Walking with Dinosaurs: The Live Experience: a review

IMG_3357

I finally caught up with Walking with Dinosaurs: the Live Experience during its season in Adelaide. The dinosaurs are absolutely fabulous; huge realistic reptiles with fluid movement, thunderous roars, grunts and lowing, and where appropriate, menace. To achieve this live on such a grand scale is impressive, and represents a great pooling of skills in the Creature Design and Build Team: design, engineering, mechanics, skin and sculptural fabrication, technical management and direction. I loved the vegetation that grew up around the arena, and flowered brilliantly; the stage elements that sprouted trees or in turn became volcanoes; and the lighting.

IMG_3322

The show is a documentary in the round, or a live newsreel. A paleontologist provides commentary throughout the performance, taking the audience through the various ages of the dinosaurs, pointing out their features, and making the odd joke. Although I saw the need for this as a device to make the show cohesive, and as a way of giving an idea of the sheer size of the creatures, I found it annoying to be ‘educated’ constantly, especially when at times he had to almost shout to be heard over swelling music. Although the dinosaurs threaten each other and have great stand-offs, and at times are wonderfully fierce, the show lacks the emotional content that I think marks great theatre or puppetry; we are instead essentially watching a passing parade of specimens, and observing how they behave.

Perhaps, though, it’s just me, as I am dispassionate about dinosaurs, while the phenomenal popularity of the BBC’s Walking with Dinosaurs documentary series suggests most people are not. The producers picked up on that popularity as the impetus for the live show. They know where their audience is – families, especially those with kids aged about 4 through 12 – and everyone coming out of the stadium seemed happy. I imagine it will continue its success overseas, and I believe there is a second round of dinosaurs now going into production.

More links:
891 ABC Adelaide: Walking with Dinosaurs: Some details and pics about how they are operated :)
SMH: walk among the giants, but hold tight!: Short interview with the puppetry director, Mat McCoy. (cool to see your move to direction, Mat)
‘Making of’ pages from the program: 1, 2
Babushka’s WwD Flickr photoset: some backstage close-up photography
Hangingpixel’s WwD Flickr photoset
YouTube WwD videos
The Age video report: behind the scenes glimpses; Angela Dufty, one of the drivers, explains how they are controlled. (try IE if it won’t play on Firefox)

Previously:
Walking with Dinosaurs: the Live Experience: new slideshow
Workshop footage,
Walking with Dinosaurs: The Live Experience

Walking with Dinosaurs: The Live Experience: new slideshow

Dino

(Photo credit: Craig Sillitoe)

Today’s online Sydney Morning Herald has a slideshow of new photos by Craig Sillitoe about the making of Walking with Dinosaurs: The Live Experience with a narration by their Head of Creature Design, Sonny Tilders.

Previously: Workshop footage, Walking with Dinosaurs: The Live Experience

Walking with Dinosaurs: The Live Experience: Workshop footage

Walking with Dinosaurs: The Live Experience (see previous post) has released two videos of their awesome dinosaur puppetry:

Footage from the workshop
Torosaur v. Utahraptor

And here are a couple of stills from their newsletter.

Wwd_03

Steg
in the workshop. if you want an idea of HOW BIG this shows going to be, check out the size of the person working on the BABY brachi in the background (seen through Steg’s legs) … remember, he’s the BABY!

Wwd_14

Ankylosaurus in the workshop. To the right you can see one of the utahraptors in the making. There are two now in their final makeover stage and will be ready to wreak havoc with our first utahraptor who was one of the stars or the walking with dinosaurs launch, facing off with Torosaurus. (You can see someone behind the dino’s head, as an indication of scale)

I can see how you would come to call them affectionate things like baby Brachi and Steg if you were working on the build. I dare say they would have come in for a lot of swearing too! With only about five weeks till the first show in Sydney the makers must be under a lot of pressure.

