Author Archives: hil

Big Scott Morrison and Bill Shorten puppets

Posted by hil

I’ve continued to make large puppet heads of Australian politicians for Matt Armstrong. In December 2018 I finished one of Scott Morrison, who had just become Prime Minister after rolling Malcolm Turnbull.

Fairly soon afterwards in March 2019 there was a call for a Bill Shorten puppet head. The life of this one was remarkably short, since Shorten’s Labor lost the election it was expected to win.

There are now five of these – Abbott, Turnbull, Joyce, Morrison and Shorten. Canberra Museum and Gallery has currently borrowed the Abbott and Shorten puppets for display in their exhibition Activism: forces for change in Canberra, which runs until early November.

On the opening night of the exhibition, the Joyce and Turnbull puppets mingled with the crowd, and it was fun to get a photo of all four of them together.

There has been a lot of interest in these puppets, and they appear in the media quite often. In September 2018 the ABC had a nice article about them, with an accompanying video.

Roman breastplate

Posted by hil

In September 2018 I made this Roman breastplate for The Fool Factory for the National Museum of Australia’s exhibition Rome:City and Empire. The Caesar character was used as a living statue performer, intended to reflect the Roman statues in the exhibition. The costume also included a laurel wreath and Roman sandals.

The Piano Creatures video

Posted by hil

I’m excited to present the video of The Piano Creatures that accompanies the creatures when they are on static display! At the moment they are in my show Glimpses of a Seabird Flying Blind at the Pinnacles Gallery, Townsville, until 29 April. The creatures exist somewhere between sculptures and puppets, so the video captures some of the moments when they move and come alive.

I had brilliant colleagues making the video, and it was a real pleasure working with them! I offer them all many thanks for their skill, patience and enthusiasm, and such a great outcome!

Puppeteer: barb barnett
Video filming and production: Chris Hahn
Music composed by Alex Raupach
Performed, recorded and produced by Joe O’Connor (piano)

Glimpses of a Seabird Flying Blind

Posted by hil

I’m really happy and excited that my first gallery exhibition, Glimpses of a Seabird Flying Blind is opening tomorrow, 23 March at the Pinnacles Gallery in Townsville, continuing through to 29 April! It represents almost a year of work, and a new direction for me. The work falls into several groups – The Piano Creatures, The Big Fish (Evangeline), the Shells and Cocoons, and the Secret Cabal of Elders, as well as a few other creatures in an imagined world:

On an imagined shoreline we see disruptions in the natural world. In the shallows are the ghosts of former shells, fragile and colonized or fossilized by synthetic substances. The Piano Creatures, evolved from the driftwood mechanisms of discarded instruments, pick their way across the sands carrying the promise of music and hope. In the deepest ocean a sightless blob fish sucks for sustenance and in the limitless sky the hollow-boned birds continue their daily feat of survival in newly changing times.

The patterns of disruption follow the age-old evolutionary law: diversify, select, adapt. The process is dynamic, relentless, wonderful and dispassionate; and acutely responsive to the footprint of humanity.

Using her experience in making puppets and sculptural forms, and interests in new materials and technologies, Hilary Talbot has created some of the inhabitants of this imagined future as a meditation on the tensions and challenges faced by society now.

I’d love you to drop in and see it if you happen to be up Townsville way in the next five weeks!

A huge thank you to my family, friends and colleagues for all their support, encouragement and enthusiasm and skills in helping me get this up, in particular to Anna Raupach, Tim Raupach, Alex Raupach, Wendy Quinn, Lelde Vitols, Lisa Styles, Imogen Keen, Robyn Campbell, Elizabeth Paterson, Bev Hogg, barb barnett, Chris Hahn, Steve Crossley, Caroline Stacey, Joe O’Connor, and the Pinnacles Gallery team.

