creatures

Peter and the Wolf stopmotion animation

peter

Suzie Templeton’s animated short of Peter and the Wolf has, among other things, the most gorgeous and engaging Indian Runner duck. My pet ducks are Runners, and I just love them. Be warned, though, Peter’s one doesn’t make it…

The other three parts follow at YouTube. The film won an Academy Award in 2008 for Best Animated Short Film and is based on the 1936 composition of Peter and the Wolf by Sergei Prokofiev. I found a little bit info about the puppets at Pollystaffle.

(Via Espaço das Marionet@s)

Wow! King Kong for stage!

kingkong

Photo credit: Simon Schluter, The Age

This spectacular 7-metre-tall animatronic puppet of King Kong is being built by the Creature Technology Company in Melbourne, the company that produced the amazing arena show Walking with Dinosaurs Live, which is currently touring the UK after extensive performances in the US.

The puppet is being built for King Kong on Stage, a stage adaptation for New York’s Radio City Music Hall in 2011.

According to an article in The Age,

The partially built King Kong is now a high-tech assemblage of steel, fibreglass, airbags and Lycra-encased polystyrene. When modelling is finished by late next year, he will be controlled by 70 cigarette pack-sized motors. His face alone will conceal 40 of the motors to communicate his emotions as he is transported from Skull Island to Manhattan, where he finds love with a young blonde and a precarious position on top of the Empire State Building.

King Kong Live on Stage will use up to five models of King Kong with each operated by three puppeteers using remote technology called a ”voodoo rig” from backstage.

Interestingly, in the light of the suspension of the puppetry course at the Victorian College of the Arts, Creative Technology has 32 full-time staff and 14 VCA graduates working in its puppet fabrication department, and expects to employ 60 people on the King Kong project by next year. They see the VCA puppetry course as a vital in training the type of skilled people they will be looking to employ in the future.

‘Melbourne is in the running to become the world centre for animatronic design and puppetry but it won’t happen if they remove the puppetry course,” said Mr Barcham (CTC general manager). ”Those people [making the decision] wouldn’t even know there’s a new genre of entertainment coming out of Melbourne.”

Previously:

Puppets for Canberra Youth Theatre’s TANK

I had a really enjoyable build recently, making a swag of zany puppets and props for Canberra Youth Theatre‘s production TANK, which is playing now at Canberra’s spring flower extravagaza, FloriadeTANK is a rather Pythonesque look at our relationship to water, written by Adam Hadley, directed by Pip Buining, and designed by Imogen Keen. It’s told in six 6-minute stories, played to an audience of six per story. Performances are free and run at Floriade on 12,13, 19, 20, 26 and 27 September 2009. Later, on 23 – 28 November, it will play in Garema Place in Canberra CBD, at 11am and 12noon.

Here are some of the puppets and props; check my Flickr portfolio set for others.

The meercat and the meercat hat:

Meercat puppet

Meercat puppet and hat

Yiying Lu in the meercat hat!

Yiying Lu in the meer cat hat :)

I got rather fond of the hat…

Meercat hat

The pirate captain (finger puppet):

Pirate captain

The rat (rod puppet):

Rat puppet

Kevin, the polar bear (worn on shoulders):

Polar bear

Hans and Donaldine, or the other way around… (glove puppets):

Hans and Donaldine

The shark (worn on shoulders):

Shark puppet

The amoebas (glove puppets):

Amoeba puppets

The eggbeater time machine! Love this great design idea!

Time machine

Two rockets:

Rockets

The multiple eyes of Veruna, the water goddess. In motion.

Veruna's eyes

Fantastic Mr. Fox trailer

The trailer for Fantastic Mr Fox. Hmmm.  I wish the animals didn’t have such people-like figures.

Previously: Fantastic Mr. Fox movie: first glimpse of puppets.

Fantastic Mr. Fox movie: first pictures of puppets

fantasticfox

Roald Dahl’s great story Fantastic Mr. Fox is being adapted for the big screen using stop-motion animation.  Some early glimpses of the puppets have been released, and the trailer will be out at the end of the month. (Update: here it is).  More details about the production at USA Today.  As usual I am anxious about how it will be interpreted!

Fox2

Fox

First glimpse of animation adaptation of Shaun Tan’s The Lost Thing

The Lost Thing

InFrame.tv has produced a great 5 minute documentary with Shaun Tan which offers an introductory glimpse at the work-in-progress on his short animated adaptation of  The Lost Thing. It includes little (unfinished) animation clips, and aspects of designing and directing the work. On his website Shaun also writes about his involvement and includes some interesting new sketches and models. I noted the film in 2005, so it is exciting that it is expected to be finished this August!

The film, by Passion Pictures, will be 15 minutes long, and uses CGI with 2D handpainted elements. I’m interested in the comments about achieving rich textures, as they are so much part of the illustrations, and CGI is often so disappointingly smooth and shiny.

I’m happy to see a new book, too: Tales from Outer Suburbia.

I worked on the puppets for Jigsaw Theatre Company’s production of The Lost Thing a few years ago, so you will find numerous related previous posts here:

The Lost Thing
Shaun Tan

Also: The Lost Thing website

Awesome: papercraft Ceiling Cat

ceilingcat

Yes, I know now that this has been all over the web, but I only saw it today: Tubbypaws’s papercraft Ceiling Cat.

Lull

Andrew Bird – Lull (daytrotter version): cool music, interesting shadow puppetry and animation.

(via Loobylu Tumbles)

Desirée, my dear dead manta ray

Manta ray

This is the big dead manta ray prop that I made for the Street Theatre’s production of Jacques Brel is alive and well and living in Paris.  Sadly Desirée – my name for her  – was cut from the final production, but I loved making her.  Manta rays are such awesome creatures!

Because she had a wingspan of over 2 metres, I decided chalk on the floor was a good way to start drawing up a pattern. I also bought myself a little plastic model of a manta to refer to, which turned out to be useful.

Manta ray

From this I traced a pattern onto butcher’s paper and from there onto sheets of polystyrene which were then built up and glued into a block.

Manta ray

I also decided to insert a strip of thin plywood into the underside right across the width of the wingspan, so that the wings would be protected from breaking, especially at the tips. I also did that with the fins that I added.

Then much shaping with a really sharp knife, a narrow power belt  sander, and sandpaper. I decided to keep the surface a bit rough, which often makes it easier for an audience to read.

When I use polystyrene that will just have a painted finish I skin it with muslin first. Here you can just see some of the muslin draped over the spray adhesive can on the right.

Manta ray

I usually add a little bit of latex to the first coat of paint to help make everything stick to the styrene.

Manta ray

Then it’s on to colouring; for the final shading I used spray paint so that the colours merged softly. It was tricky to seat in the eyes (painted and glossed wooden door knobs) and get the shape of the upper eyelid right.

Manta ray

There are a few more in-between photos in my photoset at Flickr.