Walking with Dinosaurs: The Live Experience

Small_eye

The Sydney Morning Herald today has the first glimpse on video that I have seen of a mighty puppet production that is going on in Melbourne at the moment: Walking with Dinosaurs: The Live Experience. The creative team, with Sonny Tilders as Head of Creature Design, is making 12 life-size animatronic/puppet dinosaurs, including Tyrannosaurus-Rex, Brachiosaurus and the Flying Ornithoceirus ‘the largest creature to ever take wing… with a maximum wing-span of 12 metres (40 feet) and up to 3 metres tall
when standing on all fours’. The creatures will come to life at the world premiere on 10 Jan 2007 at the Acer Arena in Sydney, and will tour nationally before taking off around the world.

One of the producers, Malcolm C Cooke, has previously been involved with other puppetry productions including The Lion, the Witch and the Wardrobe, and the second production of The Hobbit in 2000.

Judging by the video, the puppets are simply amazing, and I hope I get to see them. I do wonder though, if there will be more to the production than sheer spectacle. I’ve wondered this about dinosaurs and realism before! Sometimes I start to crave subtlety and symbol and story.

Dinosaur

Update
Here are some newspaper reports today. The reports are similar, but different photos.
The Age: ‘We touched a dinosaur! Doyouthinkhesaurus’?
Sydney Morning Herald: OK, which of you kids called me fossil features?
The Australian:Kids get chance to walk back in time – best description of how the puppets are made and move
Courier Mail: For a stomping good time
Daily Telegraph: Dinosaurs roar back to life in arena – 3 photos

Update (8 Aug 06):
WireImage has a two-page listing of thumbnail images from the promotion the other day.

Update (22 Mar 07):
Workshop footage,
Walking with Dinosaurs: the Live Experience: new slideshow
Walking with Dinosaurs – The Live Experience: a review, and more links

How to Train Your Dragon Live

Melbourne’s Creature Technology Company, which had worldwide success with their live arena show Walking with Dinosaurs Live, have just launched their new venture How to Train Your Dragon Live at a Dreamworks and Global Creatures media event showing off an awesome 4 metre tall fire-breathing animatronic dragon, the Deadly Nadder. Apparently it’s one of 24 dragons!

I’m happy to see that this new production has an emphasis on story and emotional engagement in addition to the sheer spectacle, since my one reservation about Walking with Dinosaurs Live was the lack of emotional content.

This video from The Age has some footage of the making process, as does this one:

Some additional links:

The Creature Technology Company’s videos at their website
Daily Telegraph: gallery of 15 images
The Age: Here be Dragons
The Australian: Monster epic producer’s dragons fly high
774 ABC Melbourne: How to Train your Dragon hits Melbourne: radio interview with Dreamworks’ Tim Johnson, who co-produced the movie and directs the new exhibition.
Sky News: Melbourne to host Dragon arena show

(via Philip Millar, Kari Klein and PuppetVision)

Interview with CTC’s Sonny Tilders

ABC’s Radio National Artworks program has a great interview with Sonny Tilders who is the creative director at  Creature Technology Company in Melbourne, the company that produced the amazing arena show Walking with Dinosaurs Live, and is now making a giant King Kong for the stage. Exciting stuff.

Wow! King Kong for stage!

kingkong

Photo credit: Simon Schluter, The Age

This spectacular 7-metre-tall animatronic puppet of King Kong is being built by the Creature Technology Company in Melbourne, the company that produced the amazing arena show Walking with Dinosaurs Live, which is currently touring the UK after extensive performances in the US.

The puppet is being built for King Kong on Stage, a stage adaptation for New York’s Radio City Music Hall in 2011.

According to an article in The Age,

The partially built King Kong is now a high-tech assemblage of steel, fibreglass, airbags and Lycra-encased polystyrene. When modelling is finished by late next year, he will be controlled by 70 cigarette pack-sized motors. His face alone will conceal 40 of the motors to communicate his emotions as he is transported from Skull Island to Manhattan, where he finds love with a young blonde and a precarious position on top of the Empire State Building.

King Kong Live on Stage will use up to five models of King Kong with each operated by three puppeteers using remote technology called a ”voodoo rig” from backstage.

