creatures

More ‘Lost Thing’ puppet pictures

Here are some more photos of the puppet build for Jigsaw Theatre Company’s production of ‘The lost thing’. The making crew were Imogen Keen and Hilary Talbot, with help from Catherine Prosser and Marie-Martine Ferrari, and designs by Richard Jeziorny based on Shaun Tan’s book ‘The Lost Thing’.

The cat :: carved out of foam, and made to sit on a beanie that one of the puppeteers wears
The janitor :: about 70cm tall
The small version of the lost thing :: about 70cm tall
The booth lady
The parents :: about 80cm tall on their sofa
The seagulls
The tram :: about 40cm long. It has interchangeable cut-outs of the people inside
The tram :: top detail
The boys :: Pete and Shaun are 35cm tall, and the little version Shaun is 25cm
Shaping the utopia lost things out of polystyrene, and painting them in the sunshine :: Imogen Keen, Catherine Prosser & Hilary Talbot
The utopia lost things carved but not finished :: they range in size from about 40cm across (the rower) to 150cm tall (the eye)
The utopia lost things

The Lost Thing plays at the National Gallery of Australia this coming week, 6-9th Oct.

Making the puppets for ‘The Lost Thing’

As promised below, here are some pictures of the build of Jigsaw Theatre Company’s production of The Lost Thing. Imogen Keen and I have been making the puppets for the production.

The aluminium structure of the Lost Thing itself was made by Brian Sudding, who also constructed the set. We then covered and detailed it, adding tentacles, claws, and eye mechanisms. The designer, Richard Jeziorny, added further painted detail. The whole framework is made to be suspended on another frame, so that the Lost Thing is about 3 metres tall.

Imogen Keen covering the basic shape of the Lost Thing with foam.
Marie-Martine Ferrari (co-founder of the original Skylark Puppet and Mask Theatre) and I covering the foam shell with muslin.
From above, showing some of the aluminium framework inside.
After the first coat of paint.
The boy’s parents on their sofa under construction.
The mysterious janitor, in an early stage of being made.

The photographs were taken by Tim Raupach. I should have some more in a few days time.

Elmgreen & Dragset’s ‘Dying’ Sparrow

An exhibition by two Scandanavian artists, Michael Elmgreen and Ingar Dragset, is causing a bit of a stir at London’s Tate Modern gallery this month. In an otherwise empty new gallery space 25 metres by 7 metres, a sparrow is trapped between the panes of a double-glazed window, apparently dying. The sparrow is, however, animatronic. It cost &pound12,000 and was made by Crawley Creatures, the company best known for the creatures in the BBC’s/ABC’s Walking with Dinosaurs series. The artists make a connection with the general demise of sparrows and that of London’s working class, though other interpretations have been made.

A selection of reviews
30 second video of the animatronic sparrow
Pictures 1, 2

The picture here is a woodcut from an early (1820 or so) chapbook, An Elegy on the Death and Burial of Cock Robin (York: J. Kendrew), reproduced in The Oxford Nursery Rhyme Book, by Iona and Peter Opie, (ISBN: 0 19 869112 2).

Who killed Cock robin?
I, said the Sparrow,
With my bow and arrow,
I killed Cock Robin.

Maybe he can’t afford to be so jaunty any more.