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Warhorse: in pictures

warhorse

Warhorse, showing at the National Theatre in London, has some absolutely stunning life-size horse puppets, designed and made by Basil Jones and Adrian Kohler from the South African Handspring Puppet Company.

Made of cane and gauze, plywood and bicycle brake-cable, nylon cord and leather, they are moved from the inside by actors, who can clearly be seen through the horses’ skeletal bamboo frames; another human steers the head, so that the steeds nuzzle, twitch their ears, shiver with fear, rear in fright, roll their lustrous eyes; they also neigh and snicker. The actors are the inner lives of the beasts: when one horse dies, sinking to its knees and then lying, as a silvery grey skeleton, on its side, you see the puppeteers rolling out of the frame as if they were a band of souls leaving a body. After battle, the stage is covered in emptied carcasses, like dressmakers’ dummies. – Suzannah Clapp, review in The Guardian

The Guardian also has a gallery of images that tell the story, as well as providing the best photographs of the puppets that I have come across. Of course, much of the magic is in their movement: there is a glimpse of that in this ‘what the audience thinks’ video.

There are some other reviews at The Independent, Daily Telegraph, The Times, and the London Theatre Guide.

(via Puppetry News)

Previously:

Katinka Matson: flatbed scanner imaging

Katinka Matson makes stunning images of flowers and other natural objects, using a flatbed scanner and other new technologies:

“The process involves scanning flowers and other natural objects on an open-top scanner from underneath the objects with a slo-moving sensor. This technique allows for unusual opportunities to explore new ideas involving light, time, and rhythm.

It is a radically new digital aesthetic involving both new hardware (the scanner and the inkjet printer), and software (Adobe Photoshop), that allows for a new naturalism fusing nature and technology.

Without the distortion of the lens, highly detailed resolution is uniform throughout the image, regardless of the size of the printable media. The lighting effects from the sliding sensor beneath the object, coupled with overhead effects involving lighting and movement, result in a 3-D-like imaging of intense sharpness and detail. Images created by scanning direct-to-CCD cut away layers, and go to a deeper place in us than our ordinary seeing and vision. “

There are three archived galleries of her images: “Five Flowers”; “Forty Flowers”; “Twelve Flowers”.