New adaptation of Shaun Tan’s The Arrival coming to the Sydney Festival

Red Leap Theatre from New Zealand will be bringing a new theatre adaptation of Shaun Tan‘s book The Arrival to the Sydney Festival in January. I love the look of what I can see in this video of highlights, in particular the aesthetic feel and muted colours, the puppets and the imagery.

Arrival redleap

(photo credit: Robin Kerr)

arrivalship

(photo credit: John McDermott)

I saw the adaptation of The Arrival by Spare Parts Pupppet Theatre at the Unima 2008 Puppetry Festival in Fremantle. It has gone on to win a number of awards, and recently had a season at the World Puppetry Festival in Charleville Mezieres, France.  I felt the strength of that production was in the projected animations and digital imagery, and that the story line and emotional content had been simplified for a very young audience.  I hope Red Leap’s production will be able to tap further into the richness and drama that the book holds.

Previously:  Shaun Tan

First glimpse of animation adaptation of Shaun Tan’s The Lost Thing

The Lost Thing

InFrame.tv has produced a great 5 minute documentary with Shaun Tan which offers an introductory glimpse at the work-in-progress on his short animated adaptation of  The Lost Thing. It includes little (unfinished) animation clips, and aspects of designing and directing the work. On his website Shaun also writes about his involvement and includes some interesting new sketches and models. I noted the film in 2005, so it is exciting that it is expected to be finished this August!

The film, by Passion Pictures, will be 15 minutes long, and uses CGI with 2D handpainted elements. I’m interested in the comments about achieving rich textures, as they are so much part of the illustrations, and CGI is often so disappointingly smooth and shiny.

I’m happy to see a new book, too: Tales from Outer Suburbia.

I worked on the puppets for Jigsaw Theatre Company’s production of The Lost Thing a few years ago, so you will find numerous related previous posts here:

The Lost Thing
Shaun Tan

Also: The Lost Thing website

Spare Parts Puppet Theatre & Shaun Tan: The Arrival

arrival

Following on from yesterday’s post about the puppet-based theatre adaptation of Shaun Tan’s picture book, The Red Tree, today I discovered that Spare Parts Puppet Theatre’s adaptation of Shaun’s new book, The Arrival, had just finished it’s season in Perth. The production, which The Australian gives a rave review, uses digital animation, puppetry and acting, and is visual theatre:

‘The absence of words not only makes the story perfect for puppetry but emphasizes the isolation that is experienced by many people arriving in a new place.’

Although The Arrival book doesn’t come out until October, there is an online preview, in which you can see some of the pages, and read Shaun’s detailed description. It looks wonderful – a 128 page book of illustrations without words, a
silent graphic novel, arranged and presented rather like a photo album, which can be interpreted rather like a silent film. ‘Through a series of connecting images, it tells the story of an anonymous migrant leaving some unfortunate
circumstances in his home country, crossing an ocean to a strange new city, and learning how to live here.’

The Lost Thing, another Tan book that was made into puppet theatre by Jigsaw Theatre Company here in Canberra a few years ago, and for which I made puppets, has been touring since, and is due to have a season in Melbourne this November at the Arts Centre.

I also came across some photos at Flickr of a Shaun Tan mural at the Subiaco Library in Perth.

Update:
Talking Squid’s review by Russell B. Farr

Links updated 2015

Shaun Tan’s website and Aquasapiens

aqua51

Shaun Tan now has his own website. It looks relatively new. It’s great to see a number of illustrations under each picture book listing, and read his thoughtful and friendly commentary. I was also delighted to see some images from the puppetry-based theatre production of The Red Tree, which was produced as part of the Queensland Performing Arts Centre’s ‘Out of the Box’ festival for children in 2004. I had heard about this wonderful fish puppet on the grapevine. There are also some in-theatre pictures of some of our puppets for Jigsaw Theatre’s production of The Lost Thing.

One project that was unknown to me before, is Aquasapiens. Tan was commissioned by Spare Parts Puppet Theatre in Fremantle, WA, to design large-scale puppets for a street theatre event as part of the 2005 Perth International Arts Festival. The director was Philip Mitchell, the puppet maker Jiri Zmitko and sound designer/composer Lee Buddle. These creatures are fabulous! Here are drawings of the Yellow Naut and ‘Shrimpy’. I also love this.