Interestingly, in the light of the suspension of the puppetry course at the Victorian College of the Arts, Creative Technology has 32 full-time staff and 14 VCA graduates working in its puppet fabrication department, and expects to employ 60 people on the King Kong project by next year. They see the VCA puppetry course as a vital in training the type of skilled people they will be looking to employ in the future.

‘Melbourne is in the running to become the world centre for animatronic design and puppetry but it won’t happen if they remove the puppetry course,” said Mr Barcham (CTC general manager). ”Those people [making the decision] wouldn’t even know there’s a new genre of entertainment coming out of Melbourne.”

Previously:

Australian puppetry links

Links and brief notes about the puppetry community in Australia.

This is an idiosyncratic list, and I’m just compiling it as I get time, noting some I need to get back to by now by now (the end of 2020) completely out of date! The info in brackets is where the people or companies are based, and roughly when companies started. Some companies tend to use puppetry when it suits, rather than being wholly focused on puppetry. In the sidebar I’m experimenting with tracking Australian puppetry news on Twittter.  Do let me know if I’ve got things wrong or if you are listed but don’t want to be.

  • Australasian Drama Studies Vol 51, Oct 2007 Edited by Geoffrey Milne. Issue dedicated to puppetry in Australia, see contents and ordering back copies.
  • ArtPlay (2004, Melbourne) Australia’s only creative arts centre for children up to the age of 13 and their families. ArtPlay follows in the tradition of the Ark in Dublin Ireland, and is owned and operated by the City of Melbourne, and located at Birrarung Marr, behind Federation Square. ArtPlay fosters puppetry through PuppetLab and other ventures, and offers grants to artists working in varying artforms to become involved.
  • Anna Parry (Melbourne) Shadow puppet maker. Working with Stories from the Ground and Splitpin Limbs.
  • AboutFace Productions. (Melbourne) Tim Denton and Annie Forbes
  • Adam Elliot (Melbourne) Stop motion animator best known for his Academy Award winning short Harvie Krumpet and his feature film Mary & Max.
  • Al Martinez Studios (2001 – 2010, Melbourne) Maker extraordinaire Al Martinez and friends. Al headed up the making of the 2000 Olympic Opening and Closing Ceremonies, as well as those for the Melbourne Commonwealth Games.
  • Aphids (1994, Melbourne) Artist-led, project-driven and not-for-profit, Aphids undertakes cross-artform projects usually involving contemporary music, international cross-cultural exchanges and collaborations.
  • Anita Sinclair (Victoria) Anita’s book The Puppetry Handbook is a useful basic resource for makers and teachers.
  • Arena Theatre Company (1966, Melbourne) Artistic director Chris Kohn. Creating inspiring live performances that have a genuine dialogue with young audiences.
  • Asphyxia (Melbourne) independent puppeteer and maker known especially for her marionette show The Grimstones.
  • Alex Axelrad (Victoria) Retired puppet designer and maker, and puppeteer. (Lamont Puppets). Maker of Ossie (Ozzie?) Ostrich.
  • Balderdash Puppets (Brisbane)
  • Bananas in Pyjamas One of the most popular and enduring children’s TV programs with pre-schoolers in Australia. Made by the ABC, exported to 70 or more countries. Originally full body puppets, replaced by CGI.
  • Barking Gecko Theatre Company (1991, Perth)
  • Barking Spider Theatre (2006, Melbourne) An independent original visual theatre company, Barking Spider aims to challenge and enrich audiences of all ages through a combination of visual and performing art forms, such as puppetry, music and live performance. They draw in numerous freelance artists.
  • Beverley Campbell-Jackson. Puppet designer and maker, one of the founders of Spare Parts. Designed and knitted the puppets for the 1980’s ABC TV series Blinky Bill.
