puppetry

Starting and finishing

I was thinking today about how we go about starting and finishing things. It’s kind of curious and fascinating, don’t you think? How do we decide exactly what to do first, and how do we know when to stop?

This was prompted because I’ve started a new project in the last few days. I’m making a large body suit, and it has some mechanisms that have already been made, which I have to integrate into it. It’s a one-off, no prototype, so nothing to really draw on, and I anticipate quite a lot of problem solving.

Although this character has been discussed and planned on paper for a while now, making a physical start feels like a challenge, and I’ve been circling it at a distance, and doing ‘busy work’ around it. It’s rather like when you see someone swirling their pen in the air a few times before actually being able to sign their name, or like a dog going round and round before being able to settle down to sleep. So today I have been to the fabric shop to see what is available, and I’ve measured things and had lots of cups of tea. And I fiddled with some parts of the mechanism which needed bulking out, because that was a fairly straightforward thing to do. Tomorrow I will make a small plasticine model to make a pattern from, and then after all this nibbling around the edges I can probably make a more convincing start.

In the past I’ve regarded this phase as procrastination, or just something silly I inevitably do, but today I have shifted and decided that instead it must be a necessary and positive part of the process.

Finishing is equally as interesting. In this case, though, the exact finish will likely be dictated by a deadline!

Photos of Nyet Nyet’s Picnic

nyet

I mentioned performances of Nyet Nyet’s Picnic, by the Snuff Puppets, at the Big West Festival recently. At Flickr, Peter Stuckings has some great photographs of some of the puppets, starting here. Thanks to Jose at titereblog for finding them.

Machin-X: digital puppetry

Andrew from PuppetVision, has opened another blog,Machin-X to do with digital puppetry. In his introductory post, Andrew defines digital puppetry as distinct from 3D animation and motion capture:

I define digital puppetry – at least for the purposes of this blog – as the manipulation and performance of digital objects and characters in real-time using a mouse, joystick or some other kind of input device. The forthcoming Jim Henson series Francis? That’s digital puppetry. Machinima? That’s a homebrewed form of digital puppetry. This is definitely digital puppetry too.

Keep an eye on Machin-X as it documents projects and explores developments in a very new field.

A stitch in time

A stitch in time

Update: My Flickr page where I have this photo stored is now showing ads for a flavoured lip plumper and long lasting, naturally flavored lip glosses! :-P

The Mysterious Explorations of Jasper Morello

Jasper

Another winner in the recent Australian Film Institute Awards was The Mysterious Geographic Explorations of Jasper Morello, which picked up Best Short Animation, and Oustanding Achievement in Craft in a Non-Feature, Production Design, for the director, Anthony Lucas. It caught my attention not only because it looks cool, but because it’s another example of the exciting work going on with shadow puppetry and new technologies that I mentioned in a couple of previous posts.

Back in October, Ward was really enthusiastic about seeing Jasper at the Ottawa Animation Festival:

Omigosh, I absolutely LOVED the next film… Is it stop-motion? CG? It’s a little bit of both and it looks entirely amazing. Harking back to the very first animated film, The Adventures of Prince Achmed (1926), Jasper is done in silhouette, like an elaborate shadow puppet play.

You can get a feel for film by looking at their wallpaper downloads. There is an interesting mix of silhouette and photographic detail. And I like the whimsy of the imagined world and the gazette; some of it is quite pointed. Too bad Jasper not going to be screened here in Canberra.

Anthony Lucas is from 3D Films, which specializes in clay and stop-motion animation for TV commercials, station IDs and special effects. It’s an interesting site to take a wander through. There are some precursors to Jasper. For instance, there are stills and making details of the SBS Station IDs that were done with silhouettes and organic materials to give them a handmade look, as well as a quick time movie of one of them. And the selection of images from their film Holding your Breath are great. I like the look of Bad Baby Amy, too.