Aquasapiens is going to be part of the Adelaide Fringe in February and March, and is available to perform at schools from February 27 to March 10.

Apparently Spare Parts will also be adapting another of Tan’s books, The Arrival, which is about migration and is due to be published in April.

updated links 2015

Updates for 2011-06-10

  • The scandal in the US is making me recall the unravelling in The Bonfire of the Vanities. Great book! #
  • A nice interview with Shaun Tan: http://t.co/WDoiQgY An adaptation of his The Red Tree by Barking Gecko at Subiaco Arts Centre in July. #
  • A new Australian puppet festival: Tarrengower Puppetfest in Maldon, Victoria, 9 – 12 March 2012. Richard Hart is the artistic director. #
  • Cool Google doodle today in honour of Les Paul and his Gibson guitar #
  • It’s #hugaclimatescientist day today! For me it’s an everyday pleasure! #

Trailer for The Lost Thing

This is the trailer for the short animated film adaptation of Shaun Tan’s The Lost Thing which is now released and reeling in awards! It looks great, doesn’t it?  I also like the design of the official website, and Shaun’s account of the process.

Screen Hub reports that producer Sophie Byrne has also ‘optioned the rights to The Arrival and The Rabbits via Passion Pictures Australia, and Tales from Outer Suburbia is a co-development with the UK. They are currently in discussions with US production companies for The Arrival and Tales from Outer Suburbia to be adapted into feature films, whereas The Rabbits is likely to be made as a short here in Australia with Shaun directing.’

I also hear on the grapevine that Spare Parts Puppet Theatre is working on an adaptation of Tales from Outer Suburbia!

Previously:

Australian puppetry links

Links and brief notes about the puppetry community in Australia.

This is an idiosyncratic list, and I’m just compiling it as I get time, noting some I need to get back to by now by now (the end of 2020) completely out of date! The info in brackets is where the people or companies are based, and roughly when companies started. Some companies tend to use puppetry when it suits, rather than being wholly focused on puppetry. In the sidebar I’m experimenting with tracking Australian puppetry news on Twittter.  Do let me know if I’ve got things wrong or if you are listed but don’t want to be.

