shaun tan

Trailer for The Lost Thing

Posted by hil

This is the trailer for the short animated film adaptation of Shaun Tan’s The Lost Thing which is now released and reeling in awards! It looks great, doesn’t it?  I also like the design of the official website, and Shaun’s account of the process.

Screen Hub reports that producer Sophie Byrne has also ‘optioned the rights to The Arrival and The Rabbits via Passion Pictures Australia, and Tales from Outer Suburbia is a co-development with the UK. They are currently in discussions with US production companies for The Arrival and Tales from Outer Suburbia to be adapted into feature films, whereas The Rabbits is likely to be made as a short here in Australia with Shaun directing.’

I also hear on the grapevine that Spare Parts Puppet Theatre is working on an adaptation of Tales from Outer Suburbia!

Previously:

New adaptation of Shaun Tan’s The Arrival coming to the Sydney Festival

Posted by hil

Red Leap Theatre from New Zealand will be bringing a new theatre adaptation of Shaun Tan‘s book The Arrival to the Sydney Festival in January. I love the look of what I can see in this video of highlights, in particular the aesthetic feel and muted colours, the puppets and the imagery.

Arrival redleap

(photo credit: Robin Kerr)

arrivalship

(photo credit: John McDermott)

I saw the adaptation of The Arrival by Spare Parts Pupppet Theatre at the Unima 2008 Puppetry Festival in Fremantle. It has gone on to win a number of awards, and recently had a season at the World Puppetry Festival in Charleville Mezieres, France.  I felt the strength of that production was in the projected animations and digital imagery, and that the story line and emotional content had been simplified for a very young audience.  I hope Red Leap’s production will be able to tap further into the richness and drama that the book holds.

Previously:  Shaun Tan

First glimpse of animation adaptation of Shaun Tan’s The Lost Thing

Posted by hil

The Lost Thing

InFrame.tv has produced a great 5 minute documentary with Shaun Tan which offers an introductory glimpse at the work-in-progress on his short animated adaptation of  The Lost Thing. It includes little (unfinished) animation clips, and aspects of designing and directing the work. On his website Shaun also writes about his involvement and includes some interesting new sketches and models. I noted the film in 2005, so it is exciting that it is expected to be finished this August!

The film, by Passion Pictures, will be 15 minutes long, and uses CGI with 2D handpainted elements. I’m interested in the comments about achieving rich textures, as they are so much part of the illustrations, and CGI is often so disappointingly smooth and shiny.

I’m happy to see a new book, too: Tales from Outer Suburbia.

I worked on the puppets for Jigsaw Theatre Company’s production of The Lost Thing a few years ago, so you will find numerous related previous posts here:

The Lost Thing
Shaun Tan

Also: The Lost Thing website

Spare Parts Puppet Theatre & Shaun Tan: The Arrival

Posted by hil

arrival

Following on from yesterday’s post about the puppet-based theatre adaptation of Shaun Tan’s picture book, The Red Tree, today I discovered that Spare Parts Puppet Theatre’s adaptation of Shaun’s new book, The Arrival, had just finished it’s season in Perth. The production, which The Australian gives a rave review, uses digital animation, puppetry and acting, and is visual theatre:

‘The absence of words not only makes the story perfect for puppetry but emphasizes the isolation that is experienced by many people arriving in a new place.’

Although The Arrival book doesn’t come out until October, there is an online preview, in which you can see some of the pages, and read Shaun’s detailed description. It looks wonderful – a 128 page book of illustrations without words, a
silent graphic novel, arranged and presented rather like a photo album, which can be interpreted rather like a silent film. ‘Through a series of connecting images, it tells the story of an anonymous migrant leaving some unfortunate
circumstances in his home country, crossing an ocean to a strange new city, and learning how to live here.’

The Lost Thing, another Tan book that was made into puppet theatre by Jigsaw Theatre Company here in Canberra a few years ago, and for which I made puppets, has been touring since, and is due to have a season in Melbourne this November at the Arts Centre.

I also came across some photos at Flickr of a Shaun Tan mural at the Subiaco Library in Perth.

Update:
Talking Squid’s review by Russell B. Farr

Links updated 2015

The Red Tree

Posted by hil

Redtree1

When I was at the Puppetry Summit, Richard Jeziorny was kind enough to show me a video of the puppet-based theatre production of The Red Tree, by Shaun Tan, which was part of the Queensland Performing Arts Centre’s ‘Out of the
Box’ festival for children in June 2004. It was one of the highlights of the weekend for me. Richard’s design was absolutely beautiful, and it was a real treat to experience one of Peter Wilson’s works again; these guys make such wonderful theatrical images. The puppets were made by Marion Hoad and Christopher Lane. Shaun has a description and photos on his website, to give you some idea of the magic. Thanks, Richard!