  • Big West Festival (1997, Melbourne) Cutting edge multiform art festival held biennially for 10 days in November.
  • Black Hole Theatre (1993, Melbourne) Black Hole is committed to cutting edge visual, object and puppet theatre. The company aims to engage, extend and disrupt imagination, and it’s adult productions are bold, often comic, dark, and always surprising. Rod Primrose, Nancy Black
  • Book Nook (Toowoomba, QL) Specialist performing arts bookshop run by Mary and Joe Sutherland. Mary worked with Handspan, and was a prolific puppet maker in the 90’s.
  • Born in a Taxi (1989, Melbourne) Original work for art festivals, street theatre festivals, performance seasons, organisations and corporate events.
  • Bottled Theatre (2008, Brisbane) Contemporary puppetry, theatre, and performance making.  @FB.
  • Boy Reporter (Sydney) Animation company creating unique and irreverent stories and characters, specializing in stop-motion. Founded by producer/animator Mick Elliott.
  • Bryan Woltjen (WA) Multi art-form designer and theatrical consultant.
  • Bryony Anderson (NSW) Puppet designer and maker
  • Camp Quality Puppets Using puppets to help and teach children to become more aware of the need to be caring and supportive of children who have cancer.
  • Carouselle Theatre Company (1985 – 1997, Adelaide) SA’s major puppetry company at the time. Polish founders; Wojciech Pisarek director.
  • Carrousel Theatre (1994, Melbourne) Encouraging the study of French, Italian and German language through puppetry
  • Catherine Roach (NSW/ACT) Puppet director and puppeteer.
  • Cecile Williams (WA) Visual artist, including theatre, costume and puppet design and making
  • Chantale Delrue (Tasmania) Artist and maker. Makes giant puppets for performance and festivals.
  • Company Gongoma (Melbourne) West African music, puppets and dance. Shadow puppets. Artistic director Jenny Ellis
  • Community Rites (Qld – Noosa region) Multi-media art events, installations and performances synthesised through interaction between artists and the communities. Leisa Gillham, Tamara Kirby and Ali Bates.
  • Corporate Creatures (2009, Sydney) Gary Friedman takes puppetry into the corporate world, using muppets for  innovative communication, entertainment and marketing in business.
  • Creature Technology Company (2005?, Melbourne) Large animatronic workshop making puppetry on a massive scale: cutting edge animatronics, new standards of realism and fluid movement, huge arena spectaculars. Known for Walking with Dinosaurs Live! Sonny Tilders, Philip Millar
  • Dave Jones (Natimuk, Victoria) Puppetmaker, puppeteer, sculptor, animator.
  • David Morgan (NSW) Puppet maker and puppeteer
  • Dead Puppet Society (Brisbane) Australian gothic theatre. Their productions incorporate puppetry, shadow work and live performance to create immersive worlds where the mythic sits alongside the macabre. @FB
  • Dream Puppets (Melbourne) Puppet theatre company presenting brilliantly visual productions to audiences of all ages. Dream Puppets is know for their whimsical Dreamer Trilogy and black light theatre. Richard Hart and Julia Davis.
  • Doogles (Illawarra region, NSW)
  • Ella Misso (Melbourne) Maker, costumer
  • Enemies of Reality (Canberra) Film and video production company, specialising in music videos, short films and animation. Presently working on the stop motion production Tegan the Vegan. Marissa Martin.
  • erth Visual and Physical (1990’s, Sydney) Produces original live theatre and eye popping visual experiences including giant puppetry, stilt-walkers, inflatable environments, aerial and flying creatures; festivals, communities and cultural institutions like museums. Scott Wright, Steve Howarth, Sharon Kerr.
  • Festive Factory (Woodend, Victoria) Specializes in roaming entertainment acts, family shows, and workshops.
  • Finegan Kruckemeyer (Tas) Playwright, works with Slingsby Theatre Company; wrote The Tragical Life of Cheeseboy.