  • Australasian Drama Studies Vol 51, Oct 2007 Edited by Geoffrey Milne. Issue dedicated to puppetry in Australia, see contents and ordering back copies.
  • ArtPlay (2004, Melbourne) Australia’s only creative arts centre for children up to the age of 13 and their families. ArtPlay follows in the tradition of the Ark in Dublin Ireland, and is owned and operated by the City of Melbourne, and located at Birrarung Marr, behind Federation Square. ArtPlay fosters puppetry through PuppetLab and other ventures, and offers grants to artists working in varying artforms to become involved.
  • Anna Parry (Melbourne) Shadow puppet maker. Working with Stories from the Ground and Splitpin Limbs.
  • AboutFace Productions. (Melbourne) Tim Denton and Annie Forbes
  • Adam Elliot (Melbourne) Stop motion animator best known for his Academy Award winning short Harvie Krumpet and his feature film Mary & Max.
  • Al Martinez Studios (2001 – 2010, Melbourne) Maker extraordinaire Al Martinez and friends. Al headed up the making of the 2000 Olympic Opening and Closing Ceremonies, as well as those for the Melbourne Commonwealth Games.
  • Aphids (1994, Melbourne) Artist-led, project-driven and not-for-profit, Aphids undertakes cross-artform projects usually involving contemporary music, international cross-cultural exchanges and collaborations.
  • Anita Sinclair (Victoria) Anita’s book The Puppetry Handbook is a useful basic resource for makers and teachers.
  • Arena Theatre Company (1966, Melbourne) Artistic director Chris Kohn. Creating inspiring live performances that have a genuine dialogue with young audiences.
  • Asphyxia (Melbourne) independent puppeteer and maker known especially for her marionette show The Grimstones.
  • Alex Axelrad (Victoria) Retired puppet designer and maker, and puppeteer. (Lamont Puppets). Maker of Ossie (Ozzie?) Ostrich.
  • Balderdash Puppets (Brisbane)
  • Bananas in Pyjamas One of the most popular and enduring children’s TV programs with pre-schoolers in Australia. Made by the ABC, exported to 70 or more countries. Originally full body puppets, replaced by CGI.
  • Barking Gecko Theatre Company (1991, Perth)
  • Barking Spider Theatre (2006, Melbourne) An independent original visual theatre company, Barking Spider aims to challenge and enrich audiences of all ages through a combination of visual and performing art forms, such as puppetry, music and live performance. They draw in numerous freelance artists.
  • Beverley Campbell-Jackson. Puppet designer and maker, one of the founders of Spare Parts. Designed and knitted the puppets for the 1980’s ABC TV series Blinky Bill.
  • Big West Festival (1997, Melbourne) Cutting edge multiform art festival held biennially for 10 days in November.
  • Black Hole Theatre (1993, Melbourne) Black Hole is committed to cutting edge visual, object and puppet theatre. The company aims to engage, extend and disrupt imagination, and it’s adult productions are bold, often comic, dark, and always surprising. Rod Primrose, Nancy Black
  • Book Nook (Toowoomba, QL) Specialist performing arts bookshop run by Mary and Joe Sutherland. Mary worked with Handspan, and was a prolific puppet maker in the 90’s.
  • Born in a Taxi (1989, Melbourne) Original work for art festivals, street theatre festivals, performance seasons, organisations and corporate events.
  • Bottled Theatre (2008, Brisbane) Contemporary puppetry, theatre, and performance making.  @FB.
  • Boy Reporter (Sydney) Animation company creating unique and irreverent stories and characters, specializing in stop-motion. Founded by producer/animator Mick Elliott.
  • Bryan Woltjen (WA) Multi art-form designer and theatrical consultant.
  • Bryony Anderson (NSW) Puppet designer and maker
  • Camp Quality Puppets Using puppets to help and teach children to become more aware of the need to be caring and supportive of children who have cancer.
  • Carouselle Theatre Company (1985 – 1997, Adelaide) SA’s major puppetry company at the time. Polish founders; Wojciech Pisarek director.
  • Carrousel Theatre (1994, Melbourne) Encouraging the study of French, Italian and German language through puppetry
  • Catherine Roach (NSW/ACT) Puppet director and puppeteer.
  • Cecile Williams (WA) Visual artist, including theatre, costume and puppet design and making
  • Chantale Delrue (Tasmania) Artist and maker. Makes giant puppets for performance and festivals.
  • Company Gongoma (Melbourne) West African music, puppets and dance. Shadow puppets. Artistic director Jenny Ellis