Updates:
Lucas‘s Jasper Morello has been nominated for an Oscar in the best short animation catagory.
A review in The Age.
A short video clip from Jasper Morello.
Jasper Morello will be screening on SBS on Friday 10th March at 8.00pm.
The DVD of Jasper Morello, including a ‘making of’ featurette and other award winning films by director Anthony Lucas will be in shops on March 15th.

Updated 2015: broken links

Mummenschanz to tour Australia!

MummenMummenschanz, the renowned Swiss mime and object theatre group, will perform the world premiere of their new program, 3×11, a 33 year retrospective of their work, at the Sydney Theatre in Walsh Bay on 31st January 2006. The season runs till 11th February, 2006. Afterwards they tour Australia, New Zealand, and South America, where on 12th April they will open at the International Festival in Bogota, Colombia.

Bookings on 9250 1999 or Ticketek 132 849.

I’m wondering if I saw them long ago at the Adelaide Festival of Arts? Did they ever perform there? I know I saw them on The Muppet Show.

Updated links 2015

Big West Festival

BigwestIf you are in Melbourne, The Big West Festival in Maribyrnong looks as if it will be a good time. Full program details are available here.

For puppetry fans it’s a chance to catch Snuff Puppet’s Nyets Nyet’s Picnic; Men of Steel, a high energy cookie cutter kitchen puppetry extravaganza; the disturbing crocheting that is Foxy’s House of Horror; and others.

The venue is the Village (the Village Railway Reserve behind Footscray Station, McNab Ave, Footscray). Entrance will be free during People’s Day
on Saturday from 1 – 7.30 pm.

Mapping puppeteers and makers

Andrew at PuppetVision is has started a map of the locations of puppeteers and puppet builders around the world using the new Frappr! mapping service. It’s a cool idea. If you are a puppeteer or maker, check out the details, and add yourself to the map.

Lone

Especially if you are in Australasia – I’m feeling a bit lonesome out here all on my own!

The Theft of Sita

Sita

(Photograph: Julian Crouch)

PuppetVision recently referred to The Modern Shadow where Michelle Zacharia is exploring combining Indonesian Wayang Golek puppetry and video and digital production techniques, and thinking about western influences in Indonesia. It reminded me of a production here called The Theft of Sita which was commissioned by the 2000 Adelaide Festival of Arts and received acclaim both here and overseas. It was a modern retelling of the Ramayana using shadow puppetry, and involved a remarkable collaboration of artists, puppeteers, makers and musicians.

The piece was written and directed by Nigel Jamieson (AU); music composed by the Australian jazz musician Paul Grabowsky (AU) and Balinese gamelon artist I Wayan Gde Yudane; designed by Julian Crouch (UK); and the puppetry directors were Peter J. Wilson (AU) and Balinese master I Made Sidia (who both performed in the show).

This Ramayana begins conventionally, but quickly explodes into a metaphor of the tumultuous events surrounding the overthrow of Suharto. Computer-generated images and photographic projections of demonstrations coexist with giant shadow puppet logging beasts. There are white water rafters and withering paddy fields in Bali. And Langka becomes a futuristic city of gleaming steel and glass towers, and of rubbish tips. Giant screens lift and disappear, perspective shifts from screens at the front to screens at the back of the stage. Shadow puppets emerge on tiny screens in the middle of the space and then shift again.

Robin Laurie, Inside Indonesia, The Theft of Sita

Robin’s article is worth reading in full, as is Peter Wilson’s account in his book ‘The Space Between: The Art of Puppetry and Visual Theatre in Australia’, where he describes The Theft of Sita as a transformation of the ancient tale into a modern allegory of environmental politics.

Unfortunately I didn’t see The Theft of Sita, but I have seen a TV program that was made about it.

The designer, Julian Crouch, has a gallery showing some of the wonderful shadow puppets and scenes from the show, including the one above. His other galleries have some gems in them, too. Just a couple of examples: a dog, some huge figures, and some rather beautiful arresting star faces.

Update 2015: broken links; also, try a Julian Crouch google image search