Big Dog

I had been ingnoring all the posts about Boston Dynamics developing state-of-the-art robotic quadruped, Big Dog, because I just get otherwise like that sometimes, but having just relented, it really is amazing. I hate to see such big defense involvement in it though, and to read it described as an army mule.

Update: Funny

Elongating the robotic cheetah?

 

Boston Dynamics and the US Defense Advanced Research Projects Agency (DARPA) have developed this amazing robotic cheetah that can run at 18 mph.  Testing of a free-running prototype is planned for later this year. Aside from the nasty military implications this may have , the thing that interests me about the movement is that although DARPA says that

The robot increases its stride and running speed by flexing and un-flexing its back on each step, much as an actual cheetah does

at the moment the body elongation and the range of flexibility isn’t nearly as great as videos of cheetahs actually show (compare the superimposed skeleton in the video below).  I’m going to guess that those will be the next steps in making the robot faster. Also, real cheetahs seem to get an extra spring and propulsion from their feet flexing, whereas the robot doesn’t really have feet, so that might be another direction of improvement.

 

Previously:  Big Dog

Australian puppetry links

Links and brief notes about the puppetry community in Australia.

This is an idiosyncratic list, and I’m just compiling it as I get time, noting some I need to get back to by now by now (the end of 2020) completely out of date! The info in brackets is where the people or companies are based, and roughly when companies started. Some companies tend to use puppetry when it suits, rather than being wholly focused on puppetry. In the sidebar I’m experimenting with tracking Australian puppetry news on Twittter.  Do let me know if I’ve got things wrong or if you are listed but don’t want to be.

