make

Wow! King Kong for stage!

Posted by hil

kingkong

Photo credit: Simon Schluter, The Age

This spectacular 7-metre-tall animatronic puppet of King Kong is being built by the Creature Technology Company in Melbourne, the company that produced the amazing arena show Walking with Dinosaurs Live, which is currently touring the UK after extensive performances in the US.

The puppet is being built for King Kong on Stage, a stage adaptation for New York’s Radio City Music Hall in 2011.

According to an article in The Age,

The partially built King Kong is now a high-tech assemblage of steel, fibreglass, airbags and Lycra-encased polystyrene. When modelling is finished by late next year, he will be controlled by 70 cigarette pack-sized motors. His face alone will conceal 40 of the motors to communicate his emotions as he is transported from Skull Island to Manhattan, where he finds love with a young blonde and a precarious position on top of the Empire State Building.

King Kong Live on Stage will use up to five models of King Kong with each operated by three puppeteers using remote technology called a ”voodoo rig” from backstage.

Interestingly, in the light of the suspension of the puppetry course at the Victorian College of the Arts, Creative Technology has 32 full-time staff and 14 VCA graduates working in its puppet fabrication department, and expects to employ 60 people on the King Kong project by next year. They see the VCA puppetry course as a vital in training the type of skilled people they will be looking to employ in the future.

‘Melbourne is in the running to become the world centre for animatronic design and puppetry but it won’t happen if they remove the puppetry course,” said Mr Barcham (CTC general manager). ”Those people [making the decision] wouldn’t even know there’s a new genre of entertainment coming out of Melbourne.”

Previously:

Puppets for Canberra Youth Theatre’s TANK

Posted by hil

I had a really enjoyable build recently, making a swag of zany puppets and props for Canberra Youth Theatre‘s production TANK, which is playing now at Canberra’s spring flower extravagaza, Floriade.  TANK is a rather Pythonesque look at our relationship to water, written by Adam Hadley, directed by Pip Buining, and designed by Imogen Keen. It’s told in six 6-minute stories, played to an audience of six per story. Performances are free and run at Floriade on 12,13, 19, 20, 26 and 27 September 2009. Later, on 23 – 28 November, it will play in Garema Place in Canberra CBD, at 11am and 12noon.

Here are some of the puppets and props; check my Flickr portfolio set for others.

The meercat and the meercat hat:

Meercat puppet

Meercat puppet and hat

Yiying Lu in the meercat hat!

Yiying Lu in the meer cat hat :)

I got rather fond of the hat…

Meercat hat

The pirate captain (finger puppet):

Pirate captain

The rat (rod puppet):

Rat puppet

Kevin, the polar bear (worn on shoulders):

Polar bear

Hans and Donaldine, or the other way around… (glove puppets):

Hans and Donaldine

The shark (worn on shoulders):

Shark puppet

The amoebas (glove puppets):

Amoeba puppets

The eggbeater time machine! Love this great design idea!

Time machine

Two rockets:

Rockets

The multiple eyes of Veruna, the water goddess. In motion.

Veruna's eyes

Paper Hand Intervention: photos and puppet workshops

Posted by hil

livingsea2

Paper Hand Intervention‘s beautiful giant puppets often attract my attention at Flickr, and their commitment to community and  green activism. The puppets are usually very colourful, but somehow this superb set of black and white photos by jetschmidt of their most recent show, The Living Sea of Memory , makes the figures more evocative. The violinist is perhaps my favourite.

Paper Hand Intervention is organizing the Second Annual Handmade Parade, taking place on 17 October, and by serendipity I came across Melinama‘s post about participating in their workshops, which includes some great photos and tips about making big puppets with the simplest of materials. After her follow up post about further work on her puppet, I’m looking forward to seeing how it all comes together. Melinama also has some cool masks there, too.

Shadow puppets for Jigsaw’s Wendy

Posted by hil

peterpan

These are some of the shadow puppets I made recently for Jigsaw Theatre Company’s production of Wendy, a new musical re-imagining of J M Barrie’s Peter Pan. These and others can be seen in more detail in my portfolio set. The play had a public season at the Street Theatre and performances in schools, and received a good review in the Canberra Times.

