often than not they don’t really engage with them. But I did try to make a short photoset to show to people who said they were interested. The paradox I discovered was that the more I culled, the less interesting the photos became: you are drawn to choose the more iconic rather than the idiosyncratic. For instance, if you have to choose one photo to represent your time in Paris, you are more likely to pick the Eiffel Tower, rather than the funny alleyway litter bin that you could imagine becoming a puppet character. However, it is the layering of the unexpected and unusual like the latter, which sets up rich memories and stories of a place for the person who experienced them. In the same way, Twitter and it’s users might find themselves operating within a similar paradox.

In the meantime we wait for Friendfeed or others to do what Twitter has so far reneged on.