  • Australasian Drama Studies Vol 51, Oct 2007 Edited by Geoffrey Milne. Issue dedicated to puppetry in Australia, see contents and ordering back copies.
  • ArtPlay (2004, Melbourne) Australia’s only creative arts centre for children up to the age of 13 and their families. ArtPlay follows in the tradition of the Ark in Dublin Ireland, and is owned and operated by the City of Melbourne, and located at Birrarung Marr, behind Federation Square. ArtPlay fosters puppetry through PuppetLab and other ventures, and offers grants to artists working in varying artforms to become involved.
  • Anna Parry (Melbourne) Shadow puppet maker. Working with Stories from the Ground and Splitpin Limbs.
  • AboutFace Productions. (Melbourne) Tim Denton and Annie Forbes
  • Adam Elliot (Melbourne) Stop motion animator best known for his Academy Award winning short Harvie Krumpet and his feature film Mary & Max.
  • Al Martinez Studios (2001 – 2010, Melbourne) Maker extraordinaire Al Martinez and friends. Al headed up the making of the 2000 Olympic Opening and Closing Ceremonies, as well as those for the Melbourne Commonwealth Games.
  • Aphids (1994, Melbourne) Artist-led, project-driven and not-for-profit, Aphids undertakes cross-artform projects usually involving contemporary music, international cross-cultural exchanges and collaborations.
  • Anita Sinclair (Victoria) Anita’s book The Puppetry Handbook is a useful basic resource for makers and teachers.
  • Arena Theatre Company (1966, Melbourne) Artistic director Chris Kohn. Creating inspiring live performances that have a genuine dialogue with young audiences.
  • Asphyxia (Melbourne) independent puppeteer and maker known especially for her marionette show The Grimstones.
  • Alex Axelrad (Victoria) Retired puppet designer and maker, and puppeteer. (Lamont Puppets). Maker of Ossie (Ozzie?) Ostrich.
  • Balderdash Puppets (Brisbane)
  • Bananas in Pyjamas One of the most popular and enduring children’s TV programs with pre-schoolers in Australia. Made by the ABC, exported to 70 or more countries. Originally full body puppets, replaced by CGI.
  • Barking Gecko Theatre Company (1991, Perth)
  • Barking Spider Theatre (2006, Melbourne) An independent original visual theatre company, Barking Spider aims to challenge and enrich audiences of all ages through a combination of visual and performing art forms, such as puppetry, music and live performance. They draw in numerous freelance artists.
  • Beverley Campbell-Jackson. Puppet designer and maker, one of the founders of Spare Parts. Designed and knitted the puppets for the 1980’s ABC TV series Blinky Bill.
  • Big West Festival (1997, Melbourne) Cutting edge multiform art festival held biennially for 10 days in November.
  • Black Hole Theatre (1993, Melbourne) Black Hole is committed to cutting edge visual, object and puppet theatre. The company aims to engage, extend and disrupt imagination, and it’s adult productions are bold, often comic, dark, and always surprising. Rod Primrose, Nancy Black
  • Book Nook (Toowoomba, QL) Specialist performing arts bookshop run by Mary and Joe Sutherland. Mary worked with Handspan, and was a prolific puppet maker in the 90’s.
  • Born in a Taxi (1989, Melbourne) Original work for art festivals, street theatre festivals, performance seasons, organisations and corporate events.
  • Bottled Theatre (2008, Brisbane) Contemporary puppetry, theatre, and performance making.  @FB.
  • Boy Reporter (Sydney) Animation company creating unique and irreverent stories and characters, specializing in stop-motion. Founded by producer/animator Mick Elliott.
  • Bryan Woltjen (WA) Multi art-form designer and theatrical consultant.
  • Bryony Anderson (NSW) Puppet designer and maker
  • Camp Quality Puppets Using puppets to help and teach children to become more aware of the need to be caring and supportive of children who have cancer.
  • Carouselle Theatre Company (1985 – 1997, Adelaide) SA’s major puppetry company at the time. Polish founders; Wojciech Pisarek director.
  • Carrousel Theatre (1994, Melbourne) Encouraging the study of French, Italian and German language through puppetry
  • Catherine Roach (NSW/ACT) Puppet director and puppeteer.
  • Cecile Williams (WA) Visual artist, including theatre, costume and puppet design and making
  • Chantale Delrue (Tasmania) Artist and maker. Makes giant puppets for performance and festivals.
  • Company Gongoma (Melbourne) West African music, puppets and dance. Shadow puppets. Artistic director Jenny Ellis
  • Community Rites (Qld – Noosa region) Multi-media art events, installations and performances synthesised through interaction between artists and the communities. Leisa Gillham, Tamara Kirby and Ali Bates.
  • Corporate Creatures (2009, Sydney) Gary Friedman takes puppetry into the corporate world, using muppets for  innovative communication, entertainment and marketing in business.
  • Creature Technology Company (2005?, Melbourne) Large animatronic workshop making puppetry on a massive scale: cutting edge animatronics, new standards of realism and fluid movement, huge arena spectaculars. Known for Walking with Dinosaurs Live! Sonny Tilders, Philip Millar
  • Dave Jones (Natimuk, Victoria) Puppetmaker, puppeteer, sculptor, animator.
  • David Morgan (NSW) Puppet maker and puppeteer