  • Fleur Elise Noble (Adelaide?) Director/creator of visual-based theatre experiences which include drawing, animation, puppetry. @YouTube
  • Foley Bergere (1995, Fremantle, WA) Joanne Foley
  • Footlice Theatre Company (1986, Newcastle) David Harrison.  @FB
  • Gary Friedman (Melbourne) Puppeteer, performer, director and producer for live theatre, educational theatre and television. Gary trained with Jim Henson and runs regular workshops in puppetry for TV and film which include learning how to make and puppeteer muppet-style puppets. His other projects include Corporate Creatures,  a documentary feature film called Looking for a Monster, (based on an original puppet play written by a young boy in a concentration camp in 1943), and his blog.
  • Gabrielle Griffin (Adelaide) Puppeteer
  • Gilly McInnes (Melbourne) Writer, director, performer and dramaturge
  • Graeme Davis Puppet designer and maker. Does the wonderfully ghastly Mr Texta spoof of Mr Squiggle.
  • Grandan Puppets
  • Greg McKee’s Wildthings Animatronics (including pics of inside of the sheep from Babe)
  • Greg Methe (Tasmania) Designer and maker
  • Handspan Theatre (1977 – 2002, Melbourne)  Australia’s most influential and widely regarded puppet company during its time. See also their Archival Website – Handspan Theatre 1977 – 2002. Founded by Ken Evans, Andrew Hansen, Helen Rickards, Maeve Vella, Peter J. Wilson and Christine Woodcock.
  • Heath McIvor Puppeteer and performer.
  • Hilary Talbot (ACT) Maker; me.
  • Imogen Keen (Canberra) Designer, puppet and costume maker
  • Ingrid Maganov (NSW) Puppet designer,  maker, puppeteer/actor (?)
  • Jarrod Boutcher (Qld) Puppet maker, muppet style.
  • Jennifer Pfeiffer (Melbourne) Freelance dramaturge and writer with interests in cross-disciplinary and cross-cultural  puppetry work.
  • Jessica Wilson Freelance puppetry director; conceives, produces and directs theatre events including large-scale spectacle, community cultural development projects, and in-theatre works.
  • Jiri Zmitko (WA) Designer and puppet maker with Spare Parts. Expert maker of carved wooden puppets.
  • John Cox Creature Workshop (Brisbane) Internationally acclaimed leader in the design and manufacture of fantasy creatures, monsters and realistic animals. John received the 1995 Academy Award for Visual Effects for the movie Babe.  His student information tips pdf is worth reading.
  • Jonathon Oxlade (Brisbane) Theater designer and illustrator, also designs and makes puppets. Performs with The Escapists.
  • Kassandra Boswell (Sydney) Sculptor; puppet designer and maker
  • Katrina Gaskell (Melbourne) Designer and maker
  • Ken Evans
  • Ken Harper (Melbourne) Punch and Judy
  • Kite Studio (Sydney)
  • Kim Moyes
  • kneeHIGH (1995, Adelaide) Giant puppets, custom made images and visual spectacle. Tony Hannan and Emma O’Neill.
  • Krinkl Theatre (1999, Kyogle, NSW)  Lara Cruikshank and Padi Bolliger @FB
  • Lana Schwarcz Grandpa Sol and Grandma Rose. @MySpace
  • Larissa Deak (Brisbane) Puppeteer; shadow puppets
  • Lemony S (Melbourne)  Sarah Kriegler and Jacob Williams. Puppetry to disarm the audience and go deep to the core of what it is to be human – to attach meaning to symbols and signs, to empathize and to access the innate human ability to “suspend one’s disbelief”.
  • Lenka’s Puppets (Sydney) Lenka Muchova
  • Lismore Lantern Parade (1994, Lismore, NSW) Held annually in June. @FB
  • Mal Heap (Berowra, NSW) Puppeteer. Modigliani the Cat in The Ferals and Creature Features, Ollie (first Australian Sesame Street muppet), Waffle for Christian ministry.  Retrospective
  • Mana Puppets
  • Matthew McCoy (Sydney) Puppetry director and puppeteer. Walking with Dinosaurs Live, Farscape
  • Matt McVeigh (WA) Visual artist, designer – stage productions and community arts programs
  • Men of Steel (Melbourne) Anarchic object theatre and comedy in the kitchen, workplace and now icecream van.  New show is called Mr. Freezy (with Arena Theatre Company). Puppeteers Hamish Fletcher, Tamara Rewse, Stephen Noonan, and sound designer Jared Lewis.