One of the Peter Pan puppets is above. There were two crocodiles. This big one needed a handle as well as the jaw rod.

crocodile

This is John flying and some set elements for the flying sequence.

shadowpuppets

Unfortunately I didn’t get photos of the puppets in action,  because they look so much more attractive and bright on screen. The only screen shot I have is this blurry one of the Marauders Rock mermaid scene, taken without proper lighting behind. I like the water in particular.

mermaid shadow puppet scene

New puppet: Rita the goat

Posted by hil

rita2

This is Rita, a goat puppet I made recently for Merici College’s 50th Jubilee drama production, Dinkum Assorted by Linda Aronson, which will play at Belconnen Theatre on the 27th, 28th, 29th August. I became quite fond of her.

There’s a photoset of the making process in my portfolio at Flickr.  Rita is made from plywood and polystyrene, and covered with fur fabric and panne velvet. Her mechs are simple, since it will be beginner puppeteers operating her: paired leg movement, and a neck which allows movement up and down as well as turning to either side. For the eyes I decided to use faceted glass beads because I remembered Neville Tranter saying he used them in all his puppets to bring the eyes to life.

Travel well, Rita!

rita

Saving traditional crafts and records of them

Posted by hil

On FriendFeed today Amy today pointed to a British House of Commons debate about trying to save traditional crafts. I rather fear it is a lost cause. The upsurge in crafting and making in the last few years driven by the web is great in many respects, but I suspect probably can do little to help the traditional crafting skills of the sort referred to in the debate, as economies of scale are lined up against them.

But the article did remind me of some lovely images of traditional craftsmen by printmaker Stanley Anderson. Here are three:

Coppicing:

Coppicing

Chairmaking:

chairmaking

Basket weaving:
basket

These are from Country Bazaar, a 1970’s book about country crafts.  (I’m not sure about copyright here – please let me know if it is an issue). You can find a few more if you google, for instance The Violin Maker, but wouldn’t it be cool if it were possible to see the whole series?

Awesome: papercraft Ceiling Cat

Posted by hil

ceilingcat

Yes, I know now that this has been all over the web, but I only saw it today: Tubbypaws’s papercraft Ceiling Cat.

Giant Pinóquio puppet by Trigo Limpo ACERT

Posted by hil

pinoquio1

(photo credits and thanks: zetavares)

This fabulous giant Pinóquio puppet premiered last weekend at the Imaginarious Festival in Santa Maria da Feira in a street theatre production called The fantastic history of a child called Pinóquio by the theatre company Trigo Limpo ACERT. They come from Tondela, a small town in the centre of Portugal.

The choice of Pinocchio, the classic tale of a wooden boy who wants to become human, is particularly pleasing, because it reflects the puppeteers’ conceit of being able to bring inanimate things to life. And he looks beautifully articulated – I really like the way his leg and foot can turn and rest in his signature stance.

Zetavares has a great Flicker photoset of the 7 metre marionette, and has kindly let me post some of his photos here. He also has interesting sets of the making of the puppet, and the rehearsing the manipulation.

pinoquio3

pinoquio4

The character was sculpted by Carles of Madrid and Nico Nubiola  of Taller de escultura De la Madrid & Nubiola, both of whom were involved with the production of the opening ceremony for the Barcelona Olympics. They have a cool video of  how they made Pinóquio:

Teatro e Marionetas de Mandrágora were involved with the manipulation of the puppet. I first saw pictures of Pinoquio on their blog Espaço das Marionet@s, which I have been following for a while now.

Trigo Limpo ACERT have previously made some other great street theatre pieces, two of them large versions of traditional wooden push-along children’s toys. Memoriar na rotunda had a man pedalling a bicycle, (making photos here) and Golpe d’Asa, a bird whose wings flap as its wheel base rotates.

Margaret Wertheim at TED

Posted by hil

I always meant to do a post on the Institute of Figuring when I first came across it a few years ago, but now you can just watch Margaret Wertheim herself  explaining the beautiful maths of coral, crochet and hyperbolic geometry in this great talk at TED.