  • Community Rites (Qld – Noosa region) Multi-media art events, installations and performances synthesised through interaction between artists and the communities. Leisa Gillham, Tamara Kirby and Ali Bates.
  • Corporate Creatures (2009, Sydney) Gary Friedman takes puppetry into the corporate world, using muppets for  innovative communication, entertainment and marketing in business.
  • Creature Technology Company (2005?, Melbourne) Large animatronic workshop making puppetry on a massive scale: cutting edge animatronics, new standards of realism and fluid movement, huge arena spectaculars. Known for Walking with Dinosaurs Live! Sonny Tilders, Philip Millar
  • Dave Jones (Natimuk, Victoria) Puppetmaker, puppeteer, sculptor, animator.
  • David Morgan (NSW) Puppet maker and puppeteer
  • Dead Puppet Society (Brisbane) Australian gothic theatre. Their productions incorporate puppetry, shadow work and live performance to create immersive worlds where the mythic sits alongside the macabre. @FB
  • Dream Puppets (Melbourne) Puppet theatre company presenting brilliantly visual productions to audiences of all ages. Dream Puppets is know for their whimsical Dreamer Trilogy and black light theatre. Richard Hart and Julia Davis.
  • Doogles (Illawarra region, NSW)
  • Ella Misso (Melbourne) Maker, costumer
  • Enemies of Reality (Canberra) Film and video production company, specialising in music videos, short films and animation. Presently working on the stop motion production Tegan the Vegan. Marissa Martin.
  • erth Visual and Physical (1990’s, Sydney) Produces original live theatre and eye popping visual experiences including giant puppetry, stilt-walkers, inflatable environments, aerial and flying creatures; festivals, communities and cultural institutions like museums. Scott Wright, Steve Howarth, Sharon Kerr.
  • Festive Factory (Woodend, Victoria) Specializes in roaming entertainment acts, family shows, and workshops.
  • Finegan Kruckemeyer (Tas) Playwright, works with Slingsby Theatre Company; wrote The Tragical Life of Cheeseboy.
  • Fleur Elise Noble (Adelaide?) Director/creator of visual-based theatre experiences which include drawing, animation, puppetry. @YouTube
  • Foley Bergere (1995, Fremantle, WA) Joanne Foley
  • Footlice Theatre Company (1986, Newcastle) David Harrison.  @FB
  • Gary Friedman (Melbourne) Puppeteer, performer, director and producer for live theatre, educational theatre and television. Gary trained with Jim Henson and runs regular workshops in puppetry for TV and film which include learning how to make and puppeteer muppet-style puppets. His other projects include Corporate Creatures,  a documentary feature film called Looking for a Monster, (based on an original puppet play written by a young boy in a concentration camp in 1943), and his blog.
  • Gabrielle Griffin (Adelaide) Puppeteer
  • Gilly McInnes (Melbourne) Writer, director, performer and dramaturge
  • Graeme Davis Puppet designer and maker. Does the wonderfully ghastly Mr Texta spoof of Mr Squiggle.
  • Grandan Puppets
  • Greg McKee’s Wildthings Animatronics (including pics of inside of the sheep from Babe)
  • Greg Methe (Tasmania) Designer and maker
  • Handspan Theatre (1977 – 2002, Melbourne)  Australia’s most influential and widely regarded puppet company during its time. See also their Archival Website – Handspan Theatre 1977 – 2002. Founded by Ken Evans, Andrew Hansen, Helen Rickards, Maeve Vella, Peter J. Wilson and Christine Woodcock.
  • Heath McIvor Puppeteer and performer.
  • Hilary Talbot (ACT) Maker; me.
  • Imogen Keen (Canberra) Designer, puppet and costume maker
  • Ingrid Maganov (NSW) Puppet designer,  maker, puppeteer/actor (?)
  • Jarrod Boutcher (Qld) Puppet maker, muppet style.
  • Jennifer Pfeiffer (Melbourne) Freelance dramaturge and writer with interests in cross-disciplinary and cross-cultural  puppetry work.
  • Jessica Wilson Freelance puppetry director; conceives, produces and directs theatre events including large-scale spectacle, community cultural development projects, and in-theatre works.
  • Jiri Zmitko (WA) Designer and puppet maker with Spare Parts. Expert maker of carved wooden puppets.
  • John Cox Creature Workshop (Brisbane) Internationally acclaimed leader in the design and manufacture of fantasy creatures, monsters and realistic animals. John received the 1995 Academy Award for Visual Effects for the movie Babe.  His student information tips pdf is worth reading.
  • Jonathon Oxlade (Brisbane) Theater designer and illustrator, also designs and makes puppets. Performs with The Escapists.