  • Mixed Media Productions
  • Monkey Baa Theatre (1997, Sydney) Started by Tim McGarry, Sandie Eldridge and Eva Di Cesare. Outstanding theatre for young people. @FB
  • Mothers Art (1983, Melbourne) Unique design and construction facility servicing the diverse requirements of zoos, tourism attractions, public art, theatre arts and the architectural industry.
  • Murphy’s Puppets (Sydney) Wide repertoire of comedy, including Allenby’s Famous Flea Circus; educational programs and Commedia dell’Arte puppetry. Dennis Murphy.
  • Murray Raine Puppets (Sydney) Puppet cabaret with spectacular and outrageous marionettes, rod and glove puppets. Murray Raine.
  • My Darling Patricia (2003, Melbourne – Sydney) My Darling Patricia creates arresting, intimate, visual theatre, drawing inspiration from the epic visuals of Robert Wilson and Romeo Castellucci and the animation of Jan Svankmajer. Clare Britton, Bridget Dolan, Katrina Gill, Halcyon Macleod and Sam Routledge.
  • Nati Frinj (Natimuk, Victoria) Puppetry on the wheat silos!
  • Nel Simpson (Fremantle, WA) aerialist, part of Bizircus and Swerve arts
  • Noriko Nishimoto (Japan-Australia; WA)  Distinguished puppetry teacher, puppeteer, director, designer and writer. Associated with Spare Parts until 2002.
  • Norman Hetherington. Creator of Mr Squiggle and friends and upside-down squiggles.
  • Nick Hilligoss (Melbourne) Stop motion animator and director
  • Nigel Triffit Director, designer, writer. ‘Of the many outstanding individual contributors to the development of puppetry and visual theatre in Australia over the past thirty years, none stands out more than Nigel Triffit’ – Peter J. Wilson in The Space Between (see below). Created Momma’s Little Horror Show, Secrets, the Tap Dogs, the Eternity tap section of the Sydney 2000 Olympics, and others. Died July 20, 2012.
  • One Van International Puppet Festival (Blackheath, NSW) In 2010 One Van will be on the weekend beginning 1 May.
  • Passion Pictures (Melbourne) Presently working on a short CGI film of Shaun Tan’s The Lost Thing
  • Patch Theatre Company (1972, Adelaide) Artistic director Dave Brown. Distinctive and accessible performance for children four to eight years.
  • Peepshow Inc (early 2000’s, Melbourne) Image based theatre that blurs the line between imagination and magic, puppets and possibility. Core group plus collaboration with others. Artistic director Melinda Hetzel. FaceBook fan page.
  • Pelican Puppets (1992, Tasmania) Sean Manners
  • Peter J. Wilson (Melbourne) Master puppeteer, director, writer. Founder and head of the Victorian College of the Arts post-graduate puppetry course which ran from 2004 -2009. Author of The Space Between : The Art of Puppetry and Visual Theatre in Australia.
  • Peter L. Wilson
  • Philip Millar (Melbourne) Puppeteer, puppet maker and designer, head of fabrication at Creature Technology Company.
  • Pocketfool Productions Intimate, exciting, age-specific works for children, celebrating the power of play.
  • Polyglot Puppets (Melbourne) Sue Giles artistic director.
  • Pooka Puppet Company (Adelaide) contemporary theatre based puppetry works, with an emphasis on exploring the boundaries of the medium. Lachlan Haig, Ninian Donald
  • Preston’s Historic Punch and Judy (Adelaide) Keith Preston
  • Pupperoos (Sydney) Kay Yasugi, puppeteer and puppet maker
  • Puppetease Ross Browning. Ross was the puppeteer of Blinky Bill in the 1980’s ABC TV series Blinky Bill.
  • PuppetOOdle  (NSW/ACT) Duo of Marianne Mettes and Jonathan Mettes; puppetry and music for children’s entertainment and education. FB
  • Puppet Palace (2007, Adelaide) Annual event during the Adelaide Fringe. Keith Preston and Lachlan Haig
  • Puppetry Australia
  • Puppets in Melbourne (Melbourne) Naomi Guss.
  • Purple Capsicum Puppets (2008, Melbourne) Puppet shows and workshops for children of all ages; festivals and events. An offshoot of The indirect Object.