Piano Creature No.3. Piano mechanisms, balsa wood, paper mache; 55cm x 56cm x 60cm; 2010

Piano Creature No.6. Piano mechanisms, buckram, paper, cardboard; 50cm x 50cm x 47cm; 2010

The Big Fish (Evangeline) Head detail.  Photograph by Anna Madeleine 2018

The Burden of Stuff No.1. Plaster, foam sheet, acrylic paint, fabric, styrene, recycled wire frame. 68cm x 40cm x 30cm. 2010

Cocoon No.2, Milk bottle plastic; 120cm x 43cm x 32cm; 2016. Photograph by Lisa Styles

Whelk Shell (Fragility). Tissue paper, plaster 90cm x 50cm x 30cm.  2008

Cowry (Paper Thin). Tissue paper, foil, masking tape; 75cm x 45cm x 30cm. 2017

Turtle Shell Sheild (False Promises), PLA plastic filament, wish stones; 60cm x 58cm x 12cm.  2017

Turtle Shell (Moon and Constellations), PLA plastic filament, tissue paper, foil, masking tape; 57cm x 58cm x 12cm. 2017

Wonders of the Deep. PLA plastic filament, recycled sushi fish bottles, fishing line 100cm x 50cm x 45cm. 2017

The Secret Cabal of Elders. Hand puppets. Balsa wood, tissue paper mache, fur fabric, reclaimed decorations. 2017

Assorted props and costume elements

Posted by hil

Here are a few photos of costume elements and props I’ve made for The Fool Factory over the last couple of years.

A new cover for the Giant Cherry! I love this photo because it looks completely photoshopped and surreal but isn’t. Finding the right fabric and colour is always challenging…

A giant Allen key in progress. This was for a prop for a gig at the opening of the Canberra IKEA store.

A hat and epaulettes for a Christmas Toy Soldier character.

New decorative leaf collar for the Sunflower Character.

A new body suit and colours for the Black Butterfly character. This is the front and head.

And this shows a side and back view.

And a big ruff for a scary Jack in the Box character for Halloween.

Big Malcolm Turnbull and Barbnaby Joyce puppets

Posted by hil

It’s been a while… almost three years since I last posted. So some catching up.

Following on from the ‘Real Big Tony’ Abbott puppet, I made a ‘Real Big Mal’ puppet head of Malcolm Turnbull (when he replaced Abbott as Prime Minister in September 2015). His handler, Matthew Armstrong, repurposed Real Big Tony as the Ghost of Tony – not much has changed! – and for a while both puppets appeared together. Prior to the 2016 election I also made a big Barnaby Joyce puppet head. At this stage Matt did away with the large body suits, just wearing the heads on top of ordinary suits. I think all three puppets may now have been retired.

Biami and Dinnawhan

Posted by hil

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(Nakiya Smith as Dinnawhan and Maitland Schnaars as Biami. Photo credit: Angie To)

For the Wiradjuri Echoes production Biami last year (see previous posts) I also made a mask and costume elements for Biami, and an emu puppet. In the creation story, Biami the creator spirit ‘created the emu Dinnawhan, the female emu, whose spirit he used to create the Wiradjuri people; who now believe they are of the egg of Biami and the female spirit’.

With a headdress (painted up by Duncan Smith) representing the five elements of the sky that he embodies – wind, lightning, thunder, rain and fog – and long soft brushing fingers, Biami’s presence was awesome!

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(Photo credits: Dylan Kovacevic)

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The Rainbow Serpent puppet for Biami

Posted by hil

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(Duncan Smith, artistic director of the Wiradjuri Echos, with Biami‘s Rainbow Serpent. Photo credit: Angie To)

I  recorded some of the build for Biami, the creation story of the Wiradjuri people, this time last year, (see previous posts) but didn’t get to blog about the Rainbow Serpent until now.

The serpent was about 4 metres long, and operated with rods by four to five people. After worrying about how I could make it twist and turn enough to be truly serpentine if it was designed to have solid body, I had what I think of my ‘warhorse’ moment of inspiration (!), and decided to make it impressionistic, with a skeleton outline instead. So it was made with coiled flexible foam backing rod, and  two midline connecting lines of the same material.

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Then I wrapped coloured cloth around the outlines. The design was effective and light, and enabled the serpent to snake and dive sinuously over the audience, carving out the Australian landscape according to the creation story.

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Inca owl and tumi masks

Posted by hil

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These masks were made for walk-about performances by The Fool Factory at the National Gallery of Australia‘s festival during the Enlighten Festival, Canberra, March 2014. They were themed to go with the NGA’s exhibition Gold and the Incas.

The owl design was suggested by  a golden bead in the exhibition, while the other was based on the decorative hilt part of a small sacrificial knife known as a tumi.