  • Kassandra Boswell (Sydney) Sculptor; puppet designer and maker
  • Katrina Gaskell (Melbourne) Designer and maker
  • Ken Evans
  • Ken Harper (Melbourne) Punch and Judy
  • Kite Studio (Sydney)
  • Kim Moyes
  • kneeHIGH (1995, Adelaide) Giant puppets, custom made images and visual spectacle. Tony Hannan and Emma O’Neill.
  • Krinkl Theatre (1999, Kyogle, NSW)  Lara Cruikshank and Padi Bolliger @FB
  • Lana Schwarcz Grandpa Sol and Grandma Rose. @MySpace
  • Larissa Deak (Brisbane) Puppeteer; shadow puppets
  • Lemony S (Melbourne)  Sarah Kriegler and Jacob Williams. Puppetry to disarm the audience and go deep to the core of what it is to be human – to attach meaning to symbols and signs, to empathize and to access the innate human ability to “suspend one’s disbelief”.
  • Lenka’s Puppets (Sydney) Lenka Muchova
  • Lismore Lantern Parade (1994, Lismore, NSW) Held annually in June. @FB
  • Mal Heap (Berowra, NSW) Puppeteer. Modigliani the Cat in The Ferals and Creature Features, Ollie (first Australian Sesame Street muppet), Waffle for Christian ministry.  Retrospective
  • Mana Puppets
  • Matthew McCoy (Sydney) Puppetry director and puppeteer. Walking with Dinosaurs Live, Farscape
  • Matt McVeigh (WA) Visual artist, designer – stage productions and community arts programs
  • Men of Steel (Melbourne) Anarchic object theatre and comedy in the kitchen, workplace and now icecream van.  New show is called Mr. Freezy (with Arena Theatre Company). Puppeteers Hamish Fletcher, Tamara Rewse, Stephen Noonan, and sound designer Jared Lewis.
  • Mixed Media Productions
  • Monkey Baa Theatre (1997, Sydney) Started by Tim McGarry, Sandie Eldridge and Eva Di Cesare. Outstanding theatre for young people. @FB
  • Mothers Art (1983, Melbourne) Unique design and construction facility servicing the diverse requirements of zoos, tourism attractions, public art, theatre arts and the architectural industry.
  • Murphy’s Puppets (Sydney) Wide repertoire of comedy, including Allenby’s Famous Flea Circus; educational programs and Commedia dell’Arte puppetry. Dennis Murphy.
  • Murray Raine Puppets (Sydney) Puppet cabaret with spectacular and outrageous marionettes, rod and glove puppets. Murray Raine.
  • My Darling Patricia (2003, Melbourne – Sydney) My Darling Patricia creates arresting, intimate, visual theatre, drawing inspiration from the epic visuals of Robert Wilson and Romeo Castellucci and the animation of Jan Svankmajer. Clare Britton, Bridget Dolan, Katrina Gill, Halcyon Macleod and Sam Routledge.
  • Nati Frinj (Natimuk, Victoria) Puppetry on the wheat silos!
  • Nel Simpson (Fremantle, WA) aerialist, part of Bizircus and Swerve arts
  • Noriko Nishimoto (Japan-Australia; WA)  Distinguished puppetry teacher, puppeteer, director, designer and writer. Associated with Spare Parts until 2002.
  • Norman Hetherington. Creator of Mr Squiggle and friends and upside-down squiggles.
  • Nick Hilligoss (Melbourne) Stop motion animator and director
  • Nigel Triffit Director, designer, writer. ‘Of the many outstanding individual contributors to the development of puppetry and visual theatre in Australia over the past thirty years, none stands out more than Nigel Triffit’ – Peter J. Wilson in The Space Between (see below). Created Momma’s Little Horror Show, Secrets, the Tap Dogs, the Eternity tap section of the Sydney 2000 Olympics, and others. Died July 20, 2012.
  • One Van International Puppet Festival (Blackheath, NSW) In 2010 One Van will be on the weekend beginning 1 May.
  • Passion Pictures (Melbourne) Presently working on a short CGI film of Shaun Tan’s The Lost Thing
  • Patch Theatre Company (1972, Adelaide) Artistic director Dave Brown. Distinctive and accessible performance for children four to eight years.
  • Peepshow Inc (early 2000’s, Melbourne) Image based theatre that blurs the line between imagination and magic, puppets and possibility. Core group plus collaboration with others. Artistic director Melinda Hetzel. FaceBook fan page.
  • Pelican Puppets (1992, Tasmania) Sean Manners
  • Peter J. Wilson (Melbourne) Master puppeteer, director, writer. Founder and head of the Victorian College of the Arts post-graduate puppetry course which ran from 2004 -2009. Author of The Space Between : The Art of Puppetry and Visual Theatre in Australia.
  • Peter L. Wilson
  • Philip Millar (Melbourne) Puppeteer, puppet maker and designer, head of fabrication at Creature Technology Company.
  • Pocketfool Productions Intimate, exciting, age-specific works for children, celebrating the power of play.
  • Polyglot Puppets (Melbourne) Sue Giles artistic director.