  • Dead Puppet Society (Brisbane) Australian gothic theatre. Their productions incorporate puppetry, shadow work and live performance to create immersive worlds where the mythic sits alongside the macabre. @FB
  • Dream Puppets (Melbourne) Puppet theatre company presenting brilliantly visual productions to audiences of all ages. Dream Puppets is know for their whimsical Dreamer Trilogy and black light theatre. Richard Hart and Julia Davis.
  • Doogles (Illawarra region, NSW)
  • Ella Misso (Melbourne) Maker, costumer
  • Enemies of Reality (Canberra) Film and video production company, specialising in music videos, short films and animation. Presently working on the stop motion production Tegan the Vegan. Marissa Martin.
  • erth Visual and Physical (1990’s, Sydney) Produces original live theatre and eye popping visual experiences including giant puppetry, stilt-walkers, inflatable environments, aerial and flying creatures; festivals, communities and cultural institutions like museums. Scott Wright, Steve Howarth, Sharon Kerr.
  • Festive Factory (Woodend, Victoria) Specializes in roaming entertainment acts, family shows, and workshops.
  • Finegan Kruckemeyer (Tas) Playwright, works with Slingsby Theatre Company; wrote The Tragical Life of Cheeseboy.
  • Fleur Elise Noble (Adelaide?) Director/creator of visual-based theatre experiences which include drawing, animation, puppetry. @YouTube
  • Foley Bergere (1995, Fremantle, WA) Joanne Foley
  • Footlice Theatre Company (1986, Newcastle) David Harrison.  @FB
  • Gary Friedman (Melbourne) Puppeteer, performer, director and producer for live theatre, educational theatre and television. Gary trained with Jim Henson and runs regular workshops in puppetry for TV and film which include learning how to make and puppeteer muppet-style puppets. His other projects include Corporate Creatures,  a documentary feature film called Looking for a Monster, (based on an original puppet play written by a young boy in a concentration camp in 1943), and his blog.
  • Gabrielle Griffin (Adelaide) Puppeteer
  • Gilly McInnes (Melbourne) Writer, director, performer and dramaturge
  • Graeme Davis Puppet designer and maker. Does the wonderfully ghastly Mr Texta spoof of Mr Squiggle.
  • Grandan Puppets
  • Greg McKee’s Wildthings Animatronics (including pics of inside of the sheep from Babe)
  • Greg Methe (Tasmania) Designer and maker
  • Handspan Theatre (1977 – 2002, Melbourne)  Australia’s most influential and widely regarded puppet company during its time. See also their Archival Website – Handspan Theatre 1977 – 2002. Founded by Ken Evans, Andrew Hansen, Helen Rickards, Maeve Vella, Peter J. Wilson and Christine Woodcock.
  • Heath McIvor Puppeteer and performer.
  • Hilary Talbot (ACT) Maker; me.
  • Imogen Keen (Canberra) Designer, puppet and costume maker
  • Ingrid Maganov (NSW) Puppet designer,  maker, puppeteer/actor (?)
  • Jarrod Boutcher (Qld) Puppet maker, muppet style.
  • Jennifer Pfeiffer (Melbourne) Freelance dramaturge and writer with interests in cross-disciplinary and cross-cultural  puppetry work.
  • Jessica Wilson Freelance puppetry director; conceives, produces and directs theatre events including large-scale spectacle, community cultural development projects, and in-theatre works.
  • Jiri Zmitko (WA) Designer and puppet maker with Spare Parts. Expert maker of carved wooden puppets.
  • John Cox Creature Workshop (Brisbane) Internationally acclaimed leader in the design and manufacture of fantasy creatures, monsters and realistic animals. John received the 1995 Academy Award for Visual Effects for the movie Babe.  His student information tips pdf is worth reading.
  • Jonathon Oxlade (Brisbane) Theater designer and illustrator, also designs and makes puppets. Performs with The Escapists.
  • Kassandra Boswell (Sydney) Sculptor; puppet designer and maker
  • Katrina Gaskell (Melbourne) Designer and maker
  • Ken Evans
  • Ken Harper (Melbourne) Punch and Judy
  • Kite Studio (Sydney)
  • Kim Moyes
  • kneeHIGH (1995, Adelaide) Giant puppets, custom made images and visual spectacle. Tony Hannan and Emma O’Neill.
  • Krinkl Theatre (1999, Kyogle, NSW)  Lara Cruikshank and Padi Bolliger @FB
  • Lana Schwarcz Grandpa Sol and Grandma Rose. @MySpace
  • Larissa Deak (Brisbane) Puppeteer; shadow puppets
  • Lemony S (Melbourne)  Sarah Kriegler and Jacob Williams. Puppetry to disarm the audience and go deep to the core of what it is to be human – to attach meaning to symbols and signs, to empathize and to access the innate human ability to “suspend one’s disbelief”.
  • Lenka’s Puppets (Sydney) Lenka Muchova
  • Lismore Lantern Parade (1994, Lismore, NSW) Held annually in June. @FB
  • Mal Heap (Berowra, NSW) Puppeteer. Modigliani the Cat in The Ferals and Creature Features, Ollie (first Australian Sesame Street muppet), Waffle for Christian ministry.  Retrospective
  • Mana Puppets
  • Matthew McCoy (Sydney) Puppetry director and puppeteer. Walking with Dinosaurs Live, Farscape
  • Matt McVeigh (WA) Visual artist, designer – stage productions and community arts programs
  • Men of Steel (Melbourne) Anarchic object theatre and comedy in the kitchen, workplace and now icecream van.  New show is called Mr. Freezy (with Arena Theatre Company). Puppeteers Hamish Fletcher, Tamara Rewse, Stephen Noonan, and sound designer Jared Lewis.
  • Mixed Media Productions