  • Rachael Wenona Guy (Melbourne) Puppeteer, maker, visual artist, singer, writer, theatre maker. Blog
  • Raymond Crowe Self-described unusualist, hand shadow puppetry
  • Reckless Moments (Shanghai) Barry Plews and Hu He. International multi-artform collaborations and coproductions. In 2009-10 collaborating with Terrapin Puppet Theatre on digital puppetry for When the Pictures Came.
  • Richard Bradshaw (NSW) Master shadow puppeteer.
  • Richard Jeziorny (Melbourne) Designer
  • Richard Mueck Sculptor and puppeteer in the film industry
  • Rob Matson (Melbourne?) Puppet maker and designer
  • Rod Hull and Emu Rod Hull developed his emu act in Australia in the 1960’s before returning to his native England. Emu was mute and anarchic, famous for his attack on Michael Parkinson and others.
  • Ron Mueck (London) Hyperrealist sculptor, began as a model maker and puppeteer in TV and film
  • Ross Hill (d. 1991) Master  puppeteer and maker. Worked widely in Australia then at Jim Henson’s Creature Shop in the 1980s, including on The Labyrinth. There is a Ross Hill puppet collection in Mildura.
  • Rubbery Figures Australian political satire from 1984-1990, created for TV by cartoonist and sculptor Peter Nicholson. Highlight videos. Australia’s version of Splitting Image.
  • Sanctum Theatre (Melbourne) Visual performance company. Lachlan Plain @FB
  • Sandpiper Productions. (WA) Sandy McKendrick.
  • School Performance Tours
  • Sean Kenan Hand shadow puppets
  • Shan Jayaweera puppeteer
  • Skite Vikingr AUSTRALIA Tamara Rewse
  • Slingsby Theatre Company (Adelaide) Crafting sophisticated, emotionally complex and original theatre productions for audiences aged ten through adulthood. Andy Packer (Artistic Director) and Jodi Glass (Executive Producer) and three key creative collaborators, Finegan Kruckemeyer (playwright), Quincy Grant (composer) and Geoff Cobham (designer). @FB
  • Snuff Puppets (1992, Melbourne) Giant puppet company, creating visceral and accessible theatrical experiences for their audiences. Trademark elements: a blackly dangerous humour, an incisive political satire, shamelessly handmade visual aesthetic; populist, free, joyous conflagration of art, audience and artist. @Flickr, @FB. Andy Freer, Pauline Cady
  • Spare Parts Puppet Theatre (Fremantle, WA) Philip Mitchell artistic director @FB
  • Splitpins Limbs (Melbourne) An offshoot of Stories from the Ground, now its own entity. Shadow puppets. Stephen Mushin, Sarita Ryan, Emily Smith, Anna Nilsson, Raku Pitt and others
  • Sticky Apple Legs (Melbourne)
  • Stories from the Ground Shadow Puppet Collective (Melborne) Stephen Mushin and friends. Micro-theatre shadow puppet troupe, I’ll forget You music video and associated live performances on Shadows and Light Tour 2009 with musician Lior.
  • Stuck Pigs Squealing Theatre (2000, Melbourne) Apocalypse Bear Trilogy
  • Stuffed Puppet (Amsterdam – Australia) master puppeteer Neville Tranter
  • Sue Harris Puppets (Adelaide)
  • Swerve Association
  • Sydney Puppet Theatre (1984, Sydney) Sue Wallace and Steve Coupe. Theatre of delight for family audiences: shadow, hand and rod and marionettes. From 1998 – 2005 they directed the One Van International Puppetry Festival in the Blue Mountains.
  • Terrapin Theatre Company (1981, Hobart, after Tasmanian Puppet and Marionette Theatre which was founded in 1970). Creating contemporary puppet theatre by using digital technologies in the animation of characters and the theatrical space .
  • The Escapists (Brisbane) Performance collective offering a highly stylised and hybridised form of populist entertainment, drawing on an anarchic attitude to bring a startling and adventurous approach to theatre making. Jonathon Oxlade, Matthew Ryan, Lucas Stibbard and Neridah Waters and guests. The Attack of the Attacking Attackers.
  • The Puppeteers(Mabel and Maude) Parody video series. @Facebook