  • Pooka Puppet Company (Adelaide) contemporary theatre based puppetry works, with an emphasis on exploring the boundaries of the medium. Lachlan Haig, Ninian Donald
  • Preston’s Historic Punch and Judy (Adelaide) Keith Preston
  • Pupperoos (Sydney) Kay Yasugi, puppeteer and puppet maker
  • Puppetease Ross Browning. Ross was the puppeteer of Blinky Bill in the 1980’s ABC TV series Blinky Bill.
  • PuppetOOdle  (NSW/ACT) Duo of Marianne Mettes and Jonathan Mettes; puppetry and music for children’s entertainment and education. FB
  • Puppet Palace (2007, Adelaide) Annual event during the Adelaide Fringe. Keith Preston and Lachlan Haig
  • Puppetry Australia
  • Puppets in Melbourne (Melbourne) Naomi Guss.
  • Purple Capsicum Puppets (2008, Melbourne) Puppet shows and workshops for children of all ages; festivals and events. An offshoot of The indirect Object.
  • Rachael Wenona Guy (Melbourne) Puppeteer, maker, visual artist, singer, writer, theatre maker. Blog
  • Raymond Crowe Self-described unusualist, hand shadow puppetry
  • Reckless Moments (Shanghai) Barry Plews and Hu He. International multi-artform collaborations and coproductions. In 2009-10 collaborating with Terrapin Puppet Theatre on digital puppetry for When the Pictures Came.
  • Richard Bradshaw (NSW) Master shadow puppeteer.
  • Richard Jeziorny (Melbourne) Designer
  • Richard Mueck Sculptor and puppeteer in the film industry
  • Rob Matson (Melbourne?) Puppet maker and designer
  • Rod Hull and Emu Rod Hull developed his emu act in Australia in the 1960’s before returning to his native England. Emu was mute and anarchic, famous for his attack on Michael Parkinson and others.
  • Ron Mueck (London) Hyperrealist sculptor, began as a model maker and puppeteer in TV and film
  • Ross Hill (d. 1991) Master  puppeteer and maker. Worked widely in Australia then at Jim Henson’s Creature Shop in the 1980s, including on The Labyrinth. There is a Ross Hill puppet collection in Mildura.
  • Rubbery Figures Australian political satire from 1984-1990, created for TV by cartoonist and sculptor Peter Nicholson. Highlight videos. Australia’s version of Splitting Image.
  • Sanctum Theatre (Melbourne) Visual performance company. Lachlan Plain @FB
  • Sandpiper Productions. (WA) Sandy McKendrick.
  • School Performance Tours
  • Sean Kenan Hand shadow puppets
  • Shan Jayaweera puppeteer
  • Skite Vikingr AUSTRALIA Tamara Rewse
  • Slingsby Theatre Company (Adelaide) Crafting sophisticated, emotionally complex and original theatre productions for audiences aged ten through adulthood. Andy Packer (Artistic Director) and Jodi Glass (Executive Producer) and three key creative collaborators, Finegan Kruckemeyer (playwright), Quincy Grant (composer) and Geoff Cobham (designer). @FB
  • Snuff Puppets (1992, Melbourne) Giant puppet company, creating visceral and accessible theatrical experiences for their audiences. Trademark elements: a blackly dangerous humour, an incisive political satire, shamelessly handmade visual aesthetic; populist, free, joyous conflagration of art, audience and artist. @Flickr, @FB. Andy Freer, Pauline Cady
  • Spare Parts Puppet Theatre (Fremantle, WA) Philip Mitchell artistic director @FB
  • Splitpins Limbs (Melbourne) An offshoot of Stories from the Ground, now its own entity. Shadow puppets. Stephen Mushin, Sarita Ryan, Emily Smith, Anna Nilsson, Raku Pitt and others
  • Sticky Apple Legs (Melbourne)
  • Stories from the Ground Shadow Puppet Collective (Melborne) Stephen Mushin and friends. Micro-theatre shadow puppet troupe, I’ll forget You music video and associated live performances on Shadows and Light Tour 2009 with musician Lior.
  • Stuck Pigs Squealing Theatre (2000, Melbourne) Apocalypse Bear Trilogy
  • Stuffed Puppet (Amsterdam – Australia) master puppeteer Neville Tranter
  • Sue Harris Puppets (Adelaide)
  • Swerve Association
  • Sydney Puppet Theatre (1984, Sydney) Sue Wallace and Steve Coupe. Theatre of delight for family audiences: shadow, hand and rod and marionettes. From 1998 – 2005 they directed the One Van International Puppetry Festival in the Blue Mountains.
  • Terrapin Theatre Company (1981, Hobart, after Tasmanian Puppet and Marionette Theatre which was founded in 1970). Creating contemporary puppet theatre by using digital technologies in the animation of characters and the theatrical space .
  • The Escapists (Brisbane) Performance collective offering a highly stylised and hybridised form of populist entertainment, drawing on an anarchic attitude to bring a startling and adventurous approach to theatre making. Jonathon Oxlade, Matthew Ryan, Lucas Stibbard and Neridah Waters and guests. The Attack of the Attacking Attackers.