  • Monkey Baa Theatre (1997, Sydney) Started by Tim McGarry, Sandie Eldridge and Eva Di Cesare. Outstanding theatre for young people. @FB
  • Mothers Art (1983, Melbourne) Unique design and construction facility servicing the diverse requirements of zoos, tourism attractions, public art, theatre arts and the architectural industry.
  • Murphy’s Puppets (Sydney) Wide repertoire of comedy, including Allenby’s Famous Flea Circus; educational programs and Commedia dell’Arte puppetry. Dennis Murphy.
  • Murray Raine Puppets (Sydney) Puppet cabaret with spectacular and outrageous marionettes, rod and glove puppets. Murray Raine.
  • My Darling Patricia (2003, Melbourne – Sydney) My Darling Patricia creates arresting, intimate, visual theatre, drawing inspiration from the epic visuals of Robert Wilson and Romeo Castellucci and the animation of Jan Svankmajer. Clare Britton, Bridget Dolan, Katrina Gill, Halcyon Macleod and Sam Routledge.
  • Nati Frinj (Natimuk, Victoria) Puppetry on the wheat silos!
  • Nel Simpson (Fremantle, WA) aerialist, part of Bizircus and Swerve arts
  • Noriko Nishimoto (Japan-Australia; WA)  Distinguished puppetry teacher, puppeteer, director, designer and writer. Associated with Spare Parts until 2002.
  • Norman Hetherington. Creator of Mr Squiggle and friends and upside-down squiggles.
  • Nick Hilligoss (Melbourne) Stop motion animator and director
  • Nigel Triffit Director, designer, writer. ‘Of the many outstanding individual contributors to the development of puppetry and visual theatre in Australia over the past thirty years, none stands out more than Nigel Triffit’ – Peter J. Wilson in The Space Between (see below). Created Momma’s Little Horror Show, Secrets, the Tap Dogs, the Eternity tap section of the Sydney 2000 Olympics, and others. Died July 20, 2012.
  • One Van International Puppet Festival (Blackheath, NSW) In 2010 One Van will be on the weekend beginning 1 May.
  • Passion Pictures (Melbourne) Presently working on a short CGI film of Shaun Tan’s The Lost Thing
  • Patch Theatre Company (1972, Adelaide) Artistic director Dave Brown. Distinctive and accessible performance for children four to eight years.
  • Peepshow Inc (early 2000’s, Melbourne) Image based theatre that blurs the line between imagination and magic, puppets and possibility. Core group plus collaboration with others. Artistic director Melinda Hetzel. FaceBook fan page.
  • Pelican Puppets (1992, Tasmania) Sean Manners
  • Peter J. Wilson (Melbourne) Master puppeteer, director, writer. Founder and head of the Victorian College of the Arts post-graduate puppetry course which ran from 2004 -2009. Author of The Space Between : The Art of Puppetry and Visual Theatre in Australia.
  • Peter L. Wilson
  • Philip Millar (Melbourne) Puppeteer, puppet maker and designer, head of fabrication at Creature Technology Company.
  • Pocketfool Productions Intimate, exciting, age-specific works for children, celebrating the power of play.
  • Polyglot Puppets (Melbourne) Sue Giles artistic director.
  • Pooka Puppet Company (Adelaide) contemporary theatre based puppetry works, with an emphasis on exploring the boundaries of the medium. Lachlan Haig, Ninian Donald
  • Preston’s Historic Punch and Judy (Adelaide) Keith Preston
  • Pupperoos (Sydney) Kay Yasugi, puppeteer and puppet maker
  • Puppetease Ross Browning. Ross was the puppeteer of Blinky Bill in the 1980’s ABC TV series Blinky Bill.
  • PuppetOOdle  (NSW/ACT) Duo of Marianne Mettes and Jonathan Mettes; puppetry and music for children’s entertainment and education. FB
  • Puppet Palace (2007, Adelaide) Annual event during the Adelaide Fringe. Keith Preston and Lachlan Haig
  • Puppetry Australia
  • Puppets in Melbourne (Melbourne) Naomi Guss.
  • Purple Capsicum Puppets (2008, Melbourne) Puppet shows and workshops for children of all ages; festivals and events. An offshoot of The indirect Object.
  • Rachael Wenona Guy (Melbourne) Puppeteer, maker, visual artist, singer, writer, theatre maker. Blog
  • Raymond Crowe Self-described unusualist, hand shadow puppetry
  • Reckless Moments (Shanghai) Barry Plews and Hu He. International multi-artform collaborations and coproductions. In 2009-10 collaborating with Terrapin Puppet Theatre on digital puppetry for When the Pictures Came.
  • Richard Bradshaw (NSW) Master shadow puppeteer.
  • Richard Jeziorny (Melbourne) Designer
  • Richard Mueck Sculptor and puppeteer in the film industry
  • Rob Matson (Melbourne?) Puppet maker and designer
  • Rod Hull and Emu Rod Hull developed his emu act in Australia in the 1960’s before returning to his native England. Emu was mute and anarchic, famous for his attack on Michael Parkinson and others.
  • Ron Mueck (London) Hyperrealist sculptor, began as a model maker and puppeteer in TV and film
  • Ross Hill (d. 1991) Master  puppeteer and maker. Worked widely in Australia then at Jim Henson’s Creature Shop in the 1980s, including on The Labyrinth. There is a Ross Hill puppet collection in Mildura.
  • Rubbery Figures Australian political satire from 1984-1990, created for TV by cartoonist and sculptor Peter Nicholson. Highlight videos. Australia’s version of Splitting Image.
  • Sanctum Theatre (Melbourne) Visual performance company. Lachlan Plain @FB
  • Sandpiper Productions. (WA) Sandy McKendrick.
  • School Performance Tours
  • Sean Kenan Hand shadow puppets
  • Shan Jayaweera puppeteer
  • Skite Vikingr AUSTRALIA Tamara Rewse
  • Slingsby Theatre Company (Adelaide) Crafting sophisticated, emotionally complex and original theatre productions for audiences aged ten through adulthood. Andy Packer (Artistic Director) and Jodi Glass (Executive Producer) and three key creative collaborators, Finegan Kruckemeyer (playwright), Quincy Grant (composer) and Geoff Cobham (designer). @FB
  • Snuff Puppets (1992, Melbourne) Giant puppet company, creating visceral and accessible theatrical experiences for their audiences. Trademark elements: a blackly dangerous humour, an incisive political satire, shamelessly handmade visual aesthetic; populist, free, joyous conflagration of art, audience and artist. @Flickr, @FB. Andy Freer, Pauline Cady
  • Spare Parts Puppet Theatre (Fremantle, WA) Philip Mitchell artistic director @FB
  • Splitpins Limbs (Melbourne) An offshoot of Stories from the Ground, now its own entity. Shadow puppets. Stephen Mushin, Sarita Ryan, Emily Smith, Anna Nilsson, Raku Pitt and others
  • Sticky Apple Legs (Melbourne)
  • Stories from the Ground Shadow Puppet Collective (Melborne) Stephen Mushin and friends. Micro-theatre shadow puppet troupe, I’ll forget You music video and associated live performances on Shadows and Light Tour 2009 with musician Lior.
  • Stuck Pigs Squealing Theatre (2000, Melbourne) Apocalypse Bear Trilogy
  • Stuffed Puppet (Amsterdam – Australia) master puppeteer Neville Tranter
  • Sue Harris Puppets (Adelaide)
  • Swerve Association
  • Sydney Puppet Theatre (1984, Sydney) Sue Wallace and Steve Coupe. Theatre of delight for family audiences: shadow, hand and rod and marionettes. From 1998 – 2005 they directed the One Van International Puppetry Festival in the Blue Mountains.
  • Terrapin Theatre Company (1981, Hobart, after Tasmanian Puppet and Marionette Theatre which was founded in 1970). Creating contemporary puppet theatre by using digital technologies in the animation of characters and the theatrical space .
  • The Escapists (Brisbane) Performance collective offering a highly stylised and hybridised form of populist entertainment, drawing on an anarchic attitude to bring a startling and adventurous approach to theatre making. Jonathon Oxlade, Matthew Ryan, Lucas Stibbard and Neridah Waters and guests. The Attack of the Attacking Attackers.
  • The Puppeteers(Mabel and Maude) Parody video series. @Facebook
  • Theatre of Image (1988, Sydney) TOI is an advocate for young people and their families. Through the vision of the Artistic Director, Kim Carpenter, Theatre of Image tells Australian and universal stories to our young people as much through visual and musical images as through words.
  • Theatre of the Sun (Railton, Tas) Marie-Martine Ferrari and Fabian Billerwell. Marie-Martine co-founded Skylark Theatre in Canberra in 1984.
  • The Indirect Object (Melbourne) ‘We believe puppetry and object theatre are sophisticated artforms for adult and youth audiences alike. Through collaboration, we develop new work, assist other companies to integrate puppetry or object theatre into their performance projects, fabricate puppets for our work, and on commission, and provide workshops in puppet fabrication and manipulation’.
  • The People’s Republic of Animation (Adelaide) Innovative studio dedicated to creating outstanding animation for all screens and formats. @YouTube @twitter
  • The Space Between : The Art of Puppetry and Visual Theatre in Australia Indispensable book detailing the art of puppetry and visual theatre in Australia over the last half decade, written by Peter J Wilson and Geoffrey Milne. Published by Currency Press.
  • Tipsy Teacup Productions creates mesmerising installation theatre that is like all remembered conversations over a cuppa: insightful, poignant, resonating and special. @FB
  • UNIMA Australia Our fellowship, the Australian branch of the international puppetry organization Union Internationale de la Marionnette
  • Upatree Arts (Qld) Collective producing community celebrations through puppetry, arts events, giant parade and lantern puppetry. @FB
  • Vanessa Ellis (Melbourne) Puppet maker and performer/puppeteer
  • Victorian College of the Arts Post Graduate Diploma and Masters in Puppetry This course, the only one of its kind in the Southern Hemisphere, produced a swag of innovative puppetry practitioners  from 2004 – 2009, when sadly it was closed in the merger of the VCA with Melbourne University.  Save the VCA.
  • Weeping Spoon Productions (Perth, WA) Theatre company formed by a group of young artists who found a common ground in creating exciting, vibrant, and relevant performances. In particular Tim Watts’s The Adventures of  Alvin Sputnik: Deep Sea Explorer. @FB
  • Wes Champion (NSW) Puppet maker/designer. Specializing in carved wooden puppets.
  • Windmill Performing Arts (Adelaide) @FB
  • Wojciech Pisarek (Adelaide) Puppet theatre director and digital artist. One of the founders of Carouselle Theatre Company, now teaches and researches real time performance with digital puppetry at Flinders Drama Centre.
  • Woodford Folk Festival (Qld) Held at the turn of each year @FB
  • Y Space (Natimuk, Vic) Project based performance art involving rockclimbers, dancers and puppetry to create work in unusual and high places.

Where the Wild Things Are: link dump

Sendak

(Photo credit: wellingtonany)

Mentioning the Spike Jonze film adaptation of Where the Wild Things Are a few days ago reminded me that I had a bunch of WWTA/Sendak links that I collected when I was trying to scrounge information about the film. (As it happens they are keeping things very well under wraps, which is understandable.)

Take a Swim on the Wild Side: article about the filming taking place in Nov 2006 on the Mornington Peninsula, Victoria. There are two pictures of one of the monsters on the beach,and wading out in the water, but don’t get too excited – they are so tiny you can’t really make anything out! It describes the puppets (made by Henson) as follows:

The seven creatures stand up to 275 centimetres tall. Although made of foam, they are heavy and hot for the actors and stunt doubles operating them. Word is they wear them with the head on for no more than 30 minutes at a time, with 10 and 15-minute breaks in front of an air-conditioner… Heavy boots inside the suit and massive clawed hands make it difficult to move.

Loungelistener’s photoset of the performance of Where the Wild Things Are at Detroit Opera House, performed by the Grand Rapids Ballet. Some very cool picture of huge puppets on stage and behind the scenes.

Hand puppets and soft toys, and here
Action figures 1,2,3,4,5,6
Graffiti/stencil in Melbourne
Stencil art
Jack-o-lantern
Leg tattoo
Max tattoo
Mural in LA
Mural at the Philadelphia Flower Show, 2006
Costumes at DragonCon
Float in Mardi Gras, New Orleans, 2006
Pavement chalk art
6 part home videos of WWTA Interactive Metreon theme park – glimpses of one of the big puppets.
The Rosenbach Museum has Sendak Gallery (holding original drawings), shop, and is hosting a Spring Festival this coming week
Mommy a video about Sendak’s new pop-up book.
WWTA animation, I think the 1988 one.

There now, I can delete my Wild Things bookmark folder!

That Camel Costume

Given my interest in big mascots, kitsch and otherwise, of course my attention was grabbed by the camel costume story a few days ago. A man travelling from Sydney to Melbourne on a Qantas flight checked in luggage which included both a camel and a crocodile costume. Twenty minutes later he saw a baggage handler wearing the head of his camel suit, driving to and fro on the tarmac. Apart from the usual concerns one might have about interference with one’s private belongs and security, the story has wider implications at the moment because of suspicions that Schapelle Corby is an innocent victim of domestic drug running, where baggage handlers might be involved.

Here are a few other links to pictures:

Camel and crocodile picture (via The Sydney Morning Herald, photo Northern Territory Tourist Commission)
Camel head face-on close-up (via The Courier Mail)
Report and picture of the characters in action at the gig they were on the way to, promoting (for the Northern Territory Tourist Commission) the Bulldogs-Carlton AFL game at Marrara Oval, Darwin, to be played onJune 18.

Qantas has launched a full inquiry, the baggage handler has been sacked and the airline has reimbursed the owner for dry-cleaning the camel’s head. And the Northern Territory Tourist Commission can’t be too unhappy. The unforseen advantages kind of remind me of those in Arlo Guthrie’s Alice’s Restaurant – “I didn’t get nothin’. I had to pay fifty dollars and
pick up the garbage”.