  • Theatre of Image (1988, Sydney) TOI is an advocate for young people and their families. Through the vision of the Artistic Director, Kim Carpenter, Theatre of Image tells Australian and universal stories to our young people as much through visual and musical images as through words.
  • Theatre of the Sun (Railton, Tas) Marie-Martine Ferrari and Fabian Billerwell. Marie-Martine co-founded Skylark Theatre in Canberra in 1984.
  • The Indirect Object (Melbourne) ‘We believe puppetry and object theatre are sophisticated artforms for adult and youth audiences alike. Through collaboration, we develop new work, assist other companies to integrate puppetry or object theatre into their performance projects, fabricate puppets for our work, and on commission, and provide workshops in puppet fabrication and manipulation’.
  • The People’s Republic of Animation (Adelaide) Innovative studio dedicated to creating outstanding animation for all screens and formats. @YouTube @twitter
  • The Space Between : The Art of Puppetry and Visual Theatre in Australia Indispensable book detailing the art of puppetry and visual theatre in Australia over the last half decade, written by Peter J Wilson and Geoffrey Milne. Published by Currency Press.
  • Tipsy Teacup Productions creates mesmerising installation theatre that is like all remembered conversations over a cuppa: insightful, poignant, resonating and special. @FB
  • UNIMA Australia Our fellowship, the Australian branch of the international puppetry organization Union Internationale de la Marionnette
  • Upatree Arts (Qld) Collective producing community celebrations through puppetry, arts events, giant parade and lantern puppetry. @FB
  • Vanessa Ellis (Melbourne) Puppet maker and performer/puppeteer
  • Victorian College of the Arts Post Graduate Diploma and Masters in Puppetry This course, the only one of its kind in the Southern Hemisphere, produced a swag of innovative puppetry practitioners  from 2004 – 2009, when sadly it was closed in the merger of the VCA with Melbourne University.  Save the VCA.
  • Weeping Spoon Productions (Perth, WA) Theatre company formed by a group of young artists who found a common ground in creating exciting, vibrant, and relevant performances. In particular Tim Watts’s The Adventures of  Alvin Sputnik: Deep Sea Explorer. @FB
  • Wes Champion (NSW) Puppet maker/designer. Specializing in carved wooden puppets.
  • Windmill Performing Arts (Adelaide) @FB
  • Wojciech Pisarek (Adelaide) Puppet theatre director and digital artist. One of the founders of Carouselle Theatre Company, now teaches and researches real time performance with digital puppetry at Flinders Drama Centre.
  • Woodford Folk Festival (Qld) Held at the turn of each year @FB
  • Y Space (Natimuk, Vic) Project based performance art involving rockclimbers, dancers and puppetry to create work in unusual and high places.

Elmgreen & Dragset’s ‘Dying’ Sparrow

An exhibition by two Scandanavian artists, Michael Elmgreen and Ingar Dragset, is causing a bit of a stir at London’s Tate Modern gallery this month. In an otherwise empty new gallery space 25 metres by 7 metres, a sparrow is trapped between the panes of a double-glazed window, apparently dying. The sparrow is, however, animatronic. It cost &pound12,000 and was made by Crawley Creatures, the company best known for the creatures in the BBC’s/ABC’s Walking with Dinosaurs series. The artists make a connection with the general demise of sparrows and that of London’s working class, though other interpretations have been made.

A selection of reviews
30 second video of the animatronic sparrow
Pictures 1, 2

The picture here is a woodcut from an early (1820 or so) chapbook, An Elegy on the Death and Burial of Cock Robin (York: J. Kendrew), reproduced in The Oxford Nursery Rhyme Book, by Iona and Peter Opie, (ISBN: 0 19 869112 2).

Who killed Cock robin?
I, said the Sparrow,
With my bow and arrow,
I killed Cock Robin.

Maybe he can’t afford to be so jaunty any more.