  • The Puppeteers(Mabel and Maude) Parody video series. @Facebook
  • Theatre of Image (1988, Sydney) TOI is an advocate for young people and their families. Through the vision of the Artistic Director, Kim Carpenter, Theatre of Image tells Australian and universal stories to our young people as much through visual and musical images as through words.
  • Theatre of the Sun (Railton, Tas) Marie-Martine Ferrari and Fabian Billerwell. Marie-Martine co-founded Skylark Theatre in Canberra in 1984.
  • The Indirect Object (Melbourne) ‘We believe puppetry and object theatre are sophisticated artforms for adult and youth audiences alike. Through collaboration, we develop new work, assist other companies to integrate puppetry or object theatre into their performance projects, fabricate puppets for our work, and on commission, and provide workshops in puppet fabrication and manipulation’.
  • The People’s Republic of Animation (Adelaide) Innovative studio dedicated to creating outstanding animation for all screens and formats. @YouTube @twitter
  • The Space Between : The Art of Puppetry and Visual Theatre in Australia Indispensable book detailing the art of puppetry and visual theatre in Australia over the last half decade, written by Peter J Wilson and Geoffrey Milne. Published by Currency Press.
  • Tipsy Teacup Productions creates mesmerising installation theatre that is like all remembered conversations over a cuppa: insightful, poignant, resonating and special. @FB
  • UNIMA Australia Our fellowship, the Australian branch of the international puppetry organization Union Internationale de la Marionnette
  • Upatree Arts (Qld) Collective producing community celebrations through puppetry, arts events, giant parade and lantern puppetry. @FB
  • Vanessa Ellis (Melbourne) Puppet maker and performer/puppeteer
  • Victorian College of the Arts Post Graduate Diploma and Masters in Puppetry This course, the only one of its kind in the Southern Hemisphere, produced a swag of innovative puppetry practitioners  from 2004 – 2009, when sadly it was closed in the merger of the VCA with Melbourne University.  Save the VCA.
  • Weeping Spoon Productions (Perth, WA) Theatre company formed by a group of young artists who found a common ground in creating exciting, vibrant, and relevant performances. In particular Tim Watts’s The Adventures of  Alvin Sputnik: Deep Sea Explorer. @FB
  • Wes Champion (NSW) Puppet maker/designer. Specializing in carved wooden puppets.
  • Windmill Performing Arts (Adelaide) @FB
  • Wojciech Pisarek (Adelaide) Puppet theatre director and digital artist. One of the founders of Carouselle Theatre Company, now teaches and researches real time performance with digital puppetry at Flinders Drama Centre.
  • Woodford Folk Festival (Qld) Held at the turn of each year @FB
  • Y Space (Natimuk, Vic) Project based performance art involving rockclimbers, dancers and puppetry to create work in unusual and high places.

The Red Tree

Redtree1

When I was at the Puppetry Summit, Richard Jeziorny was kind enough to show me a video of the puppet-based theatre production of The Red Tree, by Shaun Tan, which was part of the Queensland Performing Arts Centre’s ‘Out of the
Box’ festival for children in June 2004. It was one of the highlights of the weekend for me. Richard’s design was absolutely beautiful, and it was a real treat to experience one of Peter Wilson’s works again; these guys make such wonderful theatrical images. The puppets were made by Marion Hoad and Christopher Lane. Shaun has a description and photos on his website, to give you some idea of the magic. Thanks, Richard!

(My attendance at the puppetry summit was supported by the ACT Government)

Mechanized animal structures

Fish3Vladimir Gvozdariki is a Russian artist who makes whimsical figures, animations and images. Some are pleasing in their simplicity, but I particularly like his complicated drawings of mechanized animal structures. They are in numerous places in his galleries, like here, here and here and here. I also like how some, like this fish, have made the transition from drawing to sculpture. I could imagine them being used theatrically, and some aspects -the whimsy and the technical details – remind me of some of Shaun Tan‘s creatures in The Lost Thing.

I also like Gvozdariki’s interest in snails and miniature worlds. How would you like to live here?

(via the wonderful BibliOdessy)