(My attendance at the puppetry summit was supported by the ACT Government)

Shaun Tan’s website and Aquasapiens

Posted by hil

aqua51

Shaun Tan now has his own website. It looks relatively new. It’s great to see a number of illustrations under each picture book listing, and read his thoughtful and friendly commentary. I was also delighted to see some images from the puppetry-based theatre production of The Red Tree, which was produced as part of the Queensland Performing Arts Centre’s ‘Out of the Box’ festival for children in 2004. I had heard about this wonderful fish puppet on the grapevine. There are also some in-theatre pictures of some of our puppets for Jigsaw Theatre’s production of The Lost Thing.

One project that was unknown to me before, is Aquasapiens. Tan was commissioned by Spare Parts Puppet Theatre in Fremantle, WA, to design large-scale puppets for a street theatre event as part of the 2005 Perth International Arts Festival. The director was Philip Mitchell, the puppet maker Jiri Zmitko and sound designer/composer Lee Buddle. These creatures are fabulous! Here are drawings of the Yellow Naut‘ and ‘Shrimpy’. I also love this.

Aquasapiens is going to be part of the Adelaide Fringe in February and March, and is available to perform at schools from February 27 to March 10.

Apparently Spare Parts will also be adapting another of Tan’s books, The Arrival, which is about migration and is due to be published in April.

updated links 2015

‘The Lost Thing’ to become a short film

Posted by hil

LtboyHaving made puppets for a theatre production of Shaun Tan’s ‘The Lost Thing’ last year, I was excited to find out that Passion Pictures is making a short CG film of the book. It will be fun to keep an eye on their gallery of pictures of work in progress over the next months. Among the images there at the moment are drawings of some of the utopian lost things. There were only five utopian lost things in the theatre production, so it will be great if we get to see more of them brought to life in the film. There are also images of a sculpture of the boy by Ron Mueck Mueck, that will be used for mapping the boy from all angles into the CG program. How cool is that!

Jonathon Oxlade

Posted by hil

For me Jonathon Oxlade was the stand-out performance of the One Van puppetry festival in late January. His short performance during the Saturday night cabaret was exciting, bizarre, gross, and hilarious. Jonathon works as a freelance theatre designer, illustrator and puppeteer.

According to his bio, among many other things, he created The Red Tree installation — ‘an interactive experience full of little surprises for the eyes, ears,heart and mind’ — that accompanied the QPAC’s Out of the Box production of ShaunTan’s beautiful picture book ‘The Red Tree’ in 2004.

Redtree

This year he is designing ‘Creche and Burn’ (on stage in April) and ‘The Dance of Jeramiah’ (in Oct-Nov) for LaBoite Theatre, and a production of the Dicken’s classic ‘A Christmas Carol’ for the Queensland Theatre Company late in the year. He is currently working on a picture book, too.

A tentacle mechanism

Posted by hil

When I was making puppets for ‘The Lost Thing’ a few months ago we had to come up with a simply-made tentacle that could start out straight, and then reach about a metre or more, and curl around to some extent at the tip. Here is the drawing I made of the mechanism I invented, in case its useful to other makers:

Tentacle
(click to enlarge)
The tentacle shape is made of a very soft foam, and has two tracks of heavy duty fishing line running up each side, though small sections of plastic tubing. The kind of tubing I found good was antenna housing that model-car hobbyists use, because it is strong and rigid.When the fishing line is pulled the tentacle curls, and when it is released the foam itself acts as a kind of spring, returning the tentacle to an at-rest straight position. I did have to put some additional spring and rigidity in the core of the foam, though. It was an experimental mixture of different lengths of spring wire, boning and strip plastic, with the idea being to incrementally decrease the rigidity towards the tip. You have to balance aspects like having the foam soft enough to compress easily, and the core springy enough to return but not too rigid to bend easily, and so on.The tentacle was covered: a very thin layer of dacron batting to make it all smooth, and then lycra.

The curls in simple tentacles usually only work in two directions. They are mechanically similar to those intriguing flexible wooden snakes and fish whose bodies are sliced into lots of cross-sections, and then constructed again with a leather or canvass strip running up the middle of the body:

Snakecurl
A tentacle made like this moves from side to side, not up and down, or with any twisting. The thing that excited me about the foam tentacle was that by pulling on both lines with varying pressures, it would twist around in a very sinuous way. It was not a feature that could be used much in the play, as the puppeteer only had one hand free to operate the tentacle, but it was an interesting discovery. It would also be worth experimenting with trying three or four operating strings, if the base of the tentacle was in a firm housing rather